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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 111 160 it is the complementary color RGB 142 144 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 111 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 111 160: RGB 118 111 155, RGB 135 129 174, RGB 152 147 193, RGB 169 165 212 and RGB 186 183 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 111 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 111 160: RGB 113 111 160, RGB 96 93 141, RGB 79 75 122, RGB 62 57 103 and RGB 45 39 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

Complementary color

CMYK 1 / 0 / 34 / 44

HEX #8E905F

RGB 142 144 95

HSL 62.45, 0.21%, 0.47%

LAB 58.53, -8.8, 25.85

 

CMYK 24 / 28 / 0 / 39

HEX #766F9B

RGB 118 111 155

HSL 249.55, 0.18%, 0.52%

LAB 48.99, 12.59, -22.83

 

CMYK 22 / 26 / 0 / 32

HEX #8781AE

RGB 135 129 174

HSL 248, 0.22%, 0.59%

LAB 55.99, 12.08, -22.96

 

CMYK 21 / 24 / 0 / 24

HEX #9893C1

RGB 152 147 193

HSL 246.52, 0.27%, 0.67%

LAB 62.84, 11.63, -23.13

 

CMYK 20 / 22 / 0 / 17

HEX #A9A5D4

RGB 169 165 212

HSL 245.11, 0.35%, 0.74%

LAB 69.54, 11.23, -23.33

 

CMYK 19 / 21 / 0 / 9

HEX #BAB7E7

RGB 186 183 231

HSL 243.75, 0.5%, 0.81%

LAB 76.12, 10.86, -23.55

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 32 / 34 / 0 / 45

HEX #605D8D

RGB 96 93 141

HSL 243.75, 0.21%, 0.46%

LAB 41.59, 12.93, -26.12

 

CMYK 35 / 39 / 0 / 52

HEX #4F4B7A

RGB 79 75 122

HSL 245.11, 0.24%, 0.39%

LAB 34.19, 13.68, -26.18

 

CMYK 40 / 45 / 0 / 60

HEX #3E3967

RGB 62 57 103

HSL 246.52, 0.29%, 0.31%

LAB 26.53, 14.62, -26.33

 

CMYK 46 / 54 / 0 / 67

HEX #2D2754

RGB 45 39 84

HSL 248, 0.37%, 0.24%

LAB 18.58, 15.82, -26.59

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 25 / 32 / 0 / 37

HEX #786DA0

RGB 120 109 160

HSL 252.94, 0.21%, 0.53%

LAB 48.84, 15.69, -25.98

 

CMYK 20 / 32 / 0 / 37

HEX #806DA0

RGB 128 109 160

HSL 262.35, 0.21%, 0.53%

LAB 49.57, 18.25, -24.79

 

CMYK 15 / 32 / 0 / 37

HEX #886DA0

RGB 136 109 160

HSL 271.76, 0.21%, 0.53%

LAB 50.35, 20.87, -23.54

 

CMYK 9 / 32 / 0 / 37

HEX #916DA0

RGB 145 109 160

HSL 282.35, 0.21%, 0.53%

LAB 51.26, 23.86, -22.05

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 29 / 31 / 0 / 17

HEX #9592D3

RGB 149 146 211

HSL 242.77, 0.42%, 0.7%

LAB 63.05, 15.68, -32.9

 

CMYK 29 / 29 / 0 / 97

HEX #050507

RGB 5 5 7

HSL 240, 0.17%, 0.02%

LAB 1.41, 0.28, -0.76

 

CMYK 29 / 31 / 0 / 77

HEX #29283A

RGB 41 40 58

HSL 243.33, 0.18%, 0.19%

LAB 16.96, 5.36, -11.37

 

CMYK 29 / 30 / 0 / 57

HEX #4D4C6D

RGB 77 76 109

HSL 241.82, 0.18%, 0.36%

LAB 33.67, 8.67, -18.88

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 0 / 32 / 7 / 37

HEX #A06D94

RGB 160 109 148

HSL 314.12, 0.21%, 0.53%

LAB 52.45, 26.63, -13.05

 

CMYK 20 / 0 / 32 / 37

HEX #80A06D

RGB 128 160 109

HSL 97.65, 0.21%, 0.53%

LAB 62.37, -20.74, 23.08

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 0 / 31 / 32 / 37

HEX #A06F6D

RGB 160 111 109

HSL 2.35, 0.21%, 0.53%

LAB 51.78, 19.17, 8.93

 

CMYK 32 / 0 / 31 / 37

HEX #6DA06F

RGB 109 160 111

HSL 122.35, 0.21%, 0.53%

LAB 61.26, -27.19, 20.28

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 0 / 32 / 7 / 37

HEX #A06D94

RGB 160 109 148

HSL 314.12, 0.21%, 0.53%

LAB 52.45, 26.63, -13.05

 

CMYK 1 / 0 / 32 / 37

HEX #9EA06D

RGB 158 160 109

HSL 62.35, 0.21%, 0.53%

LAB 64.58, -9.04, 26.41

 

CMYK 32 / 0 / 24 / 37

HEX #6DA079

RGB 109 160 121

HSL 134.12, 0.21%, 0.53%

LAB 61.46, -25.35, 15.03

 

CMYK 29 / 31 / 0 / 37

HEX #716FA0

RGB 113 111 160

HSL 242.45, 0.21%, 0.53%

LAB 48.78, 12.3, -26.12

 

CMYK 0 / 32 / 17 / 37

HEX #A06D85

RGB 160 109 133

HSL 331.76, 0.21%, 0.53%

LAB 51.95, 23.99, -4.97

 

CMYK 1 / 0 / 32 / 37

HEX #9EA06D

RGB 158 160 109

HSL 62.35, 0.21%, 0.53%

LAB 64.58, -9.04, 26.41

 

CMYK 32 / 0 / 15 / 37

HEX #6DA088

RGB 109 160 136

HSL 151.76, 0.21%, 0.53%

LAB 61.8, -22.33, 7.13

 

Description

Color code: RGB 113 111 160 | qconv.com Color code: RGB 113 111 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 111 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 111 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 31 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 31% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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