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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115.9 92.2 215 it is the complementary color RGB 139.1 162.8 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115.9 92.2 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115.9 92.2 215 shade: RGB 120.9 92.2 210, RGB 137.9 110.2 229, RGB 154.9 128.2 248, RGB 171.9 146.2 255 and RGB 188.9 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115.9 92.2 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115.9 92.2 215 shade: RGB 115.9 92.2 215, RGB 98.9 74.2 196, RGB 81.9 56.2 177, RGB 64.9 38.2 158 and RGB 47.9 20.2 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115.9 92.2 215 shade: RGB 115 91 215, RGB 148 91 215, RGB 182 91 215, RGB 215 91 215 and RGB 215 91 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115.9 92.2 215 shade: RGB 115 91 215 and RGB 91 91 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115.9 92.2 215 shade matches the following richer shades: RGB 115 91 215, RGB 105 74 232 and RGB 95 58 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115.9 92.2 215 shade: RGB 115 91 215, RGB 125 107 199, RGB 135 124 182, RGB 145 140 166 and RGB 155 157 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115.9 92.2 215 shade: RGB 91 134 215, RGB 91 101 215, RGB 114 91 215, RGB 147 91 215 and RGB 180 91 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115.9 92.2 215 shade: RGB 70 44 180, RGB 86 58 207, RGB 115 91 215, RGB 143 124 223 and RGB 172 157 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115.9 92.2 215 shade: RGB 115.9 92.2 215, RGB 215 91 168 and RGB 118 215 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115.9 92.2 215 shade: RGB 115.9 92.2 215, RGB 215 114 91 and RGB 91 215 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115.9 92.2 215 shade: RGB 115.9 92.2 215, RGB 215 91 168, RGB 192 215 91 and RGB 91 215 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115.9 92.2 215 shade: RGB 115.9 92.2 215, RGB 215 91 130, RGB 192 215 91 and RGB 91 215 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

Complementary color

CMYK 15 / 0 / 75 / 36

HEX #8BA228

RGB 139.1 162.8 40

HSL 71.58, 0.61%, 0.4%

LAB 63.16, -24.68, 56.85

 

CMYK 42 / 56 / 0 / 18

HEX #785CD2

RGB 120.9 92.2 210

HSL 254.62, 0.57%, 0.59%

LAB 47.49, 39.46, -57.1

 

CMYK 40 / 52 / 0 / 10

HEX #896EE5

RGB 137.9 110.2 229

HSL 253.99, 0.7%, 0.67%

LAB 54.29, 38.24, -56.87

 

CMYK 38 / 48 / 0 / 3

HEX #9A80F8

RGB 154.9 128.2 248

HSL 253.37, 0.9%, 0.74%

LAB 60.98, 37.13, -56.65

 

CMYK 33 / 43 / 0 / 0

HEX #AB92FF

RGB 171.9 146.2 255

HSL 254.17, 1%, 0.79%

LAB 66.97, 33.06, -50.88

 

CMYK 26 / 36 / 0 / 0

HEX #BCA4FF

RGB 188.9 164.2 255

HSL 256.32, 1%, 0.82%

LAB 72.66, 27.63, -41.85

 

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

CMYK 50 / 62 / 0 / 23

HEX #624AC4

RGB 98.9 74.2 196

HSL 252.17, 0.51%, 0.53%

LAB 40.5, 41.23, -60.43

 

CMYK 54 / 68 / 0 / 31

HEX #5138B1

RGB 81.9 56.2 177

HSL 252.76, 0.52%, 0.46%

LAB 33.59, 42.75, -60.58

 

CMYK 59 / 76 / 0 / 38

HEX #40269E

RGB 64.9 38.2 158

HSL 253.37, 0.61%, 0.38%

LAB 26.7, 44.22, -60.49

 

CMYK 66 / 85 / 0 / 45

HEX #2F148B

RGB 47.9 20.2 139

HSL 253.99, 0.75%, 0.31%

LAB 20.03, 45.18, -59.82

 

CMYK 47 / 58 / 0 / 16

HEX #735BD7

RGB 115 91 215

HSL 251.61, 0.61%, 0.6%

LAB 47.02, 40.3, -60.75

 

CMYK 31 / 58 / 0 / 16

HEX #945BD7

RGB 148 91 215

HSL 267.58, 0.61%, 0.6%

LAB 50.32, 47.72, -55.27

 

CMYK 15 / 58 / 0 / 16

HEX #B65BD7

RGB 182 91 215

HSL 284.03, 0.61%, 0.6%

LAB 54.38, 56.04, -48.55

 

CMYK 0 / 58 / 0 / 16

HEX #D75BD7

RGB 215 91 215

HSL 300, 0.61%, 0.6%

LAB 58.82, 64.37, -41.23

 

CMYK 0 / 58 / 16 / 16

HEX #D75BB5

RGB 215 91 181

HSL 316.45, 0.61%, 0.6%

LAB 57.33, 58.93, -24.15

 

CMYK 47 / 58 / 0 / 16

HEX #735BD7

RGB 115 91 215

HSL 251.61, 0.61%, 0.6%

LAB 47.02, 40.3, -60.75

 

CMYK 58 / 58 / 0 / 16

HEX #5B5BD7

RGB 91 91 215

HSL 240, 0.61%, 0.6%

LAB 45.1, 35.62, -63.95

 

CMYK 47 / 58 / 0 / 16

HEX #735BD7

RGB 115 91 215

HSL 251.61, 0.61%, 0.6%

LAB 47.02, 40.3, -60.75

 

