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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 59 144 it is the complementary color RGB 145 196 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 59 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 110 59 144: RGB 115 59 139, RGB 132 77 158, RGB 149 95 177, RGB 166 113 196 and RGB 183 131 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 59 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 110 59 144: RGB 110 59 144, RGB 93 41 125, RGB 76 23 106, RGB 59 5 87 and RGB 42 0 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

 

Complementary color

CMYK 26 / 0 / 43 / 23

HEX #91C46F

RGB 145 196 111

HSL 96, 0.42%, 0.6%

LAB 73.96, -31.84, 37.33

 

CMYK 17 / 58 / 0 / 45

HEX #733B8B

RGB 115 59 139

HSL 282, 0.4%, 0.39%

LAB 35.28, 38.53, -34.7

 

CMYK 16 / 51 / 0 / 38

HEX #844D9E

RGB 132 77 158

HSL 280.74, 0.34%, 0.46%

LAB 42.28, 37.73, -34.98

 

CMYK 16 / 46 / 0 / 31

HEX #955FB1

RGB 149 95 177

HSL 279.51, 0.34%, 0.53%

LAB 49.19, 36.88, -35.17

 

CMYK 15 / 42 / 0 / 23

HEX #A671C4

RGB 166 113 196

HSL 278.31, 0.41%, 0.61%

LAB 55.99, 36.06, -35.33

 

CMYK 15 / 39 / 0 / 16

HEX #B783D7

RGB 183 131 215

HSL 277.14, 0.51%, 0.68%

LAB 62.68, 35.27, -35.47

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 26 / 67 / 0 / 51

HEX #5D297D

RGB 93 41 125

HSL 277.14, 0.51%, 0.33%

LAB 27.83, 39.06, -38.06

 

CMYK 28 / 78 / 0 / 58

HEX #4C176A

RGB 76 23 106

HSL 278.31, 0.64%, 0.25%

LAB 20.79, 39.27, -37.37

 

CMYK 32 / 94 / 0 / 66

HEX #3B0557

RGB 59 5 87

HSL 279.51, 0.89%, 0.18%

LAB 13.98, 38.35, -35.95

 

CMYK 38 / 100 / 0 / 73

HEX #2A0044

RGB 42 0 68

HSL 277.06, 1%, 0.13%

LAB 8.21, 33.63, -32.36

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 14 / 59 / 0 / 44

HEX #7C3B90

RGB 124 59 144

HSL 285.88, 0.42%, 0.4%

LAB 36.79, 42.1, -35.28

 

CMYK 3 / 59 / 0 / 44

HEX #8B3B90

RGB 139 59 144

HSL 296.47, 0.42%, 0.4%

LAB 38.95, 46.2, -31.72

 

CMYK 0 / 59 / 6 / 44

HEX #903B88

RGB 144 59 136

HSL 305.65, 0.42%, 0.4%

LAB 39.3, 46.13, -26.24

 

CMYK 0 / 59 / 16 / 44

HEX #903B79

RGB 144 59 121

HSL 316.24, 0.42%, 0.4%

LAB 38.62, 43.6, -18.05

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 24 / 59 / 0 / 24

HEX #9550C3

RGB 149 80 195

HSL 276, 0.49%, 0.54%

LAB 47.06, 49.02, -49

 

CMYK 24 / 59 / 0 / 4

HEX #BC65F6

RGB 188 101 246

HSL 276, 0.89%, 0.68%

LAB 58.65, 59.15, -59.07

 

CMYK 24 / 60 / 0 / 84

HEX #20112A

RGB 32 17 42

HSL 276, 0.42%, 0.12%

LAB 7.91, 13.84, -14.03

 

CMYK 24 / 59 / 0 / 64

HEX #47265D

RGB 71 38 93

HSL 276, 0.42%, 0.26%

LAB 22, 26.83, -26.94

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 0 / 59 / 47 / 44

HEX #903B4C

RGB 144 59 76

HSL 348, 0.42%, 0.4%

LAB 37.08, 37.59, 7.99

 

CMYK 59 / 0 / 47 / 44

HEX #3B904C

RGB 59 144 76

HSL 132, 0.42%, 0.4%

LAB 53.38, -40.91, 28.56

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 0 / 24 / 59 / 44

HEX #906E3B

RGB 144 110 59

HSL 36, 0.42%, 0.4%

LAB 48.76, 7.3, 33.27

 

CMYK 59 / 0 / 24 / 44

HEX #3B906E

RGB 59 144 110

HSL 156, 0.42%, 0.4%

LAB 54.03, -34.13, 10.51

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 0 / 59 / 47 / 44

HEX #903B4C

RGB 144 59 76

HSL 348, 0.42%, 0.4%

LAB 37.08, 37.59, 7.99

 

CMYK 35 / 0 / 59 / 44

HEX #5D903B

RGB 93 144 59

HSL 96, 0.42%, 0.4%

LAB 54.65, -32.66, 39.12

 

CMYK 59 / 0 / 12 / 44

HEX #3B907F

RGB 59 144 127

HSL 168, 0.42%, 0.4%

LAB 54.46, -29.9, 1.37

 

CMYK 24 / 59 / 0 / 44

HEX #6E3B90

RGB 110 59 144

HSL 276, 0.42%, 0.4%

LAB 34.92, 38.34, -38.38

HKS® 34

CMYK 0 / 53 / 59 / 44

HEX #90433B

RGB 144 67 59

HSL 5.65, 0.42%, 0.4%

LAB 38.3, 31.85, 20.31

 

CMYK 35 / 0 / 59 / 44

HEX #5D903B

RGB 93 144 59

HSL 96, 0.42%, 0.4%

LAB 54.65, -32.66, 39.12

 

CMYK 59 / 6 / 0 / 44

HEX #3B8890

RGB 59 136 144

HSL 185.65, 0.42%, 0.4%

LAB 52.46, -21.06, -11.43

 

Description

Color code: RGB 110 59 144 | qconv.com Color code: RGB 110 59 144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 59 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 59 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 59 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 59% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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