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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 192 223 it is the complementary color RGB 134 63 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 192 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 121 192 223: RGB 126 192 218, RGB 143 210 237, RGB 160 228 255, RGB 177 246 255 and RGB 194 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 192 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 121 192 223: RGB 121 192 223, RGB 104 174 204, RGB 87 156 185, RGB 70 138 166 and RGB 53 120 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

Complementary color

CMYK 0 / 53 / 76 / 47

HEX #863F20

RGB 134 63 32

HSL 18.24, 0.61%, 0.33%

LAB 35.45, 28.14, 32.44

 

CMYK 42 / 12 / 0 / 15

HEX #7EC0DA

RGB 126 192 218

HSL 196.96, 0.55%, 0.67%

LAB 74.32, -14.26, -19.59

 

CMYK 40 / 11 / 0 / 7

HEX #8FD2ED

RGB 143 210 237

HSL 197.23, 0.72%, 0.75%

LAB 80.77, -14.38, -19.96

 

CMYK 37 / 11 / 0 / 0

HEX #A0E4FF

RGB 160 228 255

HSL 197.05, 1%, 0.81%

LAB 87.09, -14.72, -19.85

 

CMYK 31 / 4 / 0 / 0

HEX #B1F6FF

RGB 177 246 255

HSL 186.92, 1%, 0.85%

LAB 92.79, -19.23, -11.21

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 49 / 15 / 0 / 20

HEX #68AECC

RGB 104 174 204

HSL 198, 0.5%, 0.6%

LAB 67.71, -13.9, -22.08

 

CMYK 53 / 16 / 0 / 27

HEX #579CB9

RGB 87 156 185

HSL 197.76, 0.41%, 0.53%

LAB 61.05, -13.58, -21.72

 

CMYK 58 / 17 / 0 / 35

HEX #468AA6

RGB 70 138 166

HSL 197.5, 0.41%, 0.46%

LAB 54.27, -13.15, -21.35

 

CMYK 64 / 18 / 0 / 42

HEX #357893

RGB 53 120 147

HSL 197.23, 0.47%, 0.39%

LAB 47.36, -12.55, -20.96

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 46 / 22 / 0 / 13

HEX #77AEDE

RGB 119 174 222

HSL 207.96, 0.61%, 0.67%

LAB 69.09, -5.24, -29.79

 

CMYK 46 / 29 / 0 / 13

HEX #779DDE

RGB 119 157 222

HSL 217.86, 0.61%, 0.67%

LAB 64.41, 4.29, -37.05

 

CMYK 46 / 37 / 0 / 13

HEX #778CDE

RGB 119 140 222

HSL 227.77, 0.61%, 0.67%

LAB 59.85, 14.16, -44.21

 

CMYK 46 / 45 / 0 / 13

HEX #777ADE

RGB 119 122 222

HSL 238.25, 0.61%, 0.67%

LAB 55.19, 24.85, -51.59

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 47 / 16 / 0 / 93

HEX #0A1013

RGB 10 16 19

HSL 200, 0.31%, 0.06%

LAB 4.36, -1.24, -2.31

 

CMYK 46 / 14 / 0 / 73

HEX #263C46

RGB 38 60 70

HSL 198.75, 0.3%, 0.21%

LAB 23.95, -5.54, -8.87

 

CMYK 45 / 14 / 0 / 53

HEX #426879

RGB 66 104 121

HSL 198.55, 0.29%, 0.37%

LAB 41.91, -8.56, -13.72

 

CMYK 46 / 14 / 0 / 33

HEX #5D94AC

RGB 93 148 172

HSL 198.23, 0.32%, 0.52%

LAB 58.5, -11.56, -18.24

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 23 / 46 / 0 / 13

HEX #AA77DE

RGB 170 119 222

HSL 269.71, 0.61%, 0.67%

LAB 58.99, 39.74, -45.28

 

CMYK 0 / 5 / 46 / 13

HEX #DED377

RGB 222 211 119

HSL 53.59, 0.61%, 0.67%

LAB 83.68, -8.62, 46.66

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 0 / 46 / 14 / 13

HEX #DE77BF

RGB 222 119 191

HSL 318.06, 0.61%, 0.67%

LAB 63.74, 49.2, -19.97

 

CMYK 14 / 0 / 46 / 13

HEX #BFDE77

RGB 191 222 119

HSL 78.06, 0.61%, 0.67%

LAB 84.3, -26.21, 46.9

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 23 / 46 / 0 / 13

HEX #AA77DE

RGB 170 119 222

HSL 269.71, 0.61%, 0.67%

LAB 58.99, 39.74, -45.28

 

CMYK 0 / 32 / 46 / 13

HEX #DE9677

RGB 222 150 119

HSL 18.06, 0.61%, 0.67%

LAB 68.51, 23.56, 27.33

 

CMYK 23 / 0 / 46 / 13

HEX #AADE77

RGB 170 222 119

HSL 90.29, 0.61%, 0.67%

LAB 82.98, -33.98, 44.97

 

CMYK 46 / 14 / 0 / 13

HEX #79C0DF

RGB 121 192 223

HSL 198.24, 0.61%, 0.67%

LAB 74.25, -14.14, -22.42

 

CMYK 9 / 46 / 0 / 13

HEX #C977DE

RGB 201 119 222

HSL 287.77, 0.61%, 0.67%

LAB 62.41, 48.43, -39.66

 

CMYK 0 / 32 / 46 / 13

HEX #DE9677

RGB 222 150 119

HSL 18.06, 0.61%, 0.67%

LAB 68.51, 23.56, 27.33

 

CMYK 37 / 0 / 46 / 13

HEX #8CDE77

RGB 140 222 119

HSL 107.77, 0.61%, 0.67%

LAB 81.37, -44.19, 42.63

 

Description

Color code: RGB 121 192 223 | qconv.com Color code: RGB 121 192 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 192 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 192 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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