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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 62 87 it is the complementary color RGB 137 193 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 62 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 118 62 87: RGB 123 62 82, RGB 140 80 101, RGB 157 98 120, RGB 174 116 139 and RGB 191 134 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 62 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 118 62 87: RGB 118 62 87, RGB 101 44 68, RGB 84 26 49, RGB 67 8 30 and RGB 50 0 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

Complementary color

CMYK 29 / 0 / 13 / 24

HEX #89C1A8

RGB 137 193 168

HSL 153.21, 0.31%, 0.65%

LAB 73.73, -23.49, 6.78

 

CMYK 0 / 50 / 33 / 52

HEX #7B3E52

RGB 123 62 82

HSL 340.33, 0.33%, 0.36%

LAB 34.53, 28.88, 0.07

 

CMYK 0 / 43 / 28 / 45

HEX #8C5065

RGB 140 80 101

HSL 339, 0.27%, 0.43%

LAB 41.61, 27.93, -1.2

 

CMYK 0 / 38 / 24 / 38

HEX #9D6278

RGB 157 98 120

HSL 337.63, 0.23%, 0.5%

LAB 48.59, 27.03, -2.26

 

CMYK 0 / 33 / 20 / 32

HEX #AE748B

RGB 174 116 139

HSL 336.21, 0.26%, 0.57%

LAB 55.43, 26.21, -3.16

 

CMYK 0 / 30 / 17 / 25

HEX #BF869E

RGB 191 134 158

HSL 334.74, 0.31%, 0.64%

LAB 62.16, 25.46, -3.97

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 0 / 56 / 33 / 60

HEX #652C44

RGB 101 44 68

HSL 334.74, 0.39%, 0.28%

LAB 26.69, 28.62, -2.69

 

CMYK 0 / 69 / 42 / 67

HEX #541A31

RGB 84 26 49

HSL 336.21, 0.53%, 0.22%

LAB 19.41, 29.3, -0.75

 

CMYK 0 / 88 / 55 / 74

HEX #43081E

RGB 67 8 30

HSL 337.63, 0.79%, 0.15%

LAB 12.36, 29.12, 2.36

 

CMYK 0 / 100 / 78 / 80

HEX #32000B

RGB 50 0 11

HSL 346.8, 1%, 0.1%

LAB 6.34, 25.55, 5.51

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 0 / 47 / 34 / 55

HEX #743D4D

RGB 116 61 77

HSL 342.55, 0.31%, 0.35%

LAB 33.11, 26.03, 1.08

 

CMYK 0 / 47 / 41 / 55

HEX #743D44

RGB 116 61 68

HSL 352.36, 0.31%, 0.35%

LAB 32.85, 24.81, 6.51

 

CMYK 0 / 45 / 47 / 55

HEX #74403D

RGB 116 64 61

HSL 3.27, 0.31%, 0.35%

LAB 33.39, 22.21, 11.74

 

CMYK 0 / 37 / 47 / 55

HEX #74493D

RGB 116 73 61

HSL 13.09, 0.31%, 0.35%

LAB 35.63, 16.83, 14.78

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 0 / 47 / 26 / 34

HEX #A9597D

RGB 169 89 125

HSL 333, 0.32%, 0.51%

LAB 48.34, 37.11, -5.45

 

CMYK 0 / 47 / 26 / 14

HEX #DC74A2

RGB 220 116 162

HSL 333.46, 0.6%, 0.66%

LAB 61.93, 45.8, -6.22

 

CMYK 0 / 50 / 25 / 94

HEX #10080C

RGB 16 8 12

HSL 330, 0.33%, 0.05%

LAB 2.8, 2.94, -0.72

 

CMYK 0 / 48 / 27 / 74

HEX #432331

RGB 67 35 49

HSL 333.75, 0.31%, 0.2%

LAB 18.44, 17.42, -2.52

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 0 / 11 / 47 / 55

HEX #74673D

RGB 116 103 61

HSL 45.82, 0.31%, 0.35%

LAB 43.87, -1.15, 25.51

 

CMYK 47 / 7 / 0 / 55

HEX #3D6C74

RGB 61 108 116

HSL 188.73, 0.31%, 0.35%

LAB 42.73, -13.7, -9.47

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 26 / 0 / 47 / 55

HEX #56743D

RGB 86 116 61

HSL 92.73, 0.31%, 0.35%

LAB 45.37, -21.4, 26.86

 

CMYK 47 / 26 / 0 / 55

HEX #3D5674

RGB 61 86 116

HSL 212.73, 0.31%, 0.35%

LAB 35.81, -0.55, -20.03

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 0 / 11 / 47 / 55

HEX #74673D

RGB 116 103 61

HSL 45.82, 0.31%, 0.35%

LAB 43.87, -1.15, 25.51

 

CMYK 47 / 0 / 21 / 55

HEX #3D745C

RGB 61 116 92

HSL 153.82, 0.31%, 0.35%

LAB 44.6, -24.36, 7.68

 

CMYK 47 / 35 / 0 / 55

HEX #3D4B74

RGB 61 75 116

HSL 224.73, 0.31%, 0.35%

LAB 32.45, 6.52, -25.27

 

CMYK 0 / 47 / 26 / 54

HEX #763E57

RGB 118 62 87

HSL 333.21, 0.31%, 0.35%

LAB 33.95, 27.72, -4.06

 

CMYK 2 / 0 / 47 / 55

HEX #72743D

RGB 114 116 61

HSL 62.18, 0.31%, 0.35%

LAB 47.5, -9.48, 29.97

 

CMYK 47 / 0 / 21 / 55

HEX #3D745C

RGB 61 116 92

HSL 153.82, 0.31%, 0.35%

LAB 44.6, -24.36, 7.68

 

CMYK 45 / 47 / 0 / 55

HEX #403D74

RGB 64 61 116

HSL 243.27, 0.31%, 0.35%

LAB 28.61, 16.64, -31.31

 

Description

Color code: RGB 118 62 87 | qconv.com Color code: RGB 118 62 87 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 62 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 62 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 26 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 26% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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