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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 160 240 it is the complementary color RGB 135 95 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 160 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 160 240: RGB 125 160 235, RGB 142 178 254, RGB 159 196 255, RGB 176 214 255 and RGB 193 232 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 160 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 160 240: RGB 120 160 240, RGB 103 142 221, RGB 86 124 202, RGB 69 106 183 and RGB 52 88 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

Complementary color

CMYK 0 / 30 / 89 / 47

HEX #875F0F

RGB 135 95 15

HSL 40, 0.8%, 0.29%

LAB 43.32, 9.45, 47.1

 

CMYK 47 / 32 / 0 / 8

HEX #7DA0EB

RGB 125 160 235

HSL 220.91, 0.73%, 0.71%

LAB 66.14, 7.81, -41.49

 

CMYK 44 / 30 / 0 / 0

HEX #8EB2FE

RGB 142 178 254

HSL 220.71, 0.98%, 0.78%

LAB 72.73, 7.16, -41.45

 

CMYK 38 / 23 / 0 / 0

HEX #9FC4FF

RGB 159 196 255

HSL 216.88, 1%, 0.81%

LAB 78.5, 1.83, -32.95

 

CMYK 31 / 16 / 0 / 0

HEX #B0D6FF

RGB 176 214 255

HSL 211.14, 1%, 0.85%

LAB 84.25, -3.18, -24.06

 

CMYK 24 / 9 / 0 / 0

HEX #C1E8FF

RGB 193 232 255

HSL 202.26, 1%, 0.88%

LAB 89.98, -7.68, -15.3

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 53 / 36 / 0 / 13

HEX #678EDD

RGB 103 142 221

HSL 220.17, 0.63%, 0.64%

LAB 59.39, 9, -44.43

 

CMYK 57 / 39 / 0 / 21

HEX #567CCA

RGB 86 124 202

HSL 220.34, 0.52%, 0.56%

LAB 52.57, 10.05, -44.56

 

CMYK 62 / 42 / 0 / 28

HEX #456AB7

RGB 69 106 183

HSL 220.53, 0.45%, 0.49%

LAB 45.62, 11.35, -44.73

 

CMYK 68 / 46 / 0 / 36

HEX #3458A4

RGB 52 88 164

HSL 220.71, 0.52%, 0.42%

LAB 38.53, 13.01, -44.93

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 50 / 41 / 0 / 6

HEX #798DF0

RGB 121 141 240

HSL 229.92, 0.8%, 0.71%

LAB 61.14, 19.42, -52.14

 

CMYK 50 / 50 / 0 / 6

HEX #7979F0

RGB 121 121 240

HSL 240, 0.8%, 0.71%

LAB 56.12, 31.27, -60.15

 

CMYK 41 / 50 / 0 / 6

HEX #8D79F0

RGB 141 121 240

HSL 250.08, 0.8%, 0.71%

LAB 57.68, 35.76, -57.56

 

CMYK 33 / 50 / 0 / 6

HEX #A179F0

RGB 161 121 240

HSL 260.17, 0.8%, 0.71%

LAB 59.47, 40.63, -54.6

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 50 / 33 / 0 / 86

HEX #121824

RGB 18 24 36

HSL 220, 0.33%, 0.11%

LAB 8.21, 1.21, -9.18

 

CMYK 49 / 33 / 0 / 66

HEX #2C3A57

RGB 44 58 87

HSL 220.47, 0.33%, 0.26%

LAB 24.48, 3.29, -19.26

 

CMYK 50 / 33 / 0 / 46

HEX #455C8A

RGB 69 92 138

HSL 220, 0.33%, 0.41%

LAB 39.16, 4.91, -28.25

 

CMYK 50 / 33 / 0 / 26

HEX #5F7EBD

RGB 95 126 189

HSL 220.21, 0.42%, 0.56%

LAB 52.98, 6.68, -36.47

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 7 / 50 / 0 / 6

HEX #E079F0

RGB 224 121 240

HSL 291.93, 0.8%, 0.71%

LAB 66.38, 57.26, -43.23

 

CMYK 13 / 0 / 50 / 6

HEX #D0F079

RGB 208 240 121

HSL 76.13, 0.8%, 0.71%

LAB 90.37, -28.1, 53.58

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 0 / 50 / 33 / 6

HEX #F079A1

RGB 240 121 161

HSL 339.83, 0.8%, 0.71%

LAB 65.57, 49.88, 0.03

 

CMYK 33 / 0 / 50 / 6

HEX #A1F079

RGB 161 240 121

HSL 99.83, 0.8%, 0.71%

LAB 87.62, -44.88, 49.61

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 7 / 50 / 0 / 6

HEX #E079F0

RGB 224 121 240

HSL 291.93, 0.8%, 0.71%

LAB 66.38, 57.26, -43.23

 

CMYK 0 / 17 / 50 / 6

HEX #F0C879

RGB 240 200 121

HSL 39.83, 0.8%, 0.71%

LAB 82.49, 4.47, 44.57

 

CMYK 43 / 0 / 50 / 6

HEX #89F079

RGB 137 240 121

HSL 111.93, 0.8%, 0.71%

LAB 86.51, -52.38, 48

 

CMYK 50 / 33 / 0 / 6

HEX #78A0F0

RGB 120 160 240

HSL 220, 0.8%, 0.71%

LAB 66.08, 8.12, -44.34

 

CMYK 0 / 50 / 8 / 6

HEX #F079DC

RGB 240 121 220

HSL 310.08, 0.8%, 0.71%

LAB 67.55, 58.26, -30.18

 

CMYK 0 / 17 / 50 / 6

HEX #F0C879

RGB 240 200 121

HSL 39.83, 0.8%, 0.71%

LAB 82.49, 4.47, 44.57

 

CMYK 50 / 0 / 41 / 6

HEX #79F08D

RGB 121 240 141

HSL 130.08, 0.8%, 0.71%

LAB 86.16, -53.99, 37.75

 

Description

Color code: RGB 120 160 240 | qconv.com Color code: RGB 120 160 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 160 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 160 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 33 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 33% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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