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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 116 7 it is the complementary color RGB 139 139 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 116 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 116 7: RGB 121 116 2, RGB 138 134 21, RGB 155 152 40, RGB 172 170 59 and RGB 189 188 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 116 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 116 7: RGB 116 116 7, RGB 99 98 0, RGB 82 80 0, RGB 65 62 0 and RGB 48 44 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

Complementary color

CMYK 44 / 44 / 0 / 3

HEX #8B8BF8

RGB 139 139 248

HSL 240, 0.89%, 0.76%

LAB 62.28, 27.09, -54.66

 

CMYK 0 / 4 / 98 / 53

HEX #797402

RGB 121 116 2

HSL 57.48, 0.97%, 0.24%

LAB 47.7, -9.63, 52.92

 

CMYK 0 / 3 / 85 / 46

HEX #8A8615

RGB 138 134 21

HSL 57.95, 0.74%, 0.31%

LAB 54.56, -11.07, 54.92

 

CMYK 0 / 2 / 74 / 39

HEX #9B9828

RGB 155 152 40

HSL 58.43, 0.59%, 0.38%

LAB 61.29, -12.23, 55.53

 

CMYK 0 / 1 / 66 / 33

HEX #ACAA3B

RGB 172 170 59

HSL 58.94, 0.49%, 0.45%

LAB 67.9, -13.16, 55.19

 

CMYK 0 / 1 / 59 / 26

HEX #BDBC4E

RGB 189 188 78

HSL 59.46, 0.46%, 0.52%

LAB 74.4, -13.9, 54.4

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 0 / 1 / 100 / 61

HEX #636200

RGB 99 98 0

HSL 59.39, 1%, 0.19%

LAB 40.23, -10.21, 46.99

 

CMYK 0 / 2 / 100 / 68

HEX #525000

RGB 82 80 0

HSL 58.54, 1%, 0.16%

LAB 32.99, -8.28, 40.98

 

CMYK 0 / 5 / 100 / 75

HEX #413E00

RGB 65 62 0

HSL 57.23, 1%, 0.13%

LAB 25.47, -6.26, 34.24

 

CMYK 0 / 8 / 100 / 81

HEX #302C00

RGB 48 44 0

HSL 55, 1%, 0.09%

LAB 17.6, -4.08, 25.23

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 16 / 0 / 95 / 55

HEX #617306

RGB 97 115 6

HSL 69.91, 0.9%, 0.24%

LAB 45.38, -20.22, 49.39

 

CMYK 31 / 0 / 95 / 55

HEX #4F7306

RGB 79 115 6

HSL 79.82, 0.9%, 0.24%

LAB 44.14, -28.11, 47.87

 

CMYK 47 / 0 / 95 / 55

HEX #3D7306

RGB 61 115 6

HSL 89.72, 0.9%, 0.24%

LAB 43.16, -35.09, 46.66

 

CMYK 63 / 0 / 95 / 55

HEX #2B7306

RGB 43 115 6

HSL 99.63, 0.9%, 0.24%

LAB 42.44, -40.74, 45.77

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 0 / 0 / 94 / 35

HEX #A7A70A

RGB 167 167 10

HSL 60, 0.89%, 0.35%

LAB 66.42, -15.56, 67.55

 

CMYK 0 / 0 / 94 / 15

HEX #DADA0D

RGB 218 218 13

HSL 60, 0.89%, 0.45%

LAB 84.52, -19.03, 82.8

 

CMYK 0 / 0 / 93 / 95

HEX #0E0E01

RGB 14 14 1

HSL 60, 0.87%, 0.03%

LAB 3.7, -1.87, 5.1

 

CMYK 0 / 0 / 94 / 75

HEX #414104

RGB 65 65 4

HSL 60, 0.88%, 0.14%

LAB 26.49, -7.89, 33.54

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 95 / 0 / 76 / 55

HEX #06731C

RGB 6 115 28

HSL 132.11, 0.9%, 0.24%

LAB 41.82, -45.65, 38.29

 

CMYK 37 / 95 / 0 / 55

HEX #480673

RGB 72 6 115

HSL 276.33, 0.9%, 0.24%

LAB 19, 46.37, -46.17

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 95 / 0 / 0 / 55

HEX #067373

RGB 6 115 115

HSL 180, 0.9%, 0.24%

LAB 43.56, -26.33, -7.76

 

CMYK 0 / 95 / 0 / 55

HEX #730673

RGB 115 6 115

HSL 300, 0.9%, 0.24%

LAB 26.77, 53.48, -33.2

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 95 / 0 / 76 / 55

HEX #06731C

RGB 6 115 28

HSL 132.11, 0.9%, 0.24%

LAB 41.82, -45.65, 38.29

 

CMYK 95 / 95 / 0 / 55

HEX #060673

RGB 6 6 115

HSL 240, 0.9%, 0.24%

LAB 12, 41.33, -57.96

 

CMYK 0 / 95 / 19 / 55

HEX #73065D

RGB 115 6 93

HSL 312.11, 0.9%, 0.24%

LAB 25.46, 50.13, -20.98

 

CMYK 0 / 0 / 94 / 55

HEX #747407

RGB 116 116 7

HSL 60, 0.89%, 0.24%

LAB 47.26, -11.89, 51.32

 

CMYK 95 / 0 / 47 / 55

HEX #06733D

RGB 6 115 61

HSL 150.28, 0.9%, 0.24%

LAB 42.21, -40.85, 22.27

 

CMYK 95 / 95 / 0 / 55

HEX #060673

RGB 6 6 115

HSL 240, 0.9%, 0.24%

LAB 12, 41.33, -57.96

 

CMYK 0 / 95 / 47 / 55

HEX #73063D

RGB 115 6 61

HSL 329.72, 0.9%, 0.24%

LAB 24.04, 46.34, -1.56

 

Description

Color code: RGB 116 116 7 | qconv.com Color code: RGB 116 116 7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 116 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 116 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 94 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 94% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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