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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117.1 165 143 it is the complementary color RGB 137.9 90 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117.1 165 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117.1 165 143 shade: RGB 122.1 165 138, RGB 139.1 183 157, RGB 156.1 201 176, RGB 173.1 219 195 and RGB 190.1 237 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117.1 165 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117.1 165 143 shade: RGB 117.1 165 143, RGB 100.1 147 124, RGB 83.1 129 105, RGB 66.1 111 86 and RGB 49.1 93 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117.1 165 143 shade: RGB 116 164 142, RGB 116 164 129, RGB 116 164 116, RGB 129 164 116 and RGB 142 164 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117.1 165 143 shade: RGB 116 164 142, RGB 116 164 155, RGB 116 160 164, RGB 116 147 164 and RGB 116 134 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117.1 165 143 shade matches the following richer shades: RGB 116 164 142, RGB 98 183 144, RGB 79 201 145, RGB 60 220 147 and RGB 42 239 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117.1 165 143 shade: RGB 116 164 142, RGB 135 146 141, RGB 153 127 139, RGB 172 109 138 and RGB 190 90 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117.1 165 143 shade: RGB 116 164 116, RGB 116 164 129, RGB 116 164 142, RGB 116 164 155 and RGB 116 161 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117.1 165 143 shade: RGB 78 120 101, RGB 95 145 122, RGB 116 164 142, RGB 141 181 162 and RGB 166 197 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117.1 165 143 shade: RGB 117.1 165 143, RGB 116 129 164 and RGB 164 123 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117.1 165 143 shade: RGB 117.1 165 143, RGB 142 116 164 and RGB 164 142 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117.1 165 143 shade: RGB 117.1 165 143, RGB 116 129 164, RGB 164 116 139 and RGB 164 151 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117.1 165 143 shade: RGB 117.1 165 143, RGB 118 116 164, RGB 164 116 139 and RGB 163 164 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

Complementary color

CMYK 0 / 35 / 19 / 46

HEX #895A70

RGB 137.9 90 112

HSL 332.44, 0.21%, 0.45%

LAB 44.06, 23.1, -4.38

 

CMYK 26 / 0 / 16 / 35

HEX #7AA58A

RGB 122.1 165 138

HSL 142.24, 0.19%, 0.56%

LAB 64.07, -20.22, 9.35

 

CMYK 24 / 0 / 14 / 28

HEX #8BB79D

RGB 139.1 183 157

HSL 144.46, 0.23%, 0.63%

LAB 70.73, -20.01, 8.49

 

CMYK 22 / 0 / 12 / 21

HEX #9CC9B0

RGB 156.1 201 176

HSL 146.59, 0.29%, 0.7%

LAB 77.27, -19.83, 7.68

 

CMYK 21 / 0 / 11 / 14

HEX #ADDBC3

RGB 173.1 219 195

HSL 148.63, 0.39%, 0.77%

LAB 83.7, -19.68, 6.92

 

CMYK 20 / 0 / 10 / 7

HEX #BEEDD6

RGB 190.1 237 214

HSL 150.58, 0.57%, 0.84%

LAB 90.04, -19.54, 6.19

 

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

CMYK 32 / 0 / 16 / 42

HEX #64937C

RGB 100.1 147 124

HSL 150.58, 0.19%, 0.48%

LAB 57.11, -21.06, 7.15

 

CMYK 36 / 0 / 19 / 49

HEX #538169

RGB 83.1 129 105

HSL 148.63, 0.22%, 0.42%

LAB 50.17, -21.32, 8.09

 

CMYK 40 / 0 / 23 / 56

HEX #426F56

RGB 66.1 111 86

HSL 146.59, 0.25%, 0.35%

LAB 43.07, -21.6, 9.13

 

CMYK 47 / 0 / 28 / 64

HEX #315D43

RGB 49.1 93 67

HSL 144.46, 0.31%, 0.28%

LAB 35.77, -21.89, 10.3

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 29 / 0 / 21 / 36

HEX #74A481

RGB 116 164 129

HSL 136.25, 0.21%, 0.55%

LAB 63.22, -23.51, 13.1

 

CMYK 29 / 0 / 29 / 36

HEX #74A474

RGB 116 164 116

HSL 120, 0.21%, 0.55%

LAB 62.95, -25.9, 19.9

 

CMYK 21 / 0 / 29 / 36

HEX #81A474

RGB 129 164 116

HSL 103.75, 0.21%, 0.55%

LAB 63.74, -21.29, 21.11

 

CMYK 13 / 0 / 29 / 36

HEX #8EA474

RGB 142 164 116

HSL 87.5, 0.21%, 0.55%

LAB 64.61, -16.44, 22.44

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 29 / 0 / 5 / 36

HEX #74A49B

RGB 116 164 155

HSL 168.75, 0.21%, 0.55%

LAB 63.86, -18.02, -0.5

 

CMYK 29 / 2 / 0 / 36

HEX #74A0A4

RGB 116 160 164

HSL 185, 0.21%, 0.55%

LAB 62.96, -13.79, -6.88

 

CMYK 29 / 10 / 0 / 36

HEX #7493A4

RGB 116 147 164

HSL 201.25, 0.21%, 0.55%

LAB 59.21, -6.7, -12.48

 

CMYK 29 / 18 / 0 / 36

HEX #7486A4

RGB 116 134 164

HSL 217.5, 0.21%, 0.55%

LAB 55.53, 0.67, -18.06

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 46 / 0 / 21 / 28

HEX #62B790

RGB 98 183 144

HSL 152.47, 0.37%, 0.55%

LAB 68.37, -34.97, 11.96

 

