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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 69 80 it is the complementary color RGB 244 186 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 69 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 11 69 80: RGB 16 69 75, RGB 33 87 94, RGB 50 105 113, RGB 67 123 132 and RGB 84 141 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 69 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 11 69 80: RGB 11 69 80, RGB 0 51 61, RGB 0 33 42, RGB 0 15 23 and RGB 0 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

Complementary color

CMYK 0 / 24 / 28 / 4

HEX #F4BAAF

RGB 244 186 175

HSL 9.57, 0.76%, 0.82%

LAB 80.43, 19.39, 13.68

 

CMYK 79 / 8 / 0 / 71

HEX #10454B

RGB 16 69 75

HSL 186.1, 0.65%, 0.18%

LAB 26.37, -14.55, -8.59

 

CMYK 65 / 7 / 0 / 63

HEX #21575E

RGB 33 87 94

HSL 186.89, 0.48%, 0.25%

LAB 33.87, -15.27, -9.38

 

CMYK 56 / 7 / 0 / 56

HEX #326971

RGB 50 105 113

HSL 187.62, 0.39%, 0.32%

LAB 41.17, -15.65, -10.04

 

CMYK 49 / 7 / 0 / 48

HEX #437B84

RGB 67 123 132

HSL 188.31, 0.33%, 0.39%

LAB 48.29, -15.84, -10.63

 

CMYK 44 / 7 / 0 / 41

HEX #548D97

RGB 84 141 151

HSL 188.96, 0.29%, 0.46%

LAB 55.25, -15.94, -11.18

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 100 / 16 / 0 / 76

HEX #00333D

RGB 0 51 61

HSL 189.84, 1%, 0.12%

LAB 18.82, -11.45, -10.77

 

CMYK 100 / 21 / 0 / 84

HEX #00212A

RGB 0 33 42

HSL 192.86, 1%, 0.08%

LAB 10.96, -8.04, -9.46

 

CMYK 100 / 35 / 0 / 91

HEX #000F17

RGB 0 15 23

HSL 200.87, 1%, 0.05%

LAB 3.64, -2.38, -6.18

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 86 / 28 / 0 / 69

HEX #0B3A50

RGB 11 58 80

HSL 199.13, 0.76%, 0.18%

LAB 22.57, -6.52, -17.74

 

CMYK 86 / 41 / 0 / 69

HEX #0B2F50

RGB 11 47 80

HSL 208.7, 0.76%, 0.18%

LAB 18.73, 1.01, -23.79

 

CMYK 86 / 56 / 0 / 69

HEX #0B2350

RGB 11 35 80

HSL 219.13, 0.76%, 0.18%

LAB 14.69, 9.92, -30.26

 

CMYK 86 / 71 / 0 / 69

HEX #0B1750

RGB 11 23 80

HSL 229.57, 0.76%, 0.18%

LAB 11.02, 19.07, -36.25

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 86 / 14 / 0 / 49

HEX #127183

RGB 18 113 131

HSL 189.56, 0.76%, 0.29%

LAB 43.62, -18.98, -17.26

 

CMYK 86 / 14 / 0 / 29

HEX #199DB6

RGB 25 157 182

HSL 189.55, 0.76%, 0.41%

LAB 59.61, -24.13, -22.37

 

CMYK 86 / 14 / 0 / 9

HEX #20C9E9

RGB 32 201 233

HSL 189.55, 0.82%, 0.52%

LAB 74.8, -28.99, -27.2

 

CMYK 86 / 14 / 0 / 89

HEX #04191D

RGB 4 25 29

HSL 189.6, 0.76%, 0.06%

LAB 7.31, -6.15, -5.35

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 56 / 86 / 0 / 69

HEX #230B50

RGB 35 11 80

HSL 260.87, 0.76%, 0.18%

LAB 10.38, 30.1, -37.22

 

CMYK 0 / 21 / 86 / 69

HEX #503F0B

RGB 80 63 11

HSL 45.22, 0.76%, 0.18%

LAB 27.53, 1.52, 32.28

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 0 / 86 / 13 / 69

HEX #500B46

RGB 80 11 70

HSL 308.7, 0.76%, 0.18%

LAB 17.4, 37.36, -18.59

 

CMYK 13 / 0 / 86 / 69

HEX #46500B

RGB 70 80 11

HSL 68.7, 0.76%, 0.18%

LAB 31.95, -13.82, 35.9

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 56 / 86 / 0 / 69

HEX #230B50

RGB 35 11 80

HSL 260.87, 0.76%, 0.18%

LAB 10.38, 30.1, -37.22

 

CMYK 0 / 74 / 86 / 69

HEX #50150B

RGB 80 21 11

HSL 8.7, 0.76%, 0.18%

LAB 16.83, 27, 20.97

 

CMYK 30 / 0 / 86 / 69

HEX #38500B

RGB 56 80 11

HSL 80.87, 0.76%, 0.18%

LAB 30.88, -20.4, 34.54

 

CMYK 86 / 14 / 0 / 69

HEX #0B4550

RGB 11 69 80

HSL 189.57, 0.76%, 0.18%

LAB 26.47, -13.38, -11.72

 

CMYK 30 / 86 / 0 / 69

HEX #380B50

RGB 56 11 80

HSL 279.13, 0.76%, 0.18%

LAB 13.59, 33.9, -31.84

 

CMYK 0 / 74 / 86 / 69

HEX #50150B

RGB 80 21 11

HSL 8.7, 0.76%, 0.18%

LAB 16.83, 27, 20.97

 

CMYK 56 / 0 / 86 / 69

HEX #23500B

RGB 35 80 11

HSL 99.13, 0.76%, 0.18%

LAB 29.71, -28.77, 33.02

 

Description

Color code: RGB 11 69 80 | qconv.com Color code: RGB 11 69 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 69 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 69 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 14 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 14% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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