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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 170 199 it is the complementary color RGB 147 85 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 170 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 170 199: RGB 113 170 194, RGB 130 188 213, RGB 147 206 232, RGB 164 224 251 and RGB 181 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 170 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 170 199: RGB 108 170 199, RGB 91 152 180, RGB 74 134 161, RGB 57 116 142 and RGB 40 98 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

Complementary color

CMYK 0 / 42 / 62 / 42

HEX #935538

RGB 147 85 56

HSL 19.12, 0.45%, 0.4%

LAB 42.74, 22.85, 27.78

 

CMYK 42 / 12 / 0 / 24

HEX #71AAC2

RGB 113 170 194

HSL 197.78, 0.4%, 0.6%

LAB 66.64, -12.31, -18.13

 

CMYK 39 / 12 / 0 / 16

HEX #82BCD5

RGB 130 188 213

HSL 198.07, 0.5%, 0.67%

LAB 73.23, -12.44, -18.5

 

CMYK 37 / 11 / 0 / 9

HEX #93CEE8

RGB 147 206 232

HSL 198.35, 0.65%, 0.74%

LAB 79.71, -12.54, -18.86

 

CMYK 35 / 11 / 0 / 2

HEX #A4E0FB

RGB 164 224 251

HSL 198.62, 0.92%, 0.81%

LAB 86.09, -12.62, -19.22

 

CMYK 29 / 5 / 0 / 0

HEX #B5F2FF

RGB 181 242 255

HSL 190.54, 1%, 0.85%

LAB 91.93, -16.15, -12.46

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 49 / 16 / 0 / 29

HEX #5B98B4

RGB 91 152 180

HSL 198.88, 0.37%, 0.53%

LAB 59.87, -11.95, -20.69

 

CMYK 54 / 17 / 0 / 37

HEX #4A86A1

RGB 74 134 161

HSL 198.62, 0.37%, 0.46%

LAB 53.04, -11.6, -20.35

 

CMYK 60 / 18 / 0 / 44

HEX #39748E

RGB 57 116 142

HSL 198.35, 0.43%, 0.39%

LAB 46.06, -11.11, -19.99

 

CMYK 67 / 20 / 0 / 52

HEX #28627B

RGB 40 98 123

HSL 198.07, 0.51%, 0.32%

LAB 38.93, -10.4, -19.6

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 46 / 22 / 0 / 22

HEX #6B9AC6

RGB 107 154 198

HSL 209.01, 0.44%, 0.6%

LAB 61.92, -3.93, -27.6

 

CMYK 46 / 30 / 0 / 22

HEX #6B8BC6

RGB 107 139 198

HSL 218.9, 0.44%, 0.6%

LAB 57.72, 4.67, -34.12

 

CMYK 46 / 38 / 0 / 22

HEX #6B7BC6

RGB 107 123 198

HSL 229.45, 0.44%, 0.6%

LAB 53.35, 14.18, -40.98

 

CMYK 46 / 45 / 0 / 22

HEX #6B6CC6

RGB 107 108 198

HSL 239.34, 0.44%, 0.6%

LAB 49.41, 23.28, -47.23

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 46 / 14 / 0 / 2

HEX #88D6FA

RGB 136 214 250

HSL 198.95, 0.92%, 0.76%

LAB 81.96, -14.75, -25.09

 

CMYK 46 / 15 / 0 / 82

HEX #19272E

RGB 25 39 46

HSL 200, 0.3%, 0.14%

LAB 14.71, -3.69, -6.49

 

CMYK 45 / 14 / 0 / 62

HEX #355361

RGB 53 83 97

HSL 199.09, 0.29%, 0.29%

LAB 33.58, -6.95, -11.63

 

CMYK 46 / 15 / 0 / 42

HEX #507E94

RGB 80 126 148

HSL 199.41, 0.3%, 0.45%

LAB 50.41, -9.52, -16.77

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 4 / 46 / 22

HEX #C6BF6B

RGB 198 191 107

HSL 55.38, 0.44%, 0.6%

LAB 76.27, -9.26, 43.03

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 0 / 46 / 15 / 22

HEX #C66BA9

RGB 198 107 169

HSL 319.12, 0.44%, 0.6%

LAB 57.45, 44.19, -17.26

 

CMYK 15 / 0 / 46 / 22

HEX #A9C66B

RGB 169 198 107

HSL 79.12, 0.44%, 0.6%

LAB 76, -24.33, 42.21

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 22 / 46 / 0 / 22

HEX #9A6BC6

RGB 154 107 198

HSL 270.99, 0.44%, 0.6%

LAB 53.45, 36.38, -40.55

 

CMYK 0 / 31 / 46 / 22

HEX #C6886B

RGB 198 136 107

HSL 19.12, 0.44%, 0.6%

LAB 62.23, 20.31, 25.12

NCS® S3030-Y60R

CMYK 24 / 0 / 46 / 22

HEX #97C66B

RGB 151 198 107

HSL 90.99, 0.44%, