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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 72.8 56.4 it is the complementary color RGB 143 182.2 198.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 72.8 56.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 72.8 56.4 shade: RGB 117 72.8 51.4, RGB 134 90.8 70.4, RGB 151 108.8 89.4, RGB 168 126.8 108.4 and RGB 185 144.8 127.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 72.8 56.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 72.8 56.4 shade: RGB 112 72.8 56.4, RGB 95 54.8 37.4, RGB 78 36.8 18.4, RGB 61 18.8 0 and RGB 44 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 72.8 56.4 shade: RGB 112 73 56, RGB 112 58 56 and RGB 112 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 72.8 56.4 shade: RGB 112 73 56, RGB 112 88 56, RGB 112 103 56, RGB 106 112 56 and RGB 91 112 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 72.8 56.4 shade matches the following richer shades: RGB 112 73 56, RGB 126 67 43, RGB 139 62 29, RGB 153 56 16 and RGB 166 50 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 72.8 56.4 shade: RGB 112 73 56, RGB 98 78 70, RGB 85 84 84, RGB 71 90 97 and RGB 57 95 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 72.8 56.4 shade: RGB 112 56 70, RGB 112 57 56, RGB 112 72 56, RGB 112 87 56 and RGB 112 102 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 72.8 56.4 shade: RGB 57 37 29, RGB 84 55 43, RGB 112 73 56, RGB 139 91 70 and RGB 167 108 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 72.8 56.4 shade: RGB 112 72.8 56.4, RGB 85 112 56 and RGB 56 63 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 72.8 56.4 shade: RGB 112 72.8 56.4, RGB 56 112 72 and RGB 72 56 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 72.8 56.4 shade: RGB 112 72.8 56.4, RGB 85 112 56, RGB 56 96 112 and RGB 83 56 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 72.8 56.4 shade: RGB 112 72.8 56.4, RGB 68 112 56, RGB 56 96 112 and RGB 100 56 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

Complementary color

CMYK 28 / 8 / 0 / 22

HEX #8FB6C6

RGB 143 182.2 198.6

HSL 197.7, 0.33%, 0.67%

LAB 71.88, -9.3, -12.6

 

CMYK 0 / 38 / 56 / 54

HEX #754833

RGB 117 72.8 51.4

HSL 19.57, 0.39%, 0.33%

LAB 35.52, 16.38, 20.59

 

CMYK 0 / 32 / 47 / 47

HEX #865A46

RGB 134 90.8 70.4

HSL 19.25, 0.31%, 0.4%

LAB 42.71, 15.17, 18.91

 

CMYK 0 / 28 / 41 / 41

HEX #976C59

RGB 151 108.8 89.4

HSL 18.9, 0.26%, 0.47%

LAB 49.74, 14.18, 17.46

 

CMYK 0 / 25 / 35 / 34

HEX #A87E6C

RGB 168 126.8 108.4

HSL 18.52, 0.26%, 0.54%

LAB 56.63, 13.35, 16.18

 

CMYK 0 / 22 / 31 / 27

HEX #B9907F

RGB 185 144.8 127.4

HSL 18.13, 0.29%, 0.61%

LAB 63.38, 12.63, 15.03

 

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

CMYK 0 / 42 / 61 / 63

HEX #5F3625

RGB 95 54.8 37.4

HSL 18.13, 0.44%, 0.26%

LAB 27.52, 15.98, 18.47

 

CMYK 0 / 53 / 76 / 69

HEX #4E2412

RGB 78 36.8 18.4

HSL 18.52, 0.62%, 0.19%

LAB 19.95, 17.66, 20.69

 

CMYK 0 / 69 / 100 / 76

HEX #3D1200

RGB 61 18.8 0

HSL 18.49, 1%, 0.12%

LAB 12.29, 19.54, 18.81

 

CMYK 0 / 98 / 100 / 83

HEX #2C0000

RGB 44 0.8 0

HSL 1.09, 1%, 0.09%

LAB 4.99, 20.78, 7.87

 

