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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121.7 92.6 112 it is the complementary color RGB 133.3 162.4 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121.7 92.6 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121.7 92.6 112 shade: RGB 126.7 92.6 107, RGB 143.7 110.6 126, RGB 160.7 128.6 145, RGB 177.7 146.6 164 and RGB 194.7 164.6 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121.7 92.6 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121.7 92.6 112 shade: RGB 121.7 92.6 112, RGB 104.7 74.6 93, RGB 87.7 56.6 74, RGB 70.7 38.6 55 and RGB 53.7 20.6 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121.7 92.6 112 shade: RGB 122 92 112, RGB 122 92 104, RGB 122 92 96 and RGB 122 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121.7 92.6 112 shade: RGB 122 92 112, RGB 122 92 120, RGB 116 92 122, RGB 108 92 122 and RGB 100 92 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121.7 92.6 112 shade matches the following richer shades: RGB 122 92 112, RGB 139 75 118, RGB 157 57 124, RGB 174 40 129 and RGB 191 23 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121.7 92.6 112 shade: RGB 122 92 112, RGB 105 109 106, RGB 87 127 101, RGB 70 144 95 and RGB 53 161 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121.7 92.6 112 shade: RGB 116 92 122, RGB 122 92 120, RGB 122 92 112, RGB 122 92 104 and RGB 122 92 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121.7 92.6 112 shade: RGB 75 57 69, RGB 99 74 91, RGB 122 92 112, RGB 146 110 134 and RGB 163 133 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121.7 92.6 112 shade: RGB 121.7 92.6 112, RGB 122 108 92 and RGB 92 122 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121.7 92.6 112 shade: RGB 121.7 92.6 112, RGB 112 122 92 and RGB 92 112 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121.7 92.6 112 shade: RGB 121.7 92.6 112, RGB 122 108 92, RGB 92 122 102 and RGB 92 106 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121.7 92.6 112 shade: RGB 121.7 92.6 112, RGB 122 117 92, RGB 92 122 102 and RGB 92 97 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

Complementary color

CMYK 18 / 0 / 12 / 36

HEX #85A28F

RGB 133.3 162.4 143

HSL 140, 0.14%, 0.58%

LAB 64.14, -14.06, 6.75

 

CMYK 0 / 27 / 16 / 50

HEX #7E5C6B

RGB 126.7 92.6 107

HSL 334.66, 0.16%, 0.43%

LAB 43.23, 16.36, -2.71

 

CMYK 0 / 23 / 12 / 44

HEX #8F6E7E

RGB 143.7 110.6 126

HSL 332.08, 0.13%, 0.5%

LAB 50.32, 15.7, -3.45

 

CMYK 0 / 20 / 10 / 37

HEX #A08091

RGB 160.7 128.6 145

HSL 329.35, 0.15%, 0.57%

LAB 57.26, 15.13, -4.12

 

CMYK 0 / 18 / 8 / 30

HEX #B192A4

RGB 177.7 146.6 164

HSL 326.43, 0.17%, 0.64%

LAB 64.04, 14.61, -4.76

 

CMYK 0 / 15 / 6 / 24

HEX #C2A4B7

RGB 194.7 164.6 183

HSL 323.32, 0.2%, 0.7%

LAB 70.7, 14.15, -5.36

 

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

CMYK 0 / 29 / 11 / 59

HEX #684A5D

RGB 104.7 74.6 93

HSL 323.32, 0.17%, 0.35%

LAB 35.51, 16.03, -5.75

 

CMYK 0 / 35 / 16 / 66

HEX #57384A

RGB 87.7 56.6 74

HSL 326.43, 0.22%, 0.28%

LAB 27.96, 16.83, -5

 

CMYK 0 / 45 / 22 / 72

HEX #462637

RGB 70.7 38.6 55

HSL 329.35, 0.29%, 0.21%

LAB 20.16, 17.75, -4.08

 

CMYK 0 / 62 / 33 / 79

HEX #351424

RGB 53.7 20.6 36

HSL 332.08, 0.45%, 0.15%

LAB 12.12, 18.73, -2.78

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 0 / 25 / 15 / 52

HEX #7A5C68

RGB 122 92 104

HSL 336, 0.14%, 0.42%

LAB 42.45, 14.32, -2.08

 

CMYK 0 / 25 / 21 / 52

HEX #7A5C60

RGB 122 92 96

HSL 352, 0.14%, 0.42%

LAB 42.21, 12.93, 2.47

 

CMYK 0 / 25 / 25 / 52

HEX #7A5C5C

RGB 122 92 92

HSL 0, 0.14%, 0.42%

LAB 42.1, 12.27, 4.75

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C78

RGB 122 92 120

HSL 304, 0.14%, 0.42%

LAB 42.99, 17.41, -11.04

 

CMYK 5 / 25 / 0 / 52

HEX #745C7A

RGB 116 92 122

HSL 288, 0.14%, 0.42%

LAB 42.42, 15.62, -13.18

 

CMYK 11 / 25 / 0 / 52

HEX #6C5C7A

RGB 108 92 122

HSL 272, 0.14%, 0.42%

LAB 41.61, 12.73, -14.49

 

CMYK 18 / 25 / 0 / 52

HEX #645C7A

RGB 100 92 122

HSL 256, 0.14%, 0.42%

LAB 40.85, 9.89, -15.72

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 0 / 46 / 15 / 45

HEX #8B4B76

RGB 139 75 118

HSL 319.69, 0.3%, 0.42%

LAB 40.94, 33.1, -12.71

 

