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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 126.8 163.4 it is the complementary color RGB 133 128.2 91.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 126.8 163.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 126.8 163.4 shade: RGB 127 126.8 158.4, RGB 144 144.8 177.4, RGB 161 162.8 196.4, RGB 178 180.8 215.4 and RGB 195 198.8 234.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 126.8 163.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 126.8 163.4 shade: RGB 122 126.8 163.4, RGB 105 108.8 144.4, RGB 88 90.8 125.4, RGB 71 72.8 106.4 and RGB 54 54.8 87.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 126.8 163.4 shade: RGB 123 127 163, RGB 129 123 163, RGB 140 123 163, RGB 151 123 163 and RGB 161 123 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 126.8 163.4 shade: RGB 123 127 163 and RGB 123 123 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 126.8 163.4 shade matches the following richer shades: RGB 123 127 163, RGB 104 113 181, RGB 86 99 199, RGB 68 85 217 and RGB 50 72 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 126.8 163.4 shade: RGB 123 127 163, RGB 141 141 145, RGB 159 155 127, RGB 177 169 109 and RGB 195 183 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 126.8 163.4 shade: RGB 123 149 163, RGB 123 138 163, RGB 123 127 163, RGB 129 123 163 and RGB 139 123 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 126.8 163.4 shade: RGB 83 88 120, RGB 100 105 144, RGB 123 127 163, RGB 147 151 180 and RGB 171 174 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 126.8 163.4 shade: RGB 122 126.8 163.4, RGB 163 123 160 and RGB 143 163 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 126.8 163.4 shade: RGB 122 126.8 163.4, RGB 163 123 127 and RGB 127 163 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 126.8 163.4 shade: RGB 122 126.8 163.4, RGB 163 123 160, RGB 163 158 123 and RGB 123 163 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 126.8 163.4 shade: RGB 122 126.8 163.4, RGB 163 123 148, RGB 163 158 123 and RGB 123 163 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

Complementary color

CMYK 0 / 4 / 31 / 48

HEX #85805B

RGB 133 128.2 91.6

HSL 53.04, 0.18%, 0.44%

LAB 53.21, -4.29, 20.56

 

CMYK 20 / 20 / 0 / 38

HEX #7F7E9E

RGB 127 126.8 158.4

HSL 240.38, 0.14%, 0.56%

LAB 54.16, 7.01, -16.84

 

CMYK 19 / 18 / 0 / 30

HEX #9090B1

RGB 144 144.8 177.4

HSL 238.56, 0.18%, 0.63%

LAB 61.05, 6.68, -17.11

 

CMYK 18 / 17 / 0 / 23

HEX #A1A2C4

RGB 161 162.8 196.4

HSL 236.95, 0.23%, 0.7%

LAB 67.8, 6.38, -17.41

 

CMYK 17 / 16 / 0 / 16

HEX #B2B4D7

RGB 178 180.8 215.4

HSL 235.51, 0.32%, 0.77%

LAB 74.42, 6.1, -17.71

 

CMYK 17 / 15 / 0 / 8

HEX #C3C6EA

RGB 195 198.8 234.4

HSL 234.21, 0.49%, 0.84%

LAB 80.92, 5.85, -18.03

 

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

CMYK 27 / 25 / 0 / 43

HEX #696C90

RGB 105 108.8 144.4

HSL 234.21, 0.16%, 0.49%

LAB 46.87, 7, -19.92

 

CMYK 30 / 28 / 0 / 51

HEX #585A7D

RGB 88 90.8 125.4

HSL 235.51, 0.18%, 0.42%

LAB 39.6, 7.46, -19.79

 

CMYK 33 / 32 / 0 / 58

HEX #47486A

RGB 71 72.8 106.4

HSL 236.95, 0.2%, 0.35%

LAB 32.1, 8.01, -19.73

 

CMYK 38 / 37 / 0 / 66

HEX #363657

RGB 54 54.8 87.4

HSL 238.56, 0.24%, 0.28%

LAB 24.3, 8.71, -19.75

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 21 / 25 / 0 / 36

HEX #817BA3

RGB 129 123 163

HSL 249, 0.18%, 0.56%

LAB 53.47, 11, -20.54

 

CMYK 14 / 25 / 0 / 36

HEX #8C7BA3

RGB 140 123 163

HSL 265.5, 0.18%, 0.56%

LAB 54.43, 14.65, -18.98

 

CMYK 7 / 25 / 0 / 36

HEX #977BA3

RGB 151 123 163

HSL 282, 0.18%, 0.56%

LAB 55.47, 18.4, -17.3

 

CMYK 1 / 25 / 0 / 36

HEX #A17BA3

RGB 161 123 163

HSL 297, 0.18%, 0.56%

LAB 56.47, 21.85, -15.69

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 25 / 25 / 0 / 36

HEX #7B7BA3

RGB 123 123 163

HSL 240, 0.18%, 0.56%

LAB 52.97, 9.06, -21.34

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 43 / 38 / 0 / 29

HEX #6871B5

RGB 104 113 181

HSL 232.99, 0.34%, 0.56%

LAB 49.6, 14.39, -37.13

 

CMYK 57 / 50 / 0 / 22

HEX #5663C7

RGB 86 99 199

HSL 233.1, 0.5%, 0.56%

LAB 45.67, 24.52, -53.87

 

