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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 110.6 27.6 it is the complementary color RGB 136 144.4 227.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 110.6 27.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 110.6 27.6 shade: RGB 124 110.6 22.6, RGB 141 128.6 41.6, RGB 158 146.6 60.6, RGB 175 164.6 79.6 and RGB 192 182.6 98.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 110.6 27.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 110.6 27.6 shade: RGB 119 110.6 27.6, RGB 102 92.6 8.6, RGB 85 74.6 0, RGB 68 56.6 0 and RGB 51 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 110.6 27.6 shade: RGB 120 111 28, RGB 120 87 28, RGB 120 62 28, RGB 120 37 28 and RGB 120 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 110.6 27.6 shade: RGB 120 111 28, RGB 103 120 28, RGB 79 120 28, RGB 54 120 28 and RGB 29 120 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 110.6 27.6 shade matches the following richer shades: RGB 120 111 28, RGB 132 121 16 and RGB 144 131 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 110.6 27.6 shade: RGB 120 111 28, RGB 108 102 40, RGB 96 92 52, RGB 84 82 64 and RGB 72 72 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 110.6 27.6 shade: RGB 120 62 28, RGB 120 86 28, RGB 120 111 28, RGB 105 120 28 and RGB 80 120 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 110.6 27.6 shade: RGB 53 49 12, RGB 86 80 20, RGB 120 111 28, RGB 153 142 36 and RGB 187 174 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 110.6 27.6 shade: RGB 119 110.6 27.6, RGB 28 120 37 and RGB 74 28 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 110.6 27.6 shade: RGB 119 110.6 27.6, RGB 28 120 111 and RGB 111 28 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 110.6 27.6 shade: RGB 119 110.6 27.6, RGB 28 120 37, RGB 28 37 120 and RGB 120 28 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 110.6 27.6 shade: RGB 119 110.6 27.6, RGB 28 120 65, RGB 28 37 120 and RGB 120 28 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

Complementary color

CMYK 40 / 36 / 0 / 11

HEX #8890E3

RGB 136 144.4 227.4

HSL 234.49, 0.62%, 0.71%

LAB 62.4, 17.39, -43.11

 

CMYK 0 / 11 / 82 / 51

HEX #7C6E16

RGB 124 110.6 22.6

HSL 52.07, 0.69%, 0.29%

LAB 46.48, -4.61, 46.9

 

CMYK 0 / 9 / 70 / 45

HEX #8D8029

RGB 141 128.6 41.6

HSL 52.52, 0.54%, 0.36%

LAB 53.41, -5.84, 46.75

 

CMYK 0 / 7 / 62 / 38

HEX #9E923C

RGB 158 146.6 60.6

HSL 52.98, 0.45%, 0.43%

LAB 60.2, -6.79, 45.91

 

CMYK 0 / 6 / 55 / 31

HEX #AFA44F

RGB 175 164.6 79.6

HSL 53.46, 0.37%, 0.5%

LAB 66.86, -7.55, 44.81

 

CMYK 0 / 5 / 49 / 25

HEX #C0B662

RGB 192 182.6 98.6

HSL 53.96, 0.43%, 0.57%

LAB 73.42, -8.17, 43.61

 

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

CMYK 0 / 9 / 92 / 60

HEX #665C08

RGB 102 92.6 8.6

HSL 53.96, 0.84%, 0.22%

LAB 38.9, -5.38, 43.73

 

CMYK 0 / 12 / 100 / 67

HEX #554A00

RGB 85 74.6 0

HSL 52.66, 1%, 0.17%

LAB 31.6, -3.52, 40.12

 

CMYK 0 / 17 / 100 / 73

HEX #443800

RGB 68 56.6 0

HSL 49.94, 1%, 0.13%

LAB 24.05, -1.25, 32.99

 

CMYK 0 / 24 / 100 / 80

HEX #332600

RGB 51 38.6 0

HSL 45.41, 1%, 0.1%

LAB 16.15, 1.23, 23.53

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 0 / 28 / 77 / 53

HEX #78571C

RGB 120 87 28

HSL 38.48, 0.62%, 0.29%

LAB 39.4, 7.52, 37.91

 

CMYK 0 / 48 / 77 / 53

HEX #783E1C

RGB 120 62 28

HSL 22.17, 0.62%, 0.29%

LAB 32.97, 22.42, 31.3

 

CMYK 0 / 69 / 77 / 53

HEX #78251C

RGB 120 37 28

HSL 5.87, 0.62%, 0.29%

LAB 27.85, 35.63, 25.74

 

CMYK 0 / 77 / 77 / 53

HEX #781C1C

RGB 120 28 28

HSL 0, 0.62%, 0.29%

LAB 26.47, 39.4, 24.19

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 14 / 0 / 77 / 53

HEX #67781C

RGB 103 120 28

HSL 71.09, 0.62%, 0.29%

LAB 47.5, -19.29, 45.26

 

CMYK 34 / 0 / 77 / 53

HEX #4F781C

RGB 79 120 28

HSL 86.74, 0.62%, 0.29%

LAB 45.88, -29.5, 43.14

 

CMYK 55 / 0 / 77 / 53

HEX #36781C

RGB 54 120 28

HSL 103.04, 0.62%, 0.29%

LAB 44.66, -38.34, 41.52

 

