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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 76 159 it is the complementary color RGB 134 179 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 76 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 76 159: RGB 126 76 154, RGB 143 94 173, RGB 160 112 192, RGB 177 130 211 and RGB 194 148 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 76 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 76 159: RGB 121 76 159, RGB 104 58 140, RGB 87 40 121, RGB 70 22 102 and RGB 53 4 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

Complementary color

CMYK 25 / 0 / 46 / 30

HEX #86B360

RGB 134 179 96

HSL 92.53, 0.35%, 0.54%

LAB 68.13, -29.7, 37.47

 

CMYK 18 / 51 / 0 / 40

HEX #7E4C9A

RGB 126 76 154

HSL 278.46, 0.34%, 0.45%

LAB 41.12, 35.64, -34.47

 

CMYK 17 / 46 / 0 / 32

HEX #8F5EAD

RGB 143 94 173

HSL 277.22, 0.33%, 0.52%

LAB 48.09, 34.77, -34.61

 

CMYK 17 / 42 / 0 / 25

HEX #A070C0

RGB 160 112 192

HSL 276, 0.39%, 0.6%

LAB 54.94, 33.94, -34.74

 

CMYK 16 / 38 / 0 / 17

HEX #B182D3

RGB 177 130 211

HSL 274.81, 0.48%, 0.67%

LAB 61.67, 33.15, -34.86

 

CMYK 16 / 36 / 0 / 10

HEX #C294E6

RGB 194 148 230

HSL 273.66, 0.62%, 0.74%

LAB 68.29, 32.42, -34.99

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 26 / 59 / 0 / 45

HEX #683A8C

RGB 104 58 140

HSL 273.66, 0.41%, 0.39%

LAB 33.7, 36.32, -37.92

 

CMYK 28 / 67 / 0 / 53

HEX #572879

RGB 87 40 121

HSL 274.81, 0.5%, 0.32%

LAB 26.52, 37.13, -37.69

 

CMYK 31 / 78 / 0 / 60

HEX #461666

RGB 70 22 102

HSL 276, 0.65%, 0.24%

LAB 19.37, 37.48, -37.1

 

CMYK 36 / 95 / 0 / 67

HEX #350453

RGB 53 4 83

HSL 277.22, 0.91%, 0.17%

LAB 12.4, 36.85, -35.84

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 16 / 52 / 0 / 38

HEX #854C9E

RGB 133 76 158

HSL 281.71, 0.35%, 0.46%

LAB 42.19, 38.57, -35.11

 

CMYK 7 / 52 / 0 / 38

HEX #934C9E

RGB 147 76 158

HSL 291.95, 0.35%, 0.46%

LAB 44, 42.62, -32.13

 

CMYK 0 / 52 / 2 / 38

HEX #9E4C9B

RGB 158 76 155

HSL 302.2, 0.35%, 0.46%

LAB 45.37, 45.26, -28.1

 

CMYK 0 / 52 / 11 / 38

HEX #9E4C8D

RGB 158 76 141

HSL 312.44, 0.35%, 0.46%

LAB 44.75, 42.78, -20.66

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 24 / 52 / 0 / 18

HEX #A064D2

RGB 160 100 210

HSL 272.73, 0.55%, 0.61%

LAB 53.21, 44.68, -47.73

 

CMYK 17 / 50 / 0 / 98

HEX #050306

RGB 5 3 6

HSL 280, 0.33%, 0.02%

LAB 1, 0.94, -0.95

 

CMYK 25 / 53 / 0 / 78

HEX #2B1B39

RGB 43 27 57

HSL 272, 0.36%, 0.16%

LAB 13.19, 15.09, -16.53

 

CMYK 24 / 52 / 0 / 58

HEX #52346C

RGB 82 52 108

HSL 272.14, 0.35%, 0.31%

LAB 27.66, 25.44, -27.61

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 0 / 52 / 38 / 38

HEX #9E4C62

RGB 158 76 98

HSL 343.9, 0.35%, 0.46%

LAB 43.24, 36.44, 3.33

 

CMYK 52 / 0 / 45 / 38

HEX #4C9E57

RGB 76 158 87

HSL 128.05, 0.35%, 0.46%

LAB 58.68, -40.56, 29.58

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 0 / 24 / 52 / 38

HEX #9E784C

RGB 158 120 76

HSL 32.2, 0.35%, 0.46%

LAB 53.19, 9.31, 29.77

 

CMYK 52 / 0 / 24 / 38

HEX #4C9E78

RGB 76 158 120

HSL 152.2, 0.35%, 0.46%

LAB 59.29, -34.27, 12.34

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 0 / 52 / 38 / 38

HEX #9E4C62

RGB 158 76 98

HSL 343.9, 0.35%, 0.46%

LAB 43.24, 36.44, 3.33

 

CMYK 28 / 0 / 52 / 38

HEX #729E4C

RGB 114 158 76

HSL 92.2, 0.35%, 0.46%

LAB 60.39, -29.54, 37.79

 

CMYK 52 / 0 / 14 / 38

HEX #4C9E88

RGB 76 158 136

HSL 163.9, 0.35%, 0.46%

LAB 59.68, -30.54, 3.88

 

CMYK 24 / 52 / 0 / 38

HEX #794C9F

RGB 121 76 159

HSL 272.53, 0.35%, 0.46%

LAB 40.8, 35.39, -38.01

 

CMYK 0 / 51 / 52 / 38

HEX #9E4E4C

RGB 158 78 76

HSL 1.46, 0.35%, 0.46%

LAB 43.12, 32.98, 16.67

 

CMYK 28 / 0 / 52 / 38

HEX #729E4C

RGB 114 158 76

HSL 92.2, 0.35%, 0.46%

LAB 60.39, -29.54, 37.79

 

CMYK 52 / 2 / 0 / 38

HEX #4C9B9E

RGB 76 155 158

HSL 182.2, 0.35%, 0.46%

LAB 59.39, -23.28, -9.01

 

Description

Color code: RGB 121 76 159 | qconv.com Color code: RGB 121 76 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 76 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 76 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 52 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 52% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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