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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 81 164 it is the complementary color RGB 145 174 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 81 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 81 164: RGB 115 81 159, RGB 132 99 178, RGB 149 117 197, RGB 166 135 216 and RGB 183 153 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 81 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 81 164: RGB 110 81 164, RGB 93 63 145, RGB 76 45 126, RGB 59 27 107 and RGB 42 9 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

Complementary color

CMYK 17 / 0 / 48 / 32

HEX #91AE5B

RGB 145 174 91

HSL 80.96, 0.34%, 0.52%

LAB 67.31, -23.66, 39.13

 

CMYK 28 / 49 / 0 / 38

HEX #73519F

RGB 115 81 159

HSL 266.15, 0.33%, 0.47%

LAB 41.27, 30.78, -37.3

 

CMYK 26 / 44 / 0 / 30

HEX #8463B2

RGB 132 99 178

HSL 265.06, 0.34%, 0.54%

LAB 48.31, 29.84, -37.25

 

CMYK 24 / 41 / 0 / 23

HEX #9575C5

RGB 149 117 197

HSL 264, 0.41%, 0.62%

LAB 55.22, 28.98, -37.23

 

CMYK 23 / 38 / 0 / 15

HEX #A687D8

RGB 166 135 216

HSL 262.96, 0.51%, 0.69%

LAB 61.99, 28.2, -37.23

 

CMYK 22 / 35 / 0 / 8

HEX #B799EB

RGB 183 153 235

HSL 261.95, 0.67%, 0.76%

LAB 68.64, 27.49, -37.26

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 36 / 57 / 0 / 43

HEX #5D3F91

RGB 93 63 145

HSL 261.95, 0.39%, 0.41%

LAB 33.83, 31.82, -40.84

 

CMYK 40 / 64 / 0 / 51

HEX #4C2D7E

RGB 76 45 126

HSL 262.96, 0.47%, 0.34%

LAB 26.5, 33, -40.94

 

CMYK 45 / 75 / 0 / 58

HEX #3B1B6B

RGB 59 27 107

HSL 264, 0.6%, 0.26%

LAB 19.12, 34.07, -40.85

 

CMYK 52 / 90 / 0 / 65

HEX #2A0958

RGB 42 9 88

HSL 265.06, 0.81%, 0.19%

LAB 11.91, 34.4, -40.13

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 26 / 51 / 0 / 36

HEX #7A50A4

RGB 122 80 164

HSL 270, 0.34%, 0.48%

LAB 42.09, 34.6, -38.94

 

CMYK 17 / 51 / 0 / 36

HEX #8850A4

RGB 136 80 164

HSL 280, 0.34%, 0.48%

LAB 43.73, 38.56, -36.23

 

CMYK 9 / 51 / 0 / 36

HEX #9650A4

RGB 150 80 164

HSL 290, 0.34%, 0.48%

LAB 45.5, 42.6, -33.32

 

CMYK 0 / 51 / 0 / 36

HEX #A450A4

RGB 164 80 164

HSL 300, 0.34%, 0.48%

LAB 47.38, 46.66, -30.24

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 33 / 51 / 0 / 16

HEX #906AD7

RGB 144 106 215

HSL 260.92, 0.58%, 0.63%

LAB 53.11, 38.43, -50.83

 

CMYK 36 / 55 / 0 / 96

HEX #07050B

RGB 7 5 11

HSL 260, 0.38%, 0.03%

LAB 1.61, 1.36, -2.1

 

CMYK 32 / 50 / 0 / 76

HEX #2A1F3E

RGB 42 31 62

HSL 261.29, 0.33%, 0.18%

LAB 14.51, 13.4, -17.98

 

CMYK 33 / 50 / 0 / 56

HEX #4C3871

RGB 76 56 113

HSL 261.05, 0.34%, 0.33%

LAB 28.27, 22.46, -29.89

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 0 / 51 / 27 / 36

HEX #A45077

RGB 164 80 119

HSL 332.14, 0.34%, 0.48%

LAB 45.58, 39.25, -5.99

 

CMYK 48 / 0 / 51 / 36

HEX #56A450

RGB 86 164 80

HSL 115.71, 0.34%, 0.48%

LAB 60.88, -41.28, 36.05

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 0 / 34 / 51 / 36

HEX #A46C50

RGB 164 108 80

HSL 20, 0.34%, 0.48%

LAB 50.92, 19.12, 24.75

 

CMYK 51 / 0 / 34 / 36

HEX #50A46C

RGB 80 164 108

HSL 140, 0.34%, 0.48%

LAB 61.08, -38.4, 21.46

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 0 / 51 / 27 / 36

HEX #A45077

RGB 164 80 119

HSL 332.14, 0.34%, 0.48%

LAB 45.58, 39.25, -5.99

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 0 / 24 / 36

HEX #50A47D

RGB 80 164 125

HSL 152.14, 0.34%, 0.48%

LAB 61.43, -34.93, 12.56

 

CMYK 33 / 51 / 0 / 36

HEX #6E51A4

RGB 110 81 164

HSL 260.96, 0.34%, 0.48%

LAB 41.03, 30.7, -40.7

 

CMYK 0 / 51 / 43 / 36

HEX #A4505E

RGB 164 80 94

HSL 350, 0.34%, 0.48%

LAB 44.85, 36.07, 8.21

 

CMYK 17 / 0 / 51 / 36

HEX #88A450

RGB 136 164 80

HSL 80, 0.34%, 0.48%

LAB 63.64, -23.46, 40.05

 

CMYK 51 / 0 / 9 / 36

HEX #50A496

RGB 80 164 150

HSL 170, 0.34%, 0.48%

LAB 62.05, -29.01, -0.55

 

Description

Color code: RGB 110 81 164 | qconv.com Color code: RGB 110 81 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 81 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 81 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 51 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 51% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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