CMYK 76 / 0 / 77 / 53

HEX #1D781C

RGB 29 120 28

HSL 119.35, 0.62%, 0.29%

LAB 43.91, -44.43, 40.53

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 0 / 8 / 88 / 48

HEX #847910

RGB 132 121 16

HSL 54.31, 0.78%, 0.29%

LAB 50.24, -6.88, 52.37

 

CMYK 0 / 9 / 97 / 44

HEX #908304

RGB 144 131 4

HSL 54.43, 0.95%, 0.29%

LAB 54.21, -7.02, 58.32

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 0 / 6 / 63 / 58

HEX #6C6628

RGB 108 102 40

HSL 54.71, 0.46%, 0.29%

LAB 42.53, -6.28, 35.04

 

CMYK 0 / 4 / 46 / 62

HEX #605C34

RGB 96 92 52

HSL 54.55, 0.3%, 0.29%

LAB 38.53, -4.89, 23.54

 

CMYK 0 / 2 / 24 / 67

HEX #545240

RGB 84 82 64

HSL 54, 0.14%, 0.29%

LAB 34.58, -2.61, 10.89

 

CMYK 5 / 5 / 0 / 70

HEX #48484C

RGB 72 72 76

HSL 240, 0.03%, 0.29%

LAB 30.72, 0.9, -2.39

 

CMYK 0 / 48 / 77 / 53

HEX #783E1C

RGB 120 62 28

HSL 22.17, 0.62%, 0.29%

LAB 32.97, 22.42, 31.3

 

CMYK 0 / 28 / 77 / 53

HEX #78561C

RGB 120 86 28

HSL 37.83, 0.62%, 0.29%

LAB 39.13, 8.12, 37.63

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 13 / 0 / 77 / 53

HEX #69781C

RGB 105 120 28

HSL 69.78, 0.62%, 0.29%

LAB 47.65, -18.39, 45.46

 

CMYK 33 / 0 / 77 / 53

HEX #50781C

RGB 80 120 28

HSL 86.09, 0.62%, 0.29%

LAB 45.94, -29.1, 43.21

 

CMYK 0 / 8 / 77 / 79

HEX #35310C

RGB 53 49 12

HSL 54.15, 0.63%, 0.13%

LAB 19.96, -3.73, 23.2

 

CMYK 0 / 7 / 77 / 66

HEX #565014

RGB 86 80 20

HSL 54.55, 0.62%, 0.21%

LAB 33.49, -5.42, 34.37

 

CMYK 0 / 8 / 77 / 53

HEX #786F1C

RGB 120 111 28

HSL 54.13, 0.62%, 0.29%

LAB 46.24, -6.5, 44.57

 

CMYK 0 / 7 / 76 / 40

HEX #998E24

RGB 153 142 36

HSL 54.36, 0.62%, 0.37%

LAB 58.27, -7.97, 54.05

 

CMYK 0 / 7 / 76 / 27

HEX #BBAE2C

RGB 187 174 44

HSL 54.55, 0.62%, 0.45%

LAB 70.19, -9.46, 63.47

 

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

CMYK 77 / 0 / 69 / 53

HEX #1C7825

RGB 28 120 37

HSL 125.87, 0.62%, 0.29%

LAB 43.96, -43.73, 36.79

 

CMYK 38 / 77 / 0 / 53

HEX #4A1C78

RGB 74 28 120

HSL 270, 0.62%, 0.29%

LAB 22.45, 40.08, -43.72

 

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

CMYK 77 / 0 / 8 / 53

HEX #1C786F

RGB 28 120 111

HSL 174.13, 0.62%, 0.29%

LAB 45.4, -28.09, -2.61

 

CMYK 8 / 77 / 0 / 53

HEX #6F1C78

RGB 111 28 120

HSL 294.13, 0.62%, 0.29%

LAB 28.29, 47.94, -34.01

 

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

CMYK 77 / 0 / 69 / 53

HEX #1C7825

RGB 28 120 37

HSL 125.87, 0.62%, 0.29%

LAB 43.96, -43.73, 36.79

 

CMYK 77 / 69 / 0 / 53

HEX #1C2578

RGB 28 37 120

HSL 234.13, 0.62%, 0.29%

LAB 19.75, 27.22, -48.33

 

CMYK 0 / 77 / 8 / 53

HEX #781C6F

RGB 120 28 111

HSL 305.87, 0.62%, 0.29%

LAB 29.34, 48.45, -26.5

 

CMYK 0 / 7 / 77 / 53

HEX #776E1B

RGB 119 110.6 27.6

HSL 54.49, 0.62%, 0.29%

LAB 46.02, -6.76, 44.49

 

CMYK 77 / 0 / 46 / 53

HEX #1C7841

RGB 28 120 65

HSL 144.13, 0.62%, 0.29%

LAB 44.32, -39.53, 22.81

 

CMYK 77 / 69 / 0 / 53

HEX #1C2578

RGB 28 37 120

HSL 234.13, 0.62%, 0.29%

LAB 19.75, 27.22, -48.33

 

CMYK 0 / 77 / 31 / 53

HEX #781C53

RGB 120 28 83

HSL 324.13, 0.62%, 0.29%

LAB 27.98, 44.29, -10.4

 

Description

Color code: RGB 119 110.6 27.6 | qconv.com Color code: RGB 119 110.6 27.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 110.6 green and 27.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 110.6 27.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 77 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 77% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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