CMYK 0 / 35 / 50 / 56

HEX #704938

RGB 112 73 56

HSL 18.21, 0.33%, 0.33%

LAB 34.99, 14.48, 16.95

 

CMYK 0 / 48 / 50 / 56

HEX #703A38

RGB 112 58 56

HSL 2.14, 0.33%, 0.33%

LAB 31.25, 23.48, 11.92

 

CMYK 0 / 50 / 50 / 56

HEX #703838

RGB 112 56 56

HSL 0, 0.33%, 0.33%

LAB 30.78, 24.64, 11.29

 

CMYK 0 / 35 / 50 / 56

HEX #704938

RGB 112 73 56

HSL 18.21, 0.33%, 0.33%

LAB 34.99, 14.48, 16.95

 

CMYK 0 / 21 / 50 / 56

HEX #705838

RGB 112 88 56

HSL 34.29, 0.33%, 0.33%

LAB 39.09, 5.37, 22.25

 

CMYK 0 / 8 / 50 / 56

HEX #706738

RGB 112 103 56

HSL 50.36, 0.33%, 0.33%

LAB 43.41, -3.52, 27.66

 

CMYK 5 / 0 / 50 / 56

HEX #6A7038

RGB 106 112 56

HSL 66.43, 0.33%, 0.33%

LAB 45.55, -11.36, 30.15

 

CMYK 19 / 0 / 50 / 56

HEX #5B7038

RGB 91 112 56

HSL 82.5, 0.33%, 0.33%

LAB 44.37, -17.89, 28.44

 

CMYK 0 / 35 / 50 / 56

HEX #704938

RGB 112 73 56

HSL 18.21, 0.33%, 0.33%

LAB 34.99, 14.48, 16.95

 

CMYK 0 / 47 / 66 / 51

HEX #7E432B

RGB 126 67 43

HSL 17.35, 0.49%, 0.33%

LAB 35.25, 23.1, 25.58

 

CMYK 0 / 55 / 79 / 45

HEX #8B3E1D

RGB 139 62 29

HSL 18, 0.65%, 0.33%

LAB 36.03, 30.63, 34.9

 

CMYK 0 / 63 / 90 / 40

HEX #993810

RGB 153 56 16

HSL 17.52, 0.81%, 0.33%

LAB 37.18, 38.81, 42.93

 

CMYK 0 / 70 / 99 / 35

HEX #A63202

RGB 166 50 2

HSL 17.56, 0.98%, 0.33%

LAB 38.54, 45.96, 49.85

 

CMYK 0 / 35 / 50 / 56

HEX #704938

RGB 112 73 56

HSL 18.21, 0.33%, 0.33%

LAB 34.99, 14.48, 16.95

 

CMYK 0 / 20 / 29 / 62

HEX #624E46

RGB 98 78 70

HSL 17.14, 0.17%, 0.33%

LAB 34.98, 7.03, 7.91

 

CMYK 0 / 1 / 1 / 67

HEX #555454

RGB 85 84 84

HSL 0, 0.01%, 0.33%

LAB 35.81, 0.41, 0.14

 

CMYK 27 / 7 / 0 / 62

HEX #475A61

RGB 71 90 97

HSL 196.15, 0.15%, 0.33%

LAB 36.96, -5.44, -6.42

 

CMYK 49 / 14 / 0 / 56

HEX #395F6F

RGB 57 95 111

HSL 197.78, 0.32%, 0.33%

LAB 38.2, -8.74, -13.29

 

CMYK 0 / 50 / 38 / 56

HEX #703846

RGB 112 56 70

HSL 345, 0.33%, 0.33%

LAB 31.15, 26.36, 2.71

 

CMYK 0 / 49 / 50 / 56

HEX #703938

RGB 112 57 56

HSL 1.07, 0.33%, 0.33%

LAB 31.01, 24.06, 11.6

 