CMYK 69 / 61 / 0 / 15

HEX #4455D9

RGB 68 85 217

HSL 233.15, 0.66%, 0.56%

LAB 42.36, 36.4, -69.61

 

CMYK 79 / 69 / 0 / 7

HEX #3248EC

RGB 50 72 236

HSL 232.9, 0.83%, 0.56%

LAB 40.2, 48.96, -84

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 3 / 3 / 0 / 43

HEX #8D8D91

RGB 141 141 145

HSL 240, 0.02%, 0.56%

LAB 58.75, 0.79, -2.13

 

CMYK 0 / 3 / 20 / 38

HEX #9F9B7F

RGB 159 155 127

HSL 52.5, 0.14%, 0.56%

LAB 63.63, -3.36, 15.23

 

CMYK 0 / 5 / 38 / 31

HEX #B1A96D

RGB 177 169 109

HSL 52.94, 0.3%, 0.56%

LAB 68.63, -6.11, 32

 

CMYK 0 / 6 / 54 / 24

HEX #C3B75A

RGB 195 183 90

HSL 53.14, 0.47%, 0.56%

LAB 73.68, -7.89, 48.17

 

CMYK 25 / 9 / 0 / 36

HEX #7B95A3

RGB 123 149 163

HSL 201, 0.18%, 0.56%

LAB 60.2, -5.87, -10.38

 

CMYK 25 / 15 / 0 / 36

HEX #7B8AA3

RGB 123 138 163

HSL 217.5, 0.18%, 0.56%

LAB 57.11, 0.33, -15.04

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 21 / 25 / 0 / 36

HEX #817BA3

RGB 129 123 163

HSL 249, 0.18%, 0.56%

LAB 53.47, 11, -20.54

 

CMYK 15 / 25 / 0 / 36

HEX #8B7BA3

RGB 139 123 163

HSL 264, 0.18%, 0.56%

LAB 54.34, 14.32, -19.12

 

CMYK 31 / 27 / 0 / 53

HEX #535878

RGB 83 88 120

HSL 231.89, 0.18%, 0.4%

LAB 38.15, 6.09, -18.75

 

CMYK 31 / 27 / 0 / 44

HEX #646990

RGB 100 105 144

HSL 233.18, 0.18%, 0.48%

LAB 45.4, 7.6, -21.99

 

CMYK 25 / 22 / 0 / 36

HEX #7B7FA3

RGB 123 127 163

HSL 234, 0.18%, 0.56%

LAB 54.06, 6.7, -19.67

 

CMYK 18 / 16 / 0 / 29

HEX #9397B4

RGB 147 151 180

HSL 232.73, 0.18%, 0.64%

LAB 63.04, 4.74, -15.56

 

CMYK 13 / 12 / 0 / 23

HEX #ABAEC5

RGB 171 174 197

HSL 233.08, 0.18%, 0.72%

LAB 71.53, 3.59, -12.05

 

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

CMYK 0 / 25 / 2 / 36

HEX #A37BA0

RGB 163 123 160

HSL 304.5, 0.18%, 0.56%

LAB 56.58, 21.96, -13.78

 

CMYK 12 / 0 / 25 / 36

HEX #8FA37B

RGB 143 163 123

HSL 90, 0.18%, 0.56%

LAB 64.53, -14.44, 18.51

 

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

CMYK 0 / 25 / 22 / 36

HEX #A37B7F

RGB 163 123 127

HSL 354, 0.18%, 0.56%

LAB 55.57, 16.17, 3.87

 

CMYK 22 / 0 / 25 / 36

HEX #7FA37B

RGB 127 163 123

HSL 114, 0.18%, 0.56%

LAB 63.46, -20.32, 16.85

 

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

CMYK 0 / 25 / 2 / 36

HEX #A37BA0

RGB 163 123 160

HSL 304.5, 0.18%, 0.56%

LAB 56.58, 21.96, -13.78

 

CMYK 0 / 3 / 25 / 36

HEX #A39E7B

RGB 163 158 123

HSL 52.5, 0.18%, 0.56%

LAB 64.7, -4.02, 18.98

 

CMYK 25 / 0 / 23 / 36

HEX #7BA37E

RGB 123 163 126

HSL 124.5, 0.18%, 0.56%

LAB 63.27, -21.19, 14.9

 

CMYK 25 / 22 / 0 / 36

HEX #7A7EA3

RGB 122 126.8 163.4

HSL 233.04, 0.18%, 0.56%

LAB 53.95, 6.6, -20.09

 

CMYK 0 / 25 / 9 / 36

HEX #A37B94

RGB 163 123 148

HSL 322.5, 0.18%, 0.56%

LAB 56.18, 19.72, -7.43

 

CMYK 0 / 3 / 25 / 36

HEX #A39E7B

RGB 163 158 123

HSL 52.5, 0.18%, 0.56%

LAB 64.7, -4.02, 18.98

 

CMYK 25 / 0 / 15 / 36

HEX #7BA38A

RGB 123 163 138

HSL 142.5, 0.18%, 0.56%

LAB 63.54, -18.89, 8.6

 

Description

Color code: RGB 122 126.8 163.4 | qconv.com Color code: RGB 122 126.8 163.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 126.8 green and 163.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 126.8 163.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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