CMYK 61 / 0 / 28 / 21

HEX #4FC991

RGB 79 201 145

HSL 152.46, 0.53%, 0.55%

LAB 73.21, -47.05, 18.08

 

CMYK 73 / 0 / 33 / 14

HEX #3CDC93

RGB 60 220 147

HSL 152.63, 0.7%, 0.55%

LAB 78.61, -57.36, 24.38

 

CMYK 82 / 0 / 38 / 6

HEX #2AEF94

RGB 42 239 148

HSL 152.28, 0.86%, 0.55%

LAB 84.15, -66.07, 31.28

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 8 / 0 / 3 / 43

HEX #87928D

RGB 135 146 141

HSL 152.73, 0.05%, 0.55%

LAB 59.55, -4.97, 1.28

 

CMYK 0 / 17 / 9 / 40

HEX #997F8B

RGB 153 127 139

HSL 332.31, 0.11%, 0.55%

LAB 55.9, 12.08, -2.73

 

CMYK 0 / 37 / 20 / 33

HEX #AC6D8A

RGB 172 109 138

HSL 332.38, 0.28%, 0.55%

LAB 53.54, 29.23, -5.41

 

CMYK 0 / 53 / 28 / 25

HEX #BE5A88

RGB 190 90 136

HSL 332.4, 0.43%, 0.55%

LAB 51.88, 45.32, -6.43

 

CMYK 29 / 0 / 29 / 36

HEX #74A474

RGB 116 164 116

HSL 120, 0.21%, 0.55%

LAB 62.95, -25.9, 19.9

 

CMYK 29 / 0 / 21 / 36

HEX #74A481

RGB 116 164 129

HSL 136.25, 0.21%, 0.55%

LAB 63.22, -23.51, 13.1

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 29 / 0 / 5 / 36

HEX #74A49B

RGB 116 164 155

HSL 168.75, 0.21%, 0.55%

LAB 63.86, -18.02, -0.5

 

CMYK 29 / 2 / 0 / 36

HEX #74A1A4

RGB 116 161 164

HSL 183.75, 0.21%, 0.55%

LAB 63.25, -14.33, -6.45

 

CMYK 35 / 0 / 16 / 53

HEX #4E7865

RGB 78 120 101

HSL 152.86, 0.21%, 0.39%

LAB 46.96, -19.13, 5.83

 

CMYK 34 / 0 / 16 / 43

HEX #5F917A

RGB 95 145 122

HSL 152.4, 0.21%, 0.47%

LAB 56.18, -22.09, 6.92

 

CMYK 29 / 0 / 13 / 36

HEX #74A48E

RGB 116 164 142

HSL 152.5, 0.21%, 0.55%

LAB 63.52, -20.87, 6.28

 

CMYK 22 / 0 / 10 / 29

HEX #8DB5A2

RGB 141 181 162

HSL 151.5, 0.21%, 0.63%

LAB 70.4, -17.37, 5.29

 

CMYK 16 / 0 / 7 / 23

HEX #A6C5B7

RGB 166 197 183

HSL 152.9, 0.21%, 0.71%

LAB 76.96, -13.18, 3.54

 

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

CMYK 29 / 21 / 0 / 36

HEX #7481A4

RGB 116 129 164

HSL 223.75, 0.21%, 0.55%

LAB 54.13, 3.58, -20.2

 

CMYK 0 / 25 / 29 / 36

HEX #A47B74

RGB 164 123 116

HSL 8.75, 0.21%, 0.55%

LAB 55.4, 14.91, 10.03

 

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

CMYK 13 / 29 / 0 / 36

HEX #8E74A4

RGB 142 116 164

HSL 272.5, 0.21%, 0.55%

LAB 52.86, 19.65, -21.94

 

CMYK 0 / 13 / 29 / 36

HEX #A48E74

RGB 164 142 116

HSL 32.5, 0.21%, 0.55%

LAB 60.34, 4.19, 16.91

 

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

CMYK 29 / 21 / 0 / 36

HEX #7481A4

RGB 116 129 164

HSL 223.75, 0.21%, 0.55%

LAB 54.13, 3.58, -20.2

 

CMYK 0 / 29 / 15 / 36

HEX #A4748B

RGB 164 116 139

HSL 331.25, 0.21%, 0.55%

LAB 54.29, 22.5, -4.99

 

CMYK 0 / 8 / 29 / 36

HEX #A49774

RGB 164 151 116

HSL 43.75, 0.21%, 0.55%

LAB 62.75, -0.79, 20.21

 

CMYK 29 / 0 / 13 / 35

HEX #75A58F

RGB 117.1 165 143

HSL 152.44, 0.21%, 0.55%

LAB 63.9, -20.82, 6.28

 

CMYK 28 / 29 / 0 / 36

HEX #7674A4

RGB 118 116 164

HSL 242.5, 0.21%, 0.55%

LAB 50.71, 11.89, -25.44

 

CMYK 0 / 29 / 15 / 36

HEX #A4748B

RGB 164 116 139

HSL 331.25, 0.21%, 0.55%

LAB 54.29, 22.5, -4.99

 

CMYK 1 / 0 / 29 / 36

HEX #A3A474

RGB 163 164 116

HSL 61.25, 0.21%, 0.55%

LAB 66.21, -8.23, 24.86

 

Description

Color code: RGB 117.1 165 143 | qconv.com Color code: RGB 117.1 165 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117.1 red, 165 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117.1 165 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 13 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 13% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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