CMYK 0 / 64 / 21 / 38

HEX #9D397C

RGB 157 57 124

HSL 319.8, 0.47%, 0.42%

LAB 40.49, 48.89, -16.85

 

CMYK 0 / 77 / 26 / 32

HEX #AE2881

RGB 174 40 129

HSL 320.15, 0.63%, 0.42%

LAB 41.38, 60.5, -18.32

 

CMYK 0 / 88 / 29 / 25

HEX #BF1787

RGB 191 23 135

HSL 320, 0.79%, 0.42%

LAB 43.42, 69.16, -18.6

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 4 / 0 / 3 / 57

HEX #696D6A

RGB 105 109 106

HSL 135, 0.02%, 0.42%

LAB 45.61, -2.15, 1.13

 

CMYK 31 / 0 / 20 / 50

HEX #577F65

RGB 87 127 101

HSL 141, 0.19%, 0.42%

LAB 49.67, -19.83, 9.74

 

CMYK 51 / 0 / 34 / 44

HEX #46905F

RGB 70 144 95

HSL 140.27, 0.35%, 0.42%

LAB 54.11, -34.62, 19.17

 

CMYK 67 / 0 / 45 / 37

HEX #35A159

RGB 53 161 89

HSL 140, 0.5%, 0.42%

LAB 58.94, -46.87, 28.72

 

CMYK 5 / 25 / 0 / 52

HEX #745C7A

RGB 116 92 122

HSL 288, 0.14%, 0.42%

LAB 42.42, 15.62, -13.18

 

CMYK 0 / 25 / 2 / 52

HEX #7A5C78

RGB 122 92 120

HSL 304, 0.14%, 0.42%

LAB 42.99, 17.41, -11.04

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 0 / 25 / 15 / 52

HEX #7A5C68

RGB 122 92 104

HSL 336, 0.14%, 0.42%

LAB 42.45, 14.32, -2.08

 

CMYK 0 / 25 / 21 / 52

HEX #7A5C60

RGB 122 92 96

HSL 352, 0.14%, 0.42%

LAB 42.21, 12.93, 2.47

 

CMYK 0 / 24 / 8 / 71

HEX #4B3945

RGB 75 57 69

HSL 320, 0.14%, 0.26%

LAB 26.31, 10.31, -4.33

 

CMYK 0 / 25 / 8 / 61

HEX #634A5B

RGB 99 74 91

HSL 319.2, 0.14%, 0.34%

LAB 34.61, 13.75, -5.89

 

CMYK 0 / 25 / 8 / 52

HEX #7A5C70

RGB 122 92 112

HSL 320, 0.14%, 0.42%

LAB 42.71, 15.82, -6.59

 

CMYK 0 / 25 / 8 / 43

HEX #926E86

RGB 146 110 134

HSL 320, 0.14%, 0.5%

LAB 50.67, 18.38, -7.64

 

CMYK 0 / 18 / 6 / 36

HEX #A38599

RGB 163 133 153

HSL 320, 0.14%, 0.58%

LAB 58.85, 14.93, -6.35

 

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

CMYK 0 / 11 / 25 / 52

HEX #7A6C5C

RGB 122 108 92

HSL 32, 0.14%, 0.42%

LAB 46.49, 2.75, 10.97

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A78

RGB 92 122 120

HSL 176, 0.14%, 0.42%

LAB 48.95, -11.17, -2.43

 

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

CMYK 8 / 0 / 25 / 52

HEX #707A5C

RGB 112 122 92

HSL 80, 0.14%, 0.42%

LAB 49.66, -9.42, 15.22

 

CMYK 25 / 8 / 0 / 52

HEX #5C707A

RGB 92 112 122

HSL 200, 0.14%, 0.42%

LAB 46, -4.95, -7.99

 

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

CMYK 0 / 11 / 25 / 52

HEX #7A6C5C

RGB 122 108 92

HSL 32, 0.14%, 0.42%

LAB 46.49, 2.75, 10.97

 

CMYK 25 / 0 / 16 / 52

HEX #5C7A66

RGB 92 122 102

HSL 140, 0.14%, 0.42%

LAB 48.45, -15.2, 7.48

 

CMYK 25 / 13 / 0 / 52

HEX #5C6A7A

RGB 92 106 122

HSL 212, 0.14%, 0.42%

LAB 44.22, -1.41, -10.66

 

CMYK 0 / 24 / 8 / 52

HEX #795C70

RGB 121.7 92.6 112

HSL 320, 0.14%, 0.42%

LAB 42.83, 15.34, -6.41

 

CMYK 0 / 4 / 25 / 52

HEX #7A755C

RGB 122 117 92

HSL 50, 0.14%, 0.42%

LAB 49.05, -2.48, 14.51

 

CMYK 25 / 0 / 16 / 52

HEX #5C7A66

RGB 92 122 102

HSL 140, 0.14%, 0.42%

LAB 48.45, -15.2, 7.48

 

CMYK 25 / 20 / 0 / 52

HEX #5C617A

RGB 92 97 122

HSL 230, 0.14%, 0.42%

LAB 41.58, 4.04, -14.66

 

Description

Color code: RGB 121.7 92.6 112 | qconv.com Color code: RGB 121.7 92.6 112 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121.7 red, 92.6 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121.7 92.6 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 8 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 8% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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