CMYK 55 / 68 / 0 / 9

HEX #694AE8

RGB 105 74 232

HSL 251.77, 0.77%, 0.6%

LAB 43.84, 52.93, -75.62

 

CMYK 62 / 77 / 0 / 3

HEX #5F3AF8

RGB 95 58 248

HSL 251.68, 0.93%, 0.6%

LAB 41.59, 64.14, -88.37

 

CMYK 47 / 58 / 0 / 16

HEX #735BD7

RGB 115 91 215

HSL 251.61, 0.61%, 0.6%

LAB 47.02, 40.3, -60.75

 

CMYK 37 / 46 / 0 / 22

HEX #7D6BC7

RGB 125 107 199

HSL 251.74, 0.45%, 0.6%

LAB 50.69, 28.7, -45.68

 

CMYK 26 / 32 / 0 / 29

HEX #877CB6

RGB 135 124 182

HSL 251.38, 0.28%, 0.6%

LAB 55.01, 16.99, -29.07

 

CMYK 13 / 16 / 0 / 35

HEX #918CA6

RGB 145 140 166

HSL 251.54, 0.13%, 0.6%

LAB 59.46, 7.18, -13.04

 

CMYK 1 / 0 / 5 / 38

HEX #9B9D95

RGB 155 157 149

HSL 75, 0.04%, 0.6%

LAB 64.36, -2.23, 3.92

 

CMYK 58 / 38 / 0 / 16

HEX #5B86D7

RGB 91 134 215

HSL 219.19, 0.61%, 0.6%

LAB 56.27, 9.31, -46.05

 

CMYK 58 / 53 / 0 / 16

HEX #5B65D7

RGB 91 101 215

HSL 235.16, 0.61%, 0.6%

LAB 47.54, 29.49, -60

 

CMYK 47 / 58 / 0 / 16

HEX #725BD7

RGB 114 91 215

HSL 251.13, 0.61%, 0.6%

LAB 46.93, 40.09, -60.9

 

CMYK 32 / 58 / 0 / 16

HEX #935BD7

RGB 147 91 215

HSL 267.1, 0.61%, 0.6%

LAB 50.21, 47.48, -55.46

 

CMYK 16 / 58 / 0 / 16

HEX #B45BD7

RGB 180 91 215

HSL 283.06, 0.61%, 0.6%

LAB 54.12, 55.54, -48.97

 

CMYK 61 / 76 / 0 / 29

HEX #462CB4

RGB 70 44 180

HSL 251.47, 0.61%, 0.44%

LAB 30.4, 48.49, -67.64

 

CMYK 58 / 72 / 0 / 19

HEX #563ACF

RGB 86 58 207

HSL 251.28, 0.61%, 0.52%

LAB 36.95, 51.34, -72.67

 

CMYK 47 / 58 / 0 / 16

HEX #735BD7

RGB 115 91 215

HSL 251.61, 0.61%, 0.6%

LAB 47.02, 40.3, -60.75

 

CMYK 36 / 44 / 0 / 13

HEX #8F7CDF

RGB 143 124 223

HSL 251.52, 0.61%, 0.68%

LAB 57.64, 29.9, -48.14

 

CMYK 26 / 32 / 0 / 9

HEX #AC9DE7

RGB 172 157 231

HSL 252.16, 0.61%, 0.76%

LAB 68.5, 21.08, -35.36

 

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

CMYK 0 / 58 / 22 / 16

HEX #D75BA8

RGB 215 91 168

HSL 322.74, 0.61%, 0.6%

LAB 56.84, 57.06, -17.39

 

CMYK 45 / 0 / 58 / 16

HEX #76D75B

RGB 118 215 91

HSL 106.94, 0.61%, 0.6%

LAB 78, -51.41, 51.5

 

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

CMYK 0 / 47 / 58 / 16

HEX #D7725B

RGB 215 114 91

HSL 11.13, 0.61%, 0.6%

LAB 59.19, 37.42, 30.51

 

CMYK 58 / 0 / 47 / 16

HEX #5BD772

RGB 91 215 114

HSL 131.13, 0.61%, 0.6%

LAB 77.3, -55.61, 39.56

 

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

CMYK 0 / 58 / 22 / 16

HEX #D75BA8

RGB 215 91 168

HSL 322.74, 0.61%, 0.6%

LAB 56.84, 57.06, -17.39

 

CMYK 11 / 0 / 58 / 16

HEX #C0D75B

RGB 192 215 91

HSL 71.13, 0.61%, 0.6%

LAB 82.14, -25.06, 57.33

 

CMYK 58 / 0 / 36 / 16

HEX #5BD78A

RGB 91 215 138

HSL 142.74, 0.61%, 0.6%

LAB 77.67, -51.63, 27.9

 

CMYK 46 / 57 / 0 / 16

HEX #735CD7

RGB 115.9 92.2 215

HSL 251.58, 0.61%, 0.6%

LAB 47.37, 39.79, -60.19

 

CMYK 0 / 58 / 40 / 16

HEX #D75B82

RGB 215 91 130

HSL 341.13, 0.61%, 0.6%

LAB 55.63, 52.34, 3.06

 

CMYK 11 / 0 / 58 / 16

HEX #C0D75B

RGB 192 215 91

HSL 71.13, 0.61%, 0.6%

LAB 82.14, -25.06, 57.33

 

CMYK 58 / 0 / 18 / 16

HEX #5BD7B0

RGB 91 215 176

HSL 161.13, 0.61%, 0.6%

LAB 78.44, -43.79, 8.97

 

Description

Color code: RGB 115.9 92.2 215 | qconv.com Color code: RGB 115.9 92.2 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115.9 red, 92.2 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115.9 92.2 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 57 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 57% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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