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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118.3 162.4 231 it is the complementary color RGB 136.7 92.6 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118.3 162.4 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118.3 162.4 231 shade: RGB 123.3 162.4 226, RGB 140.3 180.4 245, RGB 157.3 198.4 255, RGB 174.3 216.4 255 and RGB 191.3 234.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118.3 162.4 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118.3 162.4 231 shade: RGB 118.3 162.4 231, RGB 101.3 144.4 212, RGB 84.3 126.4 193, RGB 67.3 108.4 174 and RGB 50.3 90.4 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118.3 162.4 231 shade: RGB 116 161 231, RGB 116 130 231, RGB 133 116 231, RGB 164 116 231 and RGB 195 116 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118.3 162.4 231 shade: RGB 116 161 231, RGB 116 130 231 and RGB 116 116 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118.3 162.4 231 shade matches the following richer shades: RGB 116 161 231 and RGB 103 158 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118.3 162.4 231 shade: RGB 116 161 231, RGB 129 164 217, RGB 143 167 204, RGB 156 170 191 and RGB 169 172 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118.3 162.4 231 shade: RGB 116 223 231, RGB 116 192 231, RGB 116 162 231, RGB 116 132 231 and RGB 132 116 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118.3 162.4 231 shade: RGB 46 113 218, RGB 81 137 224, RGB 116 161 231, RGB 151 185 237 and RGB 186 209 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118.3 162.4 231 shade: RGB 118.3 162.4 231, RGB 208 116 231 and RGB 208 231 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118.3 162.4 231 shade: RGB 118.3 162.4 231, RGB 231 116 162 and RGB 162 231 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118.3 162.4 231 shade: RGB 118.3 162.4 231, RGB 208 116 231, RGB 231 185 116 and RGB 139 231 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118.3 162.4 231 shade: RGB 118.3 162.4 231, RGB 231 116 219, RGB 231 185 116 and RGB 116 231 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

Complementary color

CMYK 0 / 32 / 82 / 46

HEX #885C18

RGB 136.7 92.6 24

HSL 36.52, 0.7%, 0.32%

LAB 42.94, 11.95, 43.72

 

CMYK 45 / 28 / 0 / 11

HEX #7BA2E2

RGB 123.3 162.4 226

HSL 217.16, 0.64%, 0.68%

LAB 66.29, 3.42, -36.3

 

CMYK 43 / 26 / 0 / 4

HEX #8CB4F5

RGB 140.3 180.4 245

HSL 217.02, 0.84%, 0.76%

LAB 72.89, 2.9, -36.34

 

CMYK 38 / 22 / 0 / 0

HEX #9DC6FF

RGB 157.3 198.4 255

HSL 214.76, 1%, 0.81%

LAB 79.04, 0.09, -32.14

 

CMYK 32 / 15 / 0 / 0

HEX #AED8FF

RGB 174.3 216.4 255

HSL 208.7, 1%, 0.84%

LAB 84.78, -4.91, -23.27

 

CMYK 25 / 8 / 0 / 0

HEX #BFEAFF

RGB 191.3 234.4 255

HSL 199.4, 1%, 0.88%

LAB 90.51, -9.4, -14.52

 

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

CMYK 52 / 32 / 0 / 17

HEX #6590D4

RGB 101.3 144.4 212

HSL 216.64, 0.56%, 0.61%

LAB 59.53, 4.41, -39.19

 

CMYK 56 / 35 / 0 / 24

HEX #547EC1

RGB 84.3 126.4 193

HSL 216.76, 0.47%, 0.54%

LAB 52.7, 5.29, -39.24

 

CMYK 61 / 38 / 0 / 32

HEX #436CAE

RGB 67.3 108.4 174

HSL 216.89, 0.44%, 0.47%

LAB 45.73, 6.39, -39.32

 

CMYK 68 / 42 / 0 / 39

HEX #325A9B

RGB 50.3 90.4 155

HSL 217.02, 0.51%, 0.4%

LAB 38.61, 7.82, -39.44

 

CMYK 50 / 30 / 0 / 9

HEX #74A1E7

RGB 116 161 231

HSL 216.52, 0.71%, 0.68%

LAB 65.73, 3.95, -39.97

 

CMYK 50 / 44 / 0 / 9

HEX #7482E7

RGB 116 130 231

HSL 232.7, 0.71%, 0.68%

LAB 57.51, 22.1, -52.94

 

CMYK 42 / 50 / 0 / 9

HEX #8574E7

RGB 133 116 231

HSL 248.87, 0.71%, 0.68%

LAB 55.33, 34.28, -56.35

 

CMYK 29 / 50 / 0 / 9

HEX #A474E7

RGB 164 116 231

HSL 265.04, 0.71%, 0.68%

LAB 58.18, 41.94, -51.63

 

CMYK 16 / 50 / 0 / 9

HEX #C374E7

RGB 195 116 231

HSL 281.22, 0.71%, 0.68%

LAB 61.54, 50.15, -46.1

 

CMYK 50 / 30 / 0 / 9

HEX #74A1E7

RGB 116 161 231

HSL 216.52, 0.71%, 0.68%

LAB 65.73, 3.95, -39.97

 

CMYK 50 / 44 / 0 / 9

HEX #7482E7

RGB 116 130 231

HSL 232.7, 0.71%, 0.68%

LAB 57.51, 22.1, -52.94

 

CMYK 50 / 50 / 0 / 9

HEX #7474E7

RGB 116 116 231

HSL 240, 0.71%, 0.68%

LAB 54, 30.47, -58.55

 

