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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 57 247 it is the complementary color RGB 139 198 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 57 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 57 247: RGB 121 57 242, RGB 138 75 255, RGB 155 93 255, RGB 172 111 255 and RGB 189 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 57 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 57 247: RGB 116 57 247, RGB 99 39 228, RGB 82 21 209, RGB 65 3 190 and RGB 48 0 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

Complementary color

CMYK 30 / 0 / 96 / 22

HEX #8BC608

RGB 139 198 8

HSL 78.63, 0.92%, 0.4%

LAB 73.48, -41.93, 72.43

 

CMYK 50 / 76 / 0 / 5

HEX #7939F2

RGB 121 57 242

HSL 260.76, 0.88%, 0.59%

LAB 43.36, 66.08, -81.99

 

CMYK 46 / 71 / 0 / 0

HEX #8A4BFF

RGB 138 75 255

HSL 261, 1%, 0.65%

LAB 49.08, 63.85, -79.83

 

CMYK 39 / 64 / 0 / 0

HEX #9B5DFF

RGB 155 93 255

HSL 262.96, 1%, 0.68%

LAB 54.05, 58.1, -71.67

 

CMYK 33 / 56 / 0 / 0

HEX #AC6FFF

RGB 172 111 255

HSL 265.42, 1%, 0.72%

LAB 59.31, 52.42, -63.09

 

CMYK 26 / 49 / 0 / 0

HEX #BD81FF

RGB 189 129 255

HSL 268.57, 1%, 0.75%

LAB 64.76, 46.99, -54.29

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 57 / 83 / 0 / 11

HEX #6327E4

RGB 99 39 228

HSL 259.05, 0.78%, 0.52%

LAB 37.31, 67, -84.11

 

CMYK 61 / 90 / 0 / 18

HEX #5215D1

RGB 82 21 209

HSL 259.47, 0.82%, 0.45%

LAB 31.66, 66.32, -82.58

 

CMYK 66 / 98 / 0 / 25

HEX #4103BE

RGB 65 3 190

HSL 259.89, 0.97%, 0.38%

LAB 26.47, 64.3, -80.1

 

CMYK 72 / 100 / 0 / 33

HEX #3000AB

RGB 48 0 171

HSL 256.84, 1%, 0.34%

LAB 22.19, 59.59, -75.9

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 41 / 76 / 0 / 4

HEX #923BF6

RGB 146 59 246

HSL 267.91, 0.91%, 0.6%

LAB 46.83, 69.8, -78.44

 

CMYK 28 / 76 / 0 / 4

HEX #B23BF6

RGB 178 59 246

HSL 278.18, 0.91%, 0.6%

LAB 50.97, 74.94, -71.51

 

CMYK 15 / 76 / 0 / 4

HEX #D13BF6

RGB 209 59 246

HSL 288.13, 0.91%, 0.6%

LAB 55.42, 80.39, -64.11

 

CMYK 2 / 76 / 0 / 4

HEX #F03BF6

RGB 240 59 246

HSL 298.07, 0.91%, 0.6%

LAB 60.17, 86.16, -56.24

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 53 / 77 / 0 / 83

HEX #140A2B

RGB 20 10 43

HSL 258.18, 0.62%, 0.1%

LAB 4.88, 13.09, -19.65

 

CMYK 53 / 77 / 0 / 63

HEX #2C165E

RGB 44 22 94

HSL 258.33, 0.62%, 0.23%

LAB 15.05, 30.04, -39

 

CMYK 53 / 77 / 0 / 43

HEX #442191

RGB 68 33 145

HSL 258.75, 0.63%, 0.35%

LAB 24.83, 43.48, -55.57

 

CMYK 53 / 77 / 0 / 23

HEX #5C2DC4

RGB 92 45 196

HSL 258.68, 0.63%, 0.47%

LAB 34.27, 55.41, -70.65

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 0 / 76 / 38 / 4

HEX #F63B99

RGB 246 59 153

HSL 329.84, 0.91%, 0.6%

LAB 57.1, 75.55, -7.74

 

CMYK 69 / 0 / 76 / 4

HEX #4DF63B

RGB 77 246 59

HSL 114.22, 0.91%, 0.6%

LAB 85.91, -74.82, 71.76

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 0 / 53 / 76 / 4

HEX #F6733B

RGB 246 115 59

HSL 17.97, 0.91%, 0.6%

LAB 63.48, 46.88, 53.35

 

CMYK 76 / 0 / 53 / 4

HEX #3BF673

RGB 59 246 115

HSL 137.97, 0.91%, 0.6%

LAB 86.05, -71.98, 49.73

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 0 / 76 / 38 / 4

HEX #F63B99

RGB 246 59 153

HSL 329.84, 0.91%, 0.6%

LAB 57.1, 75.55, -7.74

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 0 / 38 / 4

HEX #3BF699

RGB 59 246 153

HSL 150.16, 0.91%, 0.6%

LAB 86.57, -65.85, 32.02

 

CMYK 53 / 77 / 0 / 3

HEX #7439F7

RGB 116 57 247

HSL 258.63, 0.92%, 0.6%

LAB 43.29, 66.71, -84.93

 

CMYK 0 / 76 / 61 / 4

HEX #F63B60

RGB 246 59 96

HSL 348.13, 0.91%, 0.6%

LAB 55.65, 71.04, 24.01

 

CMYK 23 / 0 / 76 / 4

HEX #BEF63B

RGB 190 246 59

HSL 77.97, 0.91%, 0.6%

LAB 90.4, -42.02, 77.61

 

CMYK 76 / 0 / 15 / 4

HEX #3BF6D1

RGB 59 246 209

HSL 168.13, 0.91%, 0.6%

LAB 87.7, -53.66, 4.82

 

Description

Color code: RGB 116 57 247 | qconv.com Color code: RGB 116 57 247 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 57 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 57 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 77 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 77% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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