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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115.9 92.2 5 it is the complementary color RGB 139.1 162.8 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115.9 92.2 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115.9 92.2 5 shade: RGB 120.9 92.2 0, RGB 137.9 110.2 19, RGB 154.9 128.2 38, RGB 171.9 146.2 57 and RGB 188.9 164.2 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115.9 92.2 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115.9 92.2 5 shade: RGB 115.9 92.2 5, RGB 98.9 74.2 0, RGB 81.9 56.2 0, RGB 64.9 38.2 0 and RGB 47.9 20.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115.9 92.2 5 shade: RGB 117 93 4, RGB 117 63 4, RGB 117 32 4 and RGB 117 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115.9 92.2 5 shade: RGB 117 93 4, RGB 111 117 4, RGB 80 117 4, RGB 50 117 4 and RGB 20 117 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115.9 92.2 5 shade matches the following richer shades: RGB 117 93 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115.9 92.2 5 shade: RGB 117 93 4, RGB 107 87 14, RGB 97 82 24, RGB 87 76 34 and RGB 77 70 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115.9 92.2 5 shade: RGB 117 33 4, RGB 117 63 4, RGB 117 93 4, RGB 111 117 4 and RGB 81 117 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115.9 92.2 5 shade: RGB 38 30 1, RGB 77 61 3, RGB 117 93 4, RGB 157 124 6 and RGB 196 156 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115.9 92.2 5 shade: RGB 115.9 92.2 5, RGB 6 117 4 and RGB 48 4 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115.9 92.2 5 shade: RGB 115.9 92.2 5, RGB 4 117 93 and RGB 93 4 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115.9 92.2 5 shade: RGB 115.9 92.2 5, RGB 6 117 4, RGB 4 29 117 and RGB 115 4 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115.9 92.2 5 shade: RGB 115.9 92.2 5, RGB 4 117 36, RGB 4 29 117 and RGB 117 4 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

Complementary color

CMYK 44 / 35 / 0 / 2

HEX #8BA2FA

RGB 139.1 162.8 250

HSL 227.18, 0.92%, 0.76%

LAB 68.4, 13.92, -46.07

 

CMYK 0 / 24 / 100 / 53

HEX #785C00

RGB 120.9 92.2 0

HSL 45.76, 1%, 0.24%

LAB 40.81, 3.96, 48.46

 

CMYK 0 / 20 / 86 / 46

HEX #896E13

RGB 137.9 110.2 19

HSL 46.02, 0.76%, 0.31%

LAB 47.8, 2.11, 49.76

 

CMYK 0 / 17 / 75 / 39

HEX #9A8026

RGB 154.9 128.2 38

HSL 46.3, 0.61%, 0.38%

LAB 54.65, 0.58, 49.92

 

CMYK 0 / 15 / 67 / 33

HEX #AB9239

RGB 171.9 146.2 57

HSL 46.58, 0.5%, 0.45%

LAB 61.37, -0.65, 49.21

 

CMYK 0 / 13 / 60 / 26

HEX #BCA44C

RGB 188.9 164.2 76

HSL 46.87, 0.46%, 0.52%

LAB 67.98, -1.66, 48.15

 

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

CMYK 0 / 25 / 100 / 61

HEX #624A00

RGB 98.9 74.2 0

HSL 45.02, 1%, 0.19%

LAB 33.07, 3.85, 41.89

 

CMYK 0 / 31 / 100 / 68

HEX #513800

RGB 81.9 56.2 0

HSL 41.17, 1%, 0.16%

LAB 25.67, 6.39, 35.15

 

CMYK 0 / 41 / 100 / 75

HEX #402600

RGB 64.9 38.2 0

HSL 35.32, 1%, 0.13%

LAB 18.01, 9.17, 26.26

 

CMYK 0 / 58 / 100 / 81

HEX #2F1400

RGB 47.9 20.2 0

HSL 25.3, 1%, 0.09%

LAB 10.06, 12.2, 15.32

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 0 / 46 / 97 / 54

HEX #753F04

RGB 117 63 4

HSL 31.33, 0.93%, 0.24%

LAB 32.58, 19.63, 41.17

 

CMYK 0 / 73 / 97 / 54

HEX #752004

RGB 117 32 4

HSL 14.87, 0.93%, 0.24%

LAB 26.23, 35.96, 36.19

 

CMYK 0 / 97 / 97 / 54

HEX #750404

RGB 117 4 4

HSL 0, 0.93%, 0.24%

LAB 23.26, 44.28, 33.34

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 5 / 0 / 97 / 54

HEX #6F7504

RGB 111 117 4

HSL 63.19, 0.93%, 0.24%

LAB 47.12, -14.86, 51.66

 

CMYK 32 / 0 / 97 / 54

HEX #507504

RGB 80 117 4

HSL 79.65, 0.93%, 0.24%

LAB 44.85, -28.71, 48.92

 

CMYK 57 / 0 / 97 / 54

HEX #327504

RGB 50 117 4

HSL 95.58, 0.93%, 0.24%

LAB 43.37, -39.59, 47.1

 