CMYK 50 / 30 / 0 / 9

HEX #74A1E7

RGB 116 161 231

HSL 216.52, 0.71%, 0.68%

LAB 65.73, 3.95, -39.97

 

CMYK 58 / 35 / 0 / 4

HEX #679EF4

RGB 103 158 244

HSL 216.6, 0.87%, 0.68%

LAB 64.86, 6.93, -48.51

 

CMYK 50 / 30 / 0 / 9

HEX #74A1E7

RGB 116 161 231

HSL 216.52, 0.71%, 0.68%

LAB 65.73, 3.95, -39.97

 

CMYK 41 / 24 / 0 / 15

HEX #81A4D9

RGB 129 164 217

HSL 216.14, 0.54%, 0.68%

LAB 66.69, 1.44, -30.69

 

CMYK 30 / 18 / 0 / 20

HEX #8FA7CC

RGB 143 167 204

HSL 216.39, 0.37%, 0.68%

LAB 67.9, 0.28, -21.59

 

CMYK 18 / 11 / 0 / 25

HEX #9CAABF

RGB 156 170 191

HSL 216, 0.21%, 0.68%

LAB 69.17, -0.42, -12.39

 

CMYK 5 / 3 / 0 / 30

HEX #A9ACB2

RGB 169 172 178

HSL 220, 0.06%, 0.68%

LAB 70.28, 0.11, -3.45

 

CMYK 50 / 3 / 0 / 9

HEX #74DFE7

RGB 116 223 231

HSL 184.17, 0.71%, 0.68%

LAB 83.05, -28.73, -13.44

 

CMYK 50 / 17 / 0 / 9

HEX #74C0E7

RGB 116 192 231

HSL 200.35, 0.71%, 0.68%

LAB 74.31, -13.08, -26.69

 

CMYK 50 / 30 / 0 / 9

HEX #74A2E7

RGB 116 162 231

HSL 216, 0.71%, 0.68%

LAB 66, 3.38, -39.54

 

CMYK 50 / 43 / 0 / 9

HEX #7484E7

RGB 116 132 231

HSL 231.65, 0.71%, 0.68%

LAB 58.02, 20.9, -52.12

 

CMYK 43 / 50 / 0 / 9

HEX #8474E7

RGB 132 116 231

HSL 248.35, 0.71%, 0.68%

LAB 55.24, 34.05, -56.49

 

CMYK 79 / 48 / 0 / 15

HEX #2E71DA

RGB 46 113 218

HSL 216.63, 0.7%, 0.52%

LAB 48.83, 16.41, -59.74

 

CMYK 64 / 39 / 0 / 12

HEX #5189E0

RGB 81 137 224

HSL 216.5, 0.7%, 0.6%

LAB 57.1, 8.64, -49.8

 

CMYK 50 / 30 / 0 / 9

HEX #74A1E7

RGB 116 161 231

HSL 216.52, 0.71%, 0.68%

LAB 65.73, 3.95, -39.97

 

CMYK 36 / 22 / 0 / 7

HEX #97B9ED

RGB 151 185 237

HSL 216.28, 0.7%, 0.76%

LAB 74.44, 1.02, -29.57

 

CMYK 23 / 14 / 0 / 5

HEX #BAD1F3

RGB 186 209 243

HSL 215.79, 0.7%, 0.84%

LAB 83.18, -0.45, -19.25

 

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

CMYK 10 / 50 / 0 / 9

HEX #D074E7

RGB 208 116 231

HSL 288, 0.71%, 0.68%

LAB 63.07, 53.68, -43.58

 

CMYK 10 / 0 / 50 / 9

HEX #D0E774

RGB 208 231 116

HSL 72, 0.71%, 0.68%

LAB 87.88, -24.31, 52.93

 

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

CMYK 0 / 50 / 30 / 9

HEX #E774A2

RGB 231 116 162

HSL 336, 0.71%, 0.68%

LAB 63.42, 49.46, -3.85

 

CMYK 30 / 0 / 50 / 9

HEX #A2E774

RGB 162 231 116

HSL 96, 0.71%, 0.68%

LAB 85.04, -41.19, 48.84

 

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

CMYK 10 / 50 / 0 / 9

HEX #D074E7

RGB 208 116 231

HSL 288, 0.71%, 0.68%

LAB 63.07, 53.68, -43.58

 

CMYK 0 / 20 / 50 / 9

HEX #E7B974

RGB 231 185 116

HSL 36, 0.71%, 0.68%

LAB 77.84, 8.22, 41.11

 

CMYK 40 / 0 / 50 / 9

HEX #8BE774

RGB 139 231 116

HSL 108, 0.71%, 0.68%

LAB 83.91, -48.7, 47.2

 

CMYK 49 / 30 / 0 / 9

HEX #76A2E7

RGB 118.3 162.4 231

HSL 216.52, 0.7%, 0.68%

LAB 66.23, 3.69, -39.17

 

CMYK 0 / 50 / 5 / 9

HEX #E774DB

RGB 231 116 219

HSL 306.26, 0.71%, 0.68%

LAB 65.43, 57.91, -33

 

CMYK 0 / 20 / 50 / 9

HEX #E7B974

RGB 231 185 116

HSL 36, 0.71%, 0.68%

LAB 77.84, 8.22, 41.11

 

CMYK 50 / 0 / 45 / 9

HEX #74E780

RGB 116 231 128

HSL 126.26, 0.71%, 0.68%

LAB 83.14, -53.64, 40.24

 

Description

Color code: RGB 118.3 162.4 231 | qconv.com Color code: RGB 118.3 162.4 231 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118.3 red, 162.4 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118.3 162.4 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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