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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 92.2 248.6 it is the complementary color RGB 135 162.8 6.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 92.2 248.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 92.2 248.6 shade: RGB 125 92.2 243.6, RGB 142 110.2 255, RGB 159 128.2 255, RGB 176 146.2 255 and RGB 193 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 92.2 248.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 92.2 248.6 shade: RGB 120 92.2 248.6, RGB 103 74.2 229.6, RGB 86 56.2 210.6, RGB 69 38.2 191.6 and RGB 52 20.2 172.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 92.2 248.6 shade: RGB 121 93 248, RGB 163 93 248, RGB 204 93 248, RGB 246 93 248 and RGB 248 93 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 92.2 248.6 shade: RGB 121 93 248 and RGB 93 93 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 92.2 248.6 shade matches the following richer shades: RGB 121 93 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 92.2 248.6 shade: RGB 121 93 248, RGB 130 107 235, RGB 138 121 221, RGB 147 134 207 and RGB 156 148 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 92.2 248.6 shade: RGB 93 150 248, RGB 93 109 248, RGB 119 93 248, RGB 161 93 248 and RGB 202 93 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 92.2 248.6 shade: RGB 55 14 245, RGB 88 54 247, RGB 121 93 248, RGB 154 133 250 and RGB 187 173 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 92.2 248.6 shade: RGB 120 92.2 248.6, RGB 248 93 191 and RGB 130 248 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 92.2 248.6 shade: RGB 120 92.2 248.6, RGB 248 119 93 and RGB 93 248 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 92.2 248.6 shade: RGB 120 92.2 248.6, RGB 248 93 191, RGB 222 248 93 and RGB 93 248 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 92.2 248.6 shade: RGB 120 92.2 248.6, RGB 248 93 145, RGB 222 248 93 and RGB 93 248 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

Complementary color

CMYK 17 / 0 / 96 / 36

HEX #87A206

RGB 135 162.8 6.4

HSL 70.66, 0.92%, 0.33%

LAB 62.75, -27.46, 64.13

 

CMYK 49 / 62 / 0 / 4

HEX #7D5CF3

RGB 125 92.2 243.6

HSL 253, 0.87%, 0.66%

LAB 50.16, 49.75, -71.76

 

CMYK 44 / 57 / 0 / 0

HEX #8E6EFF

RGB 142 110.2 255

HSL 253.18, 1%, 0.72%

LAB 56.25, 46.27, -68.16

 

CMYK 38 / 50 / 0 / 0

HEX #9F80FF

RGB 159 128.2 255

HSL 254.57, 1%, 0.75%

LAB 61.72, 39.97, -59.29

 

CMYK 31 / 43 / 0 / 0

HEX #B092FF

RGB 176 146.2 255

HSL 256.43, 1%, 0.79%

LAB 67.33, 34.14, -50.3

 

CMYK 24 / 36 / 0 / 0

HEX #C1A4FF

RGB 193 164.2 255

HSL 259.03, 1%, 0.82%

LAB 73.01, 28.79, -41.27

 

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

CMYK 55 / 68 / 0 / 10

HEX #674AE5

RGB 103 74.2 229.6

HSL 251.12, 0.75%, 0.6%

LAB 43.51, 51.82, -74.82

 

CMYK 59 / 73 / 0 / 17

HEX #5638D2

RGB 86 56.2 210.6

HSL 251.58, 0.63%, 0.52%

LAB 36.95, 53.32, -74.76

 

CMYK 64 / 80 / 0 / 25

HEX #4526BF

RGB 69 38.2 191.6

HSL 252.05, 0.67%, 0.45%

LAB 30.53, 54.56, -74.31

 

CMYK 70 / 88 / 0 / 32

HEX #3414AC

RGB 52 20.2 172.6

HSL 252.52, 0.79%, 0.38%

LAB 24.45, 55.02, -73.11

 

CMYK 51 / 63 / 0 / 3

HEX #795DF8

RGB 121 93 248

HSL 250.84, 0.92%, 0.67%

LAB 50.3, 49.83, -74.01

 

CMYK 34 / 63 / 0 / 3

HEX #A35DF8

RGB 163 93 248

HSL 267.1, 0.92%, 0.67%

LAB 54.44, 58.01, -67.1

 

CMYK 18 / 63 / 0 / 3

HEX #CC5DF8

RGB 204 93 248

HSL 282.97, 0.92%, 0.67%

LAB 59.38, 66.95, -58.9

 

CMYK 1 / 63 / 0 / 3

HEX #F65DF8

RGB 246 93 248

HSL 299.23, 0.92%, 0.67%

LAB 65.12, 76.54, -49.42

 

CMYK 0 / 63 / 16 / 3

HEX #F85DD1

RGB 248 93 209

HSL 315.1, 0.92%, 0.67%

LAB 63.66, 71.08, -29.94

 

CMYK 51 / 63 / 0 / 3

HEX #795DF8

RGB 121 93 248

HSL 250.84, 0.92%, 0.67%

LAB 50.3, 49.83, -74.01

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 51 / 63 / 0 / 3

HEX #795DF8

RGB 121 93 248

HSL 250.84, 0.92%, 0.67%

LAB 50.3, 49.83, -74.01

 

CMYK 51 / 63 / 0 / 3

HEX #795DF8

RGB 121 93 248

HSL 250.84, 0.92%, 0.67%

LAB 50.3, 49.83, -74.01

 

CMYK 45 / 54 / 0 / 8

HEX #826BEB

RGB 130 107 235

HSL 250.78, 0.76%, 0.67%

LAB 53.23, 39.96, -61.96

 

CMYK 38 / 45 / 0 / 13

HEX #8A79DD

RGB 138 121 221

HSL 250.2, 0.6%, 0.67%

LAB 56.39, 29.82, -49.03

 

CMYK 29 / 35 / 0 / 19

HEX #9386CF

RGB 147 134 207

HSL 250.68, 0.43%, 0.67%

LAB 59.67, 21.02, -35.94

 

CMYK 20 / 24 / 0 / 24

HEX #9C94C2

RGB 156 148 194

HSL 250.43, 0.27%, 0.67%

LAB 63.46, 12.56, -22.71

 

CMYK 63 / 40 / 0 / 3

HEX #5D96F8

RGB 93 150 248

HSL 217.94, 0.92%, 0.67%

LAB 62.44, 11.06, -54.57

 

CMYK 63 / 56 / 0 / 3

HEX #5D6DF8

RGB 93 109 248

HSL 233.81, 0.92%, 0.67%

LAB 51.88, 35.78, -71.52

 

CMYK 52 / 63 / 0 / 3

HEX #775DF8

RGB 119 93 248

HSL 250.06, 0.92%, 0.67%

LAB 50.13, 49.48, -74.29

 

CMYK 35 / 63 / 0 / 3

HEX #A15DF8

RGB 161 93 248

HSL 266.32, 0.92%, 0.67%

LAB 54.22, 57.59, -67.47

 

CMYK 19 / 63 / 0 / 3

HEX #CA5DF8

RGB 202 93 248

HSL 282.19, 0.92%, 0.67%

LAB 59.12, 66.5, -59.32

 

CMYK 78 / 94 / 0 / 4

HEX #370EF5

RGB 55 14 245

HSL 250.65, 0.92%, 0.51%

LAB 33.39, 75.38, -100.37

 

CMYK 64 / 78 / 0 / 3

HEX #5836F7

RGB 88 54 247

HSL 250.57, 0.92%, 0.59%

LAB 40.29, 64.97, -89.97

 

CMYK 51 / 63 / 0 / 3

HEX #795DF8

RGB 121 93 248

HSL 250.84, 0.92%, 0.67%

LAB 50.3, 49.83, -74.01

 

CMYK 38 / 47 / 0 / 2

HEX #9A85FA

RGB 154 133 250

HSL 250.77, 0.92%, 0.75%

LAB 62.12, 34.71, -55.93

 

CMYK 26 / 31 / 0 / 1

HEX #BBADFC

RGB 187 173 252

HSL 250.63, 0.93%, 0.83%

LAB 74.5, 21.5, -37.38

 

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

CMYK 0 / 63 / 23 / 3

HEX #F85DBF

RGB 248 93 191

HSL 322.06, 0.92%, 0.67%

LAB 62.97, 68.64, -20.82

 

CMYK 48 / 0 / 63 / 3

HEX #82F85D

RGB 130 248 93

HSL 105.68, 0.92%, 0.67%

LAB 88.29, -60.56, 62.41

 

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

CMYK 0 / 52 / 63 / 3

HEX #F8775D

RGB 248 119 93

HSL 10.06, 0.92%, 0.67%

LAB 64.92, 47.41, 37.58

 

CMYK 63 / 0 / 52 / 3

HEX #5DF877

RGB 93 248 119

HSL 130.06, 0.92%, 0.67%

LAB 87.38, -66.57, 49.67

 

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

CMYK 0 / 63 / 23 / 3

HEX #F85DBF

RGB 248 93 191

HSL 322.06, 0.92%, 0.67%

LAB 62.97, 68.64, -20.82

 

CMYK 10 / 0 / 63 / 3

HEX #DEF85D

RGB 222 248 93

HSL 70.06, 0.92%, 0.67%

LAB 93.21, -28.73, 69.18

 

CMYK 63 / 0 / 40 / 3

HEX #5DF896

RGB 93 248 150

HSL 142.06, 0.92%, 0.67%

LAB 87.81, -61.87, 35.27

 

CMYK 52 / 63 / 0 / 3

HEX #785CF8

RGB 120 92.2 248.6

HSL 250.66, 0.92%, 0.67%

LAB 50.09, 50.27, -74.68

 

CMYK 0 / 63 / 42 / 3

HEX #F85D91

RGB 248 93 145

HSL 339.87, 0.92%, 0.67%

LAB 61.51, 63.36, 3.45

 

CMYK 10 / 0 / 63 / 3

HEX #DEF85D

RGB 222 248 93

HSL 70.06, 0.92%, 0.67%

LAB 93.21, -28.73, 69.18

 

CMYK 63 / 0 / 21 / 3

HEX #5DF8C5

RGB 93 248 197

HSL 160.26, 0.92%, 0.67%

LAB 88.68, -52.6, 12.54

 

Description

Color code: RGB 120 92.2 248.6 | qconv.com Color code: RGB 120 92.2 248.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 92.2 green and 248.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 92.2 248.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 63 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 63% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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