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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 96 89 it is the complementary color RGB 142 159 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 96 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 96 89: RGB 118 96 84, RGB 135 114 103, RGB 152 132 122, RGB 169 150 141 and RGB 186 168 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 96 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 96 89: RGB 113 96 89, RGB 96 78 70, RGB 79 60 51, RGB 62 42 32 and RGB 45 24 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

Complementary color

CMYK 14 / 4 / 0 / 35

HEX #8E9FA6

RGB 142 159 166

HSL 197.5, 0.12%, 0.6%

LAB 64.4, -4.49, -5.68

 

CMYK 0 / 19 / 29 / 54

HEX #766054

RGB 118 96 84

HSL 21.18, 0.17%, 0.4%

LAB 42.55, 6.92, 10.2

 

CMYK 0 / 16 / 24 / 47

HEX #877267

RGB 135 114 103

HSL 20.63, 0.13%, 0.47%

LAB 49.7, 6.37, 9.14

 

CMYK 0 / 13 / 20 / 40

HEX #98847A

RGB 152 132 122

HSL 20, 0.13%, 0.54%

LAB 56.67, 5.91, 8.19

 

CMYK 0 / 11 / 17 / 34

HEX #A9968D

RGB 169 150 141

HSL 19.29, 0.14%, 0.61%

LAB 63.48, 5.51, 7.31

 

CMYK 0 / 10 / 14 / 27

HEX #BAA8A0

RGB 186 168 160

HSL 18.46, 0.16%, 0.68%

LAB 70.16, 5.16, 6.49

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 0 / 19 / 27 / 62

HEX #604E46

RGB 96 78 70

HSL 18.46, 0.16%, 0.33%

LAB 34.76, 6.15, 7.56

 

CMYK 0 / 24 / 35 / 69

HEX #4F3C33

RGB 79 60 51

HSL 19.29, 0.22%, 0.25%

LAB 27.11, 6.84, 8.76

 

CMYK 0 / 32 / 48 / 76

HEX #3E2A20

RGB 62 42 32

HSL 20, 0.32%, 0.18%

LAB 19.16, 7.78, 10.22

 

CMYK 0 / 47 / 71 / 82

HEX #2D180D

RGB 45 24 13

HSL 20.63, 0.55%, 0.11%

LAB 10.85, 9.16, 10.95

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 0 / 12 / 22 / 55

HEX #726459

RGB 114 100 89

HSL 26.4, 0.12%, 0.4%

LAB 43.38, 3.64, 8.28

 

CMYK 0 / 9 / 22 / 55

HEX #726859

RGB 114 104 89

HSL 36, 0.12%, 0.4%

LAB 44.52, 1.26, 9.88

 

CMYK 0 / 5 / 22 / 55

HEX #726C59

RGB 114 108 89

HSL 45.6, 0.12%, 0.4%

LAB 45.67, -1.09, 11.49

 

CMYK 0 / 1 / 22 / 55

HEX #727159

RGB 114 113 89

HSL 57.6, 0.12%, 0.4%

LAB 47.12, -3.99, 13.5

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 0 / 15 / 21 / 36

HEX #A48B81

RGB 164 139 129

HSL 17.14, 0.16%, 0.57%

LAB 59.84, 7.8, 8.84

 

CMYK 0 / 15 / 21 / 16

HEX #D7B7A9

RGB 215 183 169

HSL 18.26, 0.37%, 0.75%

LAB 76.79, 9.31, 11.37

 

CMYK 0 / 18 / 18 / 96

HEX #0B0909

RGB 11 9 9

HSL 0, 0.1%, 0.04%

LAB 2.59, 0.53, 0.19

 

CMYK 0 / 15 / 21 / 76

HEX #3E3531

RGB 62 53 49

HSL 18.46, 0.12%, 0.22%

LAB 22.97, 3.2, 3.99

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 11 / 0 / 22 / 55

HEX #667259

RGB 102 114 89

HSL 88.8, 0.12%, 0.4%

LAB 46.42, -9.47, 12.38

 

CMYK 22 / 19 / 0 / 55

HEX #595C72

RGB 89 92 114

HSL 232.8, 0.12%, 0.4%

LAB 39.57, 4.03, -12.85

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 22 / 0 / 16 / 55

HEX #597260

RGB 89 114 96

HSL 136.8, 0.12%, 0.4%

LAB 45.64, -13.13, 7

 

CMYK 16 / 22 / 0 / 55

HEX #605972

RGB 96 89 114

HSL 256.8, 0.12%, 0.4%

LAB 39.32, 8.37, -13.17

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 11 / 0 / 22 / 55

HEX #667259

RGB 102 114 89

HSL 88.8, 0.12%, 0.4%

LAB 46.42, -9.47, 12.38

 

CMYK 22 / 6 / 0 / 55

HEX #596B72

RGB 89 107 114

HSL 196.8, 0.12%, 0.4%

LAB 44.02, -5.03, -6.15

 

CMYK 11 / 22 / 0 / 55

HEX #655972

RGB 101 89 114

HSL 268.8, 0.12%, 0.4%

LAB 39.79, 10.18, -12.41

 

CMYK 0 / 15 / 21 / 56

HEX #716059

RGB 113 96 89

HSL 17.5, 0.12%, 0.4%

LAB 42.15, 5.61, 6.53

 

CMYK 17 / 0 / 22 / 55

HEX #5F7259

RGB 95 114 89

HSL 105.6, 0.12%, 0.4%

LAB 45.89, -12.24, 11.57

 

CMYK 22 / 6 / 0 / 55

HEX #596B72

RGB 89 107 114

HSL 196.8, 0.12%, 0.4%

LAB 44.02, -5.03, -6.15

 

CMYK 5 / 22 / 0 / 55

HEX #6C5972

RGB 108 89 114

HSL 285.6, 0.12%, 0.4%

LAB 40.49, 12.76, -11.29

 

Description

Color code: RGB 113 96 89 | qconv.com Color code: RGB 113 96 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 96 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 96 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 21 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 21% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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