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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 69 46 it is the complementary color RGB 139 186 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 69 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 69 46: RGB 121 69 41, RGB 138 87 60, RGB 155 105 79, RGB 172 123 98 and RGB 189 141 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 69 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 69 46: RGB 116 69 46, RGB 99 51 27, RGB 82 33 8, RGB 65 15 0 and RGB 48 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

Complementary color

CMYK 33 / 11 / 0 / 18

HEX #8BBAD1

RGB 139 186 209

HSL 199.71, 0.43%, 0.68%

LAB 73.03, -9.95, -16.57

 

CMYK 0 / 43 / 66 / 53

HEX #794529

RGB 121 69 41

HSL 21, 0.49%, 0.32%

LAB 34.97, 19.57, 26.24

 

CMYK 0 / 37 / 57 / 46

HEX #8A573C

RGB 138 87 60

HSL 20.77, 0.39%, 0.39%

LAB 42.07, 18.11, 24.35

 

CMYK 0 / 32 / 49 / 39

HEX #9B694F

RGB 155 105 79

HSL 20.53, 0.32%, 0.46%

LAB 49.05, 16.9, 22.69

 

CMYK 0 / 28 / 43 / 33

HEX #AC7B62

RGB 172 123 98

HSL 20.27, 0.31%, 0.53%

LAB 55.91, 15.88, 21.22

 

CMYK 0 / 25 / 38 / 26

HEX #BD8D75

RGB 189 141 117

HSL 20, 0.35%, 0.6%

LAB 62.64, 15.02, 19.91

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 0 / 48 / 73 / 61

HEX #63331B

RGB 99 51 27

HSL 20, 0.57%, 0.25%

LAB 27.02, 19.34, 24.4

 

CMYK 0 / 60 / 90 / 68

HEX #522108

RGB 82 33 8

HSL 20.27, 0.82%, 0.18%

LAB 19.64, 21.29, 25.63

 

CMYK 0 / 77 / 100 / 75

HEX #410F00

RGB 65 15 0

HSL 13.85, 1%, 0.13%

LAB 12.39, 23.32, 19.08

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 0 / 31 / 60 / 55

HEX #74502E

RGB 116 80 46

HSL 29.14, 0.43%, 0.32%

LAB 37.2, 11.08, 25.86

 

CMYK 0 / 21 / 60 / 55

HEX #745C2E

RGB 116 92 46

HSL 39.43, 0.43%, 0.32%

LAB 40.52, 3.86, 29.81

 

CMYK 0 / 11 / 60 / 55

HEX #74672E

RGB 116 103 46

HSL 48.86, 0.43%, 0.32%

LAB 43.67, -2.62, 33.47

 

CMYK 0 / 1 / 60 / 55

HEX #74732E

RGB 116 115 46

HSL 59.14, 0.43%, 0.32%

LAB 47.2, -9.45, 37.45

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 0 / 41 / 60 / 35

HEX #A76342

RGB 167 99 66

HSL 19.6, 0.43%, 0.46%

LAB 48.92, 24.25, 30.28

 

CMYK 0 / 40 / 61 / 15

HEX #DA8256

RGB 218 130 86

HSL 20, 0.64%, 0.6%

LAB 62.96, 29.84, 38.02

 

CMYK 0 / 43 / 57 / 95

HEX #0E0806

RGB 14 8 6

HSL 15, 0.4%, 0.04%

LAB 2.53, 1.41, 1.35

 

CMYK 0 / 40 / 60 / 75

HEX #41271A

RGB 65 39 26

HSL 20, 0.43%, 0.18%

LAB 18.58, 10.56, 13.61

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 31 / 0 / 60 / 55

HEX #50742E

RGB 80 116 46

HSL 90.86, 0.43%, 0.32%

LAB 44.79, -25.62, 34

 

CMYK 60 / 55 / 0 / 55

HEX #2E3474

RGB 46 52 116

HSL 234.86, 0.43%, 0.32%

LAB 24.63, 18.34, -37.77

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 60 / 0 / 41 / 55

HEX #2E7444

RGB 46 116 68

HSL 138.86, 0.43%, 0.32%

LAB 43.49, -33.57, 20.12

 

CMYK 41 / 60 / 0 / 55

HEX #442E74

RGB 68 46 116

HSL 258.86, 0.43%, 0.32%

LAB 25.09, 27.51, -36.93

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 31 / 0 / 60 / 55

HEX #50742E

RGB 80 116 46

HSL 90.86, 0.43%, 0.32%

LAB 44.79, -25.62, 34

 

CMYK 60 / 19 / 0 / 55

HEX #2E5E74

RGB 46 94 116

HSL 198.86, 0.43%, 0.32%

LAB 37.57, -9.23, -17.38

 

CMYK 29 / 60 / 0 / 55

HEX #522E74

RGB 82 46 116

HSL 270.86, 0.43%, 0.32%

LAB 26.76, 31.18, -34.16

 

CMYK 0 / 41 / 60 / 55

HEX #74452E

RGB 116 69 46

HSL 19.71, 0.43%, 0.32%

LAB 34.33, 17.72, 22.32

 

CMYK 49 / 0 / 60 / 55

HEX #3B742E

RGB 59 116 46

HSL 108.86, 0.43%, 0.32%

LAB 43.68, -33.28, 32.43

 

CMYK 60 / 19 / 0 / 55

HEX #2E5E74

RGB 46 94 116

HSL 198.86, 0.43%, 0.32%

LAB 37.57, -9.23, -17.38

 

CMYK 11 / 60 / 0 / 55

HEX #672E74

RGB 103 46 116

HSL 288.86, 0.43%, 0.32%

LAB 29.66, 37.03, -29.37

 

Description

Color code: RGB 116 69 46 | qconv.com Color code: RGB 116 69 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 69 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 69 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 60 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 60% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - 指定したウェブサイトで使われている配色・...
Link: http://www.lifehacker.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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