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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 125 155 it is the complementary color RGB 143 130 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 125 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 112 125 155: RGB 117 125 150, RGB 134 143 169, RGB 151 161 188, RGB 168 179 207 and RGB 185 197 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 125 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 112 125 155: RGB 112 125 155, RGB 95 107 136, RGB 78 89 117, RGB 61 71 98 and RGB 44 53 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

Complementary color

CMYK 0 / 9 / 30 / 44

HEX #8F8264

RGB 143 130 100

HSL 41.86, 0.18%, 0.48%

LAB 54.79, 0.05, 18.06

 

CMYK 22 / 17 / 0 / 41

HEX #757D96

RGB 117 125 150

HSL 225.45, 0.14%, 0.52%

LAB 52.57, 2.72, -14.45

 

CMYK 21 / 15 / 0 / 34

HEX #868FA9

RGB 134 143 169

HSL 224.57, 0.17%, 0.59%

LAB 59.51, 2.48, -14.76

 

CMYK 20 / 14 / 0 / 26

HEX #97A1BC

RGB 151 161 188

HSL 223.78, 0.22%, 0.66%

LAB 66.29, 2.26, -15.1

 

CMYK 19 / 14 / 0 / 19

HEX #A8B3CF

RGB 168 179 207

HSL 223.08, 0.29%, 0.74%

LAB 72.94, 2.06, -15.44

 

CMYK 18 / 13 / 0 / 11

HEX #B9C5E2

RGB 185 197 226

HSL 222.44, 0.41%, 0.81%

LAB 79.46, 1.87, -15.79

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 30 / 21 / 0 / 47

HEX #5F6B88

RGB 95 107 136

HSL 222.44, 0.18%, 0.45%

LAB 45.26, 2.64, -17.46

 

CMYK 33 / 24 / 0 / 54

HEX #4E5975

RGB 78 89 117

HSL 223.08, 0.2%, 0.38%

LAB 37.93, 3, -17.28

 

CMYK 38 / 28 / 0 / 62

HEX #3D4762

RGB 61 71 98

HSL 223.78, 0.23%, 0.31%

LAB 30.35, 3.43, -17.16

 

CMYK 44 / 33 / 0 / 69

HEX #2C354F

RGB 44 53 79

HSL 224.57, 0.28%, 0.24%

LAB 22.47, 4.01, -17.11

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 29 / 24 / 0 / 40

HEX #6E759A

RGB 110 117 154

HSL 230.45, 0.18%, 0.52%

LAB 49.94, 6.18, -20.83

 

CMYK 28 / 29 / 0 / 40

HEX #6F6E9A

RGB 111 110 154

HSL 241.36, 0.18%, 0.52%

LAB 48.09, 10.7, -23.68

 

CMYK 23 / 29 / 0 / 40

HEX #766E9A

RGB 118 110 154

HSL 250.91, 0.18%, 0.52%

LAB 48.68, 12.94, -22.72

 

CMYK 19 / 29 / 0 / 40

HEX #7D6E9A

RGB 125 110 154

HSL 260.45, 0.18%, 0.52%

LAB 49.31, 15.23, -21.7

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 28 / 19 / 0 / 19

HEX #95A6CE

RGB 149 166 206

HSL 222.11, 0.37%, 0.7%

LAB 68.11, 3.11, -22.34

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 28 / 19 / 0 / 79

HEX #262B35

RGB 38 43 53

HSL 220, 0.16%, 0.18%

LAB 17.45, 0.58, -7.17

 

CMYK 28 / 19 / 0 / 59

HEX #4B5468

RGB 75 84 104

HSL 221.38, 0.16%, 0.35%

LAB 35.67, 1.51, -12.7

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 3 / 29 / 0 / 40

HEX #956E9A

RGB 149 110 154

HSL 293.18, 0.18%, 0.52%

LAB 51.7, 23.37, -17.84

 

CMYK 8 / 0 / 29 / 40

HEX #8E9A6E

RGB 142 154 110

HSL 76.36, 0.18%, 0.52%

LAB 61.64, -12.08, 21.73

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 0 / 29 / 19 / 40

HEX #9A6E7C

RGB 154 110 124

HSL 340.91, 0.18%, 0.52%

LAB 51.24, 19.66, -0.78

 

CMYK 19 / 0 / 29 / 40

HEX #7C9A6E

RGB 124 154 110

HSL 100.91, 0.18%, 0.52%

LAB 60.36, -18.99, 19.77

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 3 / 29 / 0 / 40

HEX #956E9A

RGB 149 110 154

HSL 293.18, 0.18%, 0.52%

LAB 51.7, 23.37, -17.84

 

CMYK 0 / 9 / 29 / 40

HEX #9A8C6E

RGB 154 140 110

HSL 40.91, 0.18%, 0.52%

LAB 58.74, 0.39, 17.96

 

CMYK 25 / 0 / 29 / 40

HEX #739A6E

RGB 115 154 110

HSL 113.18, 0.18%, 0.52%

LAB 59.78, -22.28, 18.89

 

CMYK 28 / 19 / 0 / 39

HEX #707D9B

RGB 112 125 155

HSL 221.86, 0.18%, 0.52%

LAB 52.37, 2.34, -17.68

 

CMYK 0 / 29 / 5 / 40

HEX #9A6E92

RGB 154 110 146

HSL 310.91, 0.18%, 0.52%

LAB 51.95, 23.55, -12.71

 

CMYK 0 / 9 / 29 / 40

HEX #9A8C6E

RGB 154 140 110

HSL 40.91, 0.18%, 0.52%

LAB 58.74, 0.39, 17.96

 

CMYK 29 / 0 / 23 / 40

HEX #6E9A76

RGB 110 154 118

HSL 130.91, 0.18%, 0.52%

LAB 59.65, -22.57, 14.19

 

Description

Color code: RGB 112 125 155 | qconv.com Color code: RGB 112 125 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 125 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 125 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 19 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 19% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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