CMYK 83 / 0 / 97 / 54

HEX #147504

RGB 20 117 4

HSL 111.5, 0.93%, 0.24%

LAB 42.58, -46.25, 46.13

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 0 / 19 / 87 / 58

HEX #6B570E

RGB 107 87 14

HSL 47.1, 0.77%, 0.24%

LAB 37.8, 0.58, 41.45

 

CMYK 0 / 15 / 75 / 62

HEX #615218

RGB 97 82 24

HSL 47.67, 0.6%, 0.24%

LAB 35.29, -0.92, 34.75

 

CMYK 0 / 13 / 61 / 66

HEX #574C22

RGB 87 76 34

HSL 47.55, 0.44%, 0.24%

LAB 32.5, -1.46, 26.29

 

CMYK 0 / 9 / 43 / 70

HEX #4D462C

RGB 77 70 44

HSL 47.27, 0.27%, 0.24%

LAB 29.76, -1.48, 16.75

 

CMYK 0 / 72 / 97 / 54

HEX #752104

RGB 117 33 4

HSL 15.4, 0.93%, 0.24%

LAB 26.39, 35.53, 36.34

 

CMYK 0 / 46 / 97 / 54

HEX #753F04

RGB 117 63 4

HSL 31.33, 0.93%, 0.24%

LAB 32.58, 19.63, 41.17

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 5 / 0 / 97 / 54

HEX #6F7504

RGB 111 117 4

HSL 63.19, 0.93%, 0.24%

LAB 47.12, -14.86, 51.66

 

CMYK 31 / 0 / 97 / 54

HEX #517504

RGB 81 117 4

HSL 79.12, 0.93%, 0.24%

LAB 44.91, -28.29, 48.99

 

CMYK 0 / 21 / 97 / 85

HEX #261E01

RGB 38 30 1

HSL 47.03, 0.95%, 0.08%

LAB 11.57, -0.22, 16.79

 

CMYK 0 / 21 / 96 / 70

HEX #4D3D03

RGB 77 61 3

HSL 47.03, 0.93%, 0.16%

LAB 26.51, 0.88, 34.47

 

CMYK 0 / 21 / 97 / 54

HEX #755D04

RGB 117 93 4

HSL 47.26, 0.93%, 0.24%

LAB 40.6, 1.67, 46.99

 

CMYK 0 / 21 / 96 / 38

HEX #9D7C06

RGB 157 124 6

HSL 46.89, 0.93%, 0.32%

LAB 53.6, 2.98, 58.1

 

CMYK 0 / 20 / 96 / 23

HEX #C49C08

RGB 196 156 8

HSL 47.23, 0.92%, 0.4%

LAB 66.16, 3.21, 68.82

 

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

CMYK 95 / 0 / 97 / 54

HEX #067504

RGB 6 117 4

HSL 118.94, 0.93%, 0.24%

LAB 42.41, -47.76, 45.92

 

CMYK 59 / 97 / 0 / 54

HEX #300475

RGB 48 4 117

HSL 263.36, 0.93%, 0.24%

LAB 15.48, 44.81, -53.37

 

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

CMYK 97 / 0 / 21 / 54

HEX #04755D

RGB 4 117 93

HSL 167.26, 0.93%, 0.24%

LAB 43.56, -34.14, 5.42

 

CMYK 21 / 97 / 0 / 54

HEX #5D0475

RGB 93 4 117

HSL 287.26, 0.93%, 0.24%

LAB 22.65, 50.4, -41.34

 

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

CMYK 95 / 0 / 97 / 54

HEX #067504

RGB 6 117 4

HSL 118.94, 0.93%, 0.24%

LAB 42.41, -47.76, 45.92

 

CMYK 97 / 75 / 0 / 54

HEX #041D75

RGB 4 29 117

HSL 226.73, 0.93%, 0.24%

LAB 16.45, 29.6, -51.87

 

CMYK 2 / 97 / 0 / 54

HEX #730475

RGB 115 4 117

HSL 298.94, 0.93%, 0.24%

LAB 26.78, 54.17, -34.47

 

CMYK 0 / 20 / 96 / 55

HEX #735C05

RGB 115.9 92.2 5

HSL 47.18, 0.92%, 0.24%

LAB 40.26, 1.63, 46.4

 

CMYK 97 / 0 / 69 / 54

HEX #047524

RGB 4 117 36

HSL 136.99, 0.93%, 0.24%

LAB 42.58, -45.63, 35.64

 

CMYK 97 / 75 / 0 / 54

HEX #041D75

RGB 4 29 117

HSL 226.73, 0.93%, 0.24%

LAB 16.45, 29.6, -51.87

 

CMYK 0 / 97 / 27 / 54

HEX #750455

RGB 117 4 85

HSL 316.99, 0.93%, 0.24%

LAB 25.34, 49.89, -15.83

 

Description

Color code: RGB 115.9 92.2 5 | qconv.com Color code: RGB 115.9 92.2 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115.9 red, 92.2 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115.9 92.2 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 96 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 96% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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