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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 152 166 it is the complementary color RGB 140 103 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 152 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 115 152 166: RGB 120 152 161, RGB 137 170 180, RGB 154 188 199, RGB 171 206 218 and RGB 188 224 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 152 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 115 152 166: RGB 115 152 166, RGB 98 134 147, RGB 81 116 128, RGB 64 98 109 and RGB 47 80 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

Complementary color

CMYK 0 / 26 / 36 / 45

HEX #8C6759

RGB 140 103 89

HSL 16.47, 0.22%, 0.45%

LAB 46.97, 12.85, 13.71

 

CMYK 25 / 6 / 0 / 37

HEX #7898A1

RGB 120 152 161

HSL 193.17, 0.18%, 0.55%

LAB 60.8, -8.95, -8.37

 

CMYK 24 / 6 / 0 / 29

HEX #89AAB4

RGB 137 170 180

HSL 193.95, 0.22%, 0.62%

LAB 67.55, -8.95, -8.86

 

CMYK 23 / 6 / 0 / 22

HEX #9ABCC7

RGB 154 188 199

HSL 194.67, 0.29%, 0.69%

LAB 74.16, -8.96, -9.33

 

CMYK 22 / 6 / 0 / 15

HEX #ABCEDA

RGB 171 206 218

HSL 195.32, 0.39%, 0.76%

LAB 80.66, -8.97, -9.8

 

CMYK 21 / 5 / 0 / 7

HEX #BCE0ED

RGB 188 224 237

HSL 195.92, 0.58%, 0.83%

LAB 87.05, -8.99, -10.26

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 33 / 9 / 0 / 42

HEX #628693

RGB 98 134 147

HSL 195.92, 0.2%, 0.48%

LAB 53.76, -9.24, -11.02

 

CMYK 37 / 9 / 0 / 50

HEX #517480

RGB 81 116 128

HSL 195.32, 0.22%, 0.41%

LAB 46.71, -9.2, -10.57

 

CMYK 41 / 10 / 0 / 57

HEX #40626D

RGB 64 98 109

HSL 194.67, 0.26%, 0.34%

LAB 39.46, -9.13, -10.12

 

CMYK 48 / 11 / 0 / 65

HEX #2F505A

RGB 47 80 90

HSL 193.95, 0.31%, 0.27%

LAB 31.99, -9.02, -9.64

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 30 / 13 / 0 / 35

HEX #738FA5

RGB 115 143 165

HSL 206.4, 0.22%, 0.55%

LAB 58.04, -4.51, -14.82

 

CMYK 30 / 18 / 0 / 35

HEX #7387A5

RGB 115 135 165

HSL 216, 0.22%, 0.55%

LAB 55.78, 0.04, -18.26

 

CMYK 30 / 24 / 0 / 35

HEX #737EA5

RGB 115 126 165

HSL 226.8, 0.22%, 0.55%

LAB 53.26, 5.29, -22.12

 

CMYK 30 / 28 / 0 / 35

HEX #7376A5

RGB 115 118 165

HSL 236.4, 0.22%, 0.55%

LAB 51.06, 10.03, -25.51

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 31 / 8 / 0 / 15

HEX #96C7D9

RGB 150 199 217

HSL 196.12, 0.47%, 0.72%

LAB 77.48, -11.74, -14.14

 

CMYK 31 / 8 / 0 / 95

HEX #090C0D

RGB 9 12 13

HSL 195, 0.18%, 0.04%

LAB 3.16, -0.65, -0.72

 

CMYK 31 / 8 / 0 / 75

HEX #2C3B40

RGB 44 59 64

HSL 195, 0.19%, 0.21%

LAB 23.78, -4.68, -5.09

 

CMYK 30 / 9 / 0 / 55

HEX #506973

RGB 80 105 115

HSL 197.14, 0.18%, 0.38%

LAB 42.83, -6.62, -8.6

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 16 / 30 / 0 / 35

HEX #8A73A5

RGB 138 115 165

HSL 267.6, 0.22%, 0.55%

LAB 52.27, 19.14, -23.48

 

CMYK 0 / 4 / 30 / 35

HEX #A59E73

RGB 165 158 115

HSL 51.6, 0.22%, 0.55%

LAB 64.72, -4.34, 23.43

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 0 / 30 / 8 / 35

HEX #A57398

RGB 165 115 152

HSL 315.6, 0.22%, 0.55%

LAB 54.58, 25.72, -12.12

 

CMYK 8 / 0 / 30 / 35

HEX #98A573

RGB 152 165 115

HSL 75.6, 0.22%, 0.55%

LAB 65.61, -13.25, 24.45

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 16 / 30 / 0 / 35

HEX #8A73A5

RGB 138 115 165

HSL 267.6, 0.22%, 0.55%

LAB 52.27, 19.14, -23.48

 

CMYK 0 / 22 / 30 / 35

HEX #A58073

RGB 165 128 115

HSL 15.6, 0.22%, 0.55%

LAB 56.76, 12.33, 12.53

 

CMYK 15 / 0 / 30 / 35

HEX #8DA573

RGB 141 165 115

HSL 88.8, 0.22%, 0.55%

LAB 64.81, -17.49, 23.24

 

CMYK 31 / 8 / 0 / 35

HEX #7398A6

RGB 115 152 166

HSL 196.47, 0.22%, 0.55%

LAB 60.65, -9.27, -11.46

 

CMYK 7 / 30 / 0 / 35

HEX #9973A5

RGB 153 115 165

HSL 285.6, 0.22%, 0.55%

LAB 53.76, 24.13, -21.05

 

CMYK 0 / 22 / 30 / 35

HEX #A58073

RGB 165 128 115

HSL 15.6, 0.22%, 0.55%

LAB 56.76, 12.33, 12.53

 

CMYK 24 / 0 / 30 / 35

HEX #7EA573

RGB 126 165 115

HSL 106.8, 0.22%, 0.55%

LAB 63.82, -23.05, 21.74

 

Description

Color code: RGB 115 152 166 | qconv.com Color code: RGB 115 152 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 152 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 152 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 8 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 8% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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