CMYK 0 / 36 / 50 / 56

HEX #704838

RGB 112 72 56

HSL 17.14, 0.33%, 0.33%

LAB 34.73, 15.09, 16.6

 

CMYK 0 / 22 / 50 / 56

HEX #705738

RGB 112 87 56

HSL 33.21, 0.33%, 0.33%

LAB 38.81, 5.97, 21.9

 

CMYK 0 / 9 / 50 / 56

HEX #706638

RGB 112 102 56

HSL 49.29, 0.33%, 0.33%

LAB 43.11, -2.94, 27.3

 

CMYK 0 / 35 / 49 / 78

HEX #39251D

RGB 57 37 29

HSL 17.14, 0.33%, 0.17%

LAB 16.9, 8.27, 9.13

 

CMYK 0 / 35 / 49 / 67

HEX #54372B

RGB 84 55 43

HSL 17.56, 0.32%, 0.25%

LAB 26.13, 11.3, 12.76

 

CMYK 0 / 35 / 50 / 56

HEX #704938

RGB 112 73 56

HSL 18.21, 0.33%, 0.33%

LAB 34.99, 14.48, 16.95

 

CMYK 0 / 35 / 50 / 45

HEX #8B5B46

RGB 139 91 70

HSL 18.26, 0.33%, 0.41%

LAB 43.38, 17.19, 20.15

 

CMYK 0 / 35 / 50 / 35

HEX #A76C54

RGB 167 108 84

HSL 17.35, 0.33%, 0.49%

LAB 51.36, 20.78, 23.1

 

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

CMYK 24 / 0 / 50 / 56

HEX #557038

RGB 85 112 56

HSL 88.93, 0.33%, 0.33%

LAB 43.95, -20.39, 27.83

 

CMYK 50 / 44 / 0 / 56

HEX #383F70

RGB 56 63 112

HSL 232.5, 0.33%, 0.33%

LAB 28.29, 11.8, -29.33

 

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

CMYK 50 / 0 / 36 / 56

HEX #387048

RGB 56 112 72

HSL 137.14, 0.33%, 0.33%

LAB 42.61, -28.2, 16.7

 

CMYK 36 / 50 / 0 / 56

HEX #483870

RGB 72 56 112

HSL 257.14, 0.33%, 0.33%

LAB 27.78, 20.99, -30.05

 

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

CMYK 24 / 0 / 50 / 56

HEX #557038

RGB 85 112 56

HSL 88.93, 0.33%, 0.33%

LAB 43.95, -20.39, 27.83

 

CMYK 50 / 14 / 0 / 56

HEX #386070

RGB 56 96 112

HSL 197.14, 0.33%, 0.33%

LAB 38.51, -9.29, -13.44

 

CMYK 26 / 50 / 0 / 56

HEX #533870

RGB 83 56 112

HSL 268.93, 0.33%, 0.33%

LAB 29, 24.31, -28.04

 

CMYK 0 / 35 / 50 / 56

HEX #704838

RGB 112 72.8 56.4

HSL 17.7, 0.33%, 0.33%

LAB 34.95, 14.65, 16.64

 

CMYK 39 / 0 / 50 / 56

HEX #447038

RGB 68 112 56

HSL 107.14, 0.33%, 0.33%

LAB 42.92, -26.98, 26.32

 

CMYK 50 / 14 / 0 / 56

HEX #386070

RGB 56 96 112

HSL 197.14, 0.33%, 0.33%

LAB 38.51, -9.29, -13.44

 

CMYK 11 / 50 / 0 / 56

HEX #643870

RGB 100 56 112

HSL 287.14, 0.33%, 0.33%

LAB 31.13, 29.65, -24.54

 

Description

Color code: RGB 112 72.8 56.4 | qconv.com Color code: RGB 112 72.8 56.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 72.8 green and 56.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 72.8 56.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 50 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 50% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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