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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 116 247 it is the complementary color RGB 139 139 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 116 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 116 247: RGB 121 116 242, RGB 138 134 255, RGB 155 152 255, RGB 172 170 255 and RGB 189 188 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 116 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 116 247: RGB 116 116 247, RGB 99 98 228, RGB 82 80 209, RGB 65 62 190 and RGB 48 44 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

Complementary color

CMYK 0 / 0 / 94 / 45

HEX #8B8B08

RGB 139 139 8

HSL 60, 0.89%, 0.29%

LAB 56.06, -13.58, 58.84

 

CMYK 50 / 52 / 0 / 5

HEX #7974F2

RGB 121 116 242

HSL 242.38, 0.83%, 0.7%

LAB 55.04, 34.83, -63

 

CMYK 46 / 47 / 0 / 0

HEX #8A86FF

RGB 138 134 255

HSL 241.98, 1%, 0.76%

LAB 61.37, 31.77, -59.95

 

CMYK 39 / 40 / 0 / 0

HEX #9B98FF

RGB 155 152 255

HSL 241.75, 1%, 0.8%

LAB 67.01, 25.43, -50.91

 

CMYK 33 / 33 / 0 / 0

HEX #ACAAFF

RGB 172 170 255

HSL 241.41, 1%, 0.83%

LAB 72.72, 19.69, -41.85

 

CMYK 26 / 26 / 0 / 0

HEX #BDBCFF

RGB 189 188 255

HSL 240.9, 1%, 0.87%

LAB 78.46, 14.52, -32.84

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 57 / 57 / 0 / 11

HEX #6362E4

RGB 99 98 228

HSL 240.46, 0.71%, 0.64%

LAB 48.25, 36.97, -66.2

 

CMYK 61 / 62 / 0 / 18

HEX #5250D1

RGB 82 80 209

HSL 240.93, 0.58%, 0.57%

LAB 41.43, 38.83, -66.51

 

CMYK 66 / 67 / 0 / 25

HEX #413EBE

RGB 65 62 190

HSL 241.41, 0.51%, 0.49%

LAB 34.57, 40.92, -66.71

 

CMYK 72 / 74 / 0 / 33

HEX #302CAB

RGB 48 44 171

HSL 241.89, 0.59%, 0.42%

LAB 27.76, 43.16, -66.66

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 44 / 53 / 0 / 4

HEX #8973F6

RGB 137 115 246

HSL 250.08, 0.88%, 0.71%

LAB 56.32, 39.98, -63.09

 

CMYK 35 / 53 / 0 / 4

HEX #9F73F6

RGB 159 115 246

HSL 260.15, 0.88%, 0.71%

LAB 58.31, 45, -59.79

 

CMYK 26 / 53 / 0 / 4

HEX #B573F6

RGB 181 115 246

HSL 270.23, 0.88%, 0.71%

LAB 60.55, 50.34, -56.08

 

CMYK 18 / 53 / 0 / 4

HEX #CA73F6

RGB 202 115 246

HSL 279.85, 0.88%, 0.71%

LAB 62.9, 55.63, -52.2

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 53 / 53 / 0 / 83

HEX #14142B

RGB 20 20 43

HSL 240, 0.37%, 0.12%

LAB 7.44, 7.6, -15.61

 

CMYK 53 / 53 / 0 / 63

HEX #2C2C5E

RGB 44 44 94

HSL 240, 0.36%, 0.27%

LAB 20.62, 15.51, -29.98

 

CMYK 53 / 53 / 0 / 43

HEX #444491

RGB 68 68 145

HSL 240, 0.36%, 0.42%

LAB 32.72, 22.56, -42.75

 

CMYK 53 / 53 / 0 / 23

HEX #5C5CC4

RGB 92 92 196

HSL 240, 0.47%, 0.56%

LAB 44.11, 29.12, -54.62

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 0 / 53 / 11 / 4

HEX #F673DC

RGB 246 115 220

HSL 311.91, 0.88%, 0.71%

LAB 67.29, 62.76, -30.51

 

CMYK 32 / 0 / 53 / 4

HEX #A7F673

RGB 167 246 115

HSL 96.18, 0.88%, 0.71%

LAB 89.56, -46.11, 54.78

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 0 / 53 / 53 / 4

HEX #F67373

RGB 246 115 115

HSL 0, 0.88%, 0.71%

LAB 64.24, 50.19, 24.42

 

CMYK 53 / 0 / 53 / 4

HEX #73F673

RGB 115 246 115

HSL 120, 0.88%, 0.71%

LAB 87.38, -61.43, 51.66

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 0 / 53 / 11 / 4

HEX #F673DC

RGB 246 115 220

HSL 311.91, 0.88%, 0.71%

LAB 67.29, 62.76, -30.51

 

CMYK 0 / 0 / 53 / 4

HEX #F6F673

RGB 246 246 115

HSL 60, 0.88%, 0.71%

LAB 94.63, -16.76, 61.97

 

CMYK 53 / 0 / 43 / 4

HEX #73F68D

RGB 115 246 141

HSL 131.91, 0.88%, 0.71%

LAB 87.72, -57.84, 39.72

 

CMYK 53 / 53 / 0 / 3

HEX #7474F7

RGB 116 116 247

HSL 240, 0.89%, 0.71%

LAB 54.99, 35.34, -65.87

 

CMYK 0 / 53 / 26 / 4

HEX #F673B5

RGB 246 115 181

HSL 329.77, 0.88%, 0.71%

LAB 65.9, 57.18, -10.74

 

CMYK 0 / 0 / 53 / 4

HEX #F6F673

RGB 246 246 115

HSL 60, 0.88%, 0.71%

LAB 94.63, -16.76, 61.97

 

CMYK 53 / 0 / 26 / 4

HEX #73F6B5

RGB 115 246 181

HSL 150.23, 0.88%, 0.71%

LAB 88.4, -50.8, 20.48

 

Description

Color code: RGB 116 116 247 | qconv.com Color code: RGB 116 116 247 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 116 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 116 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 53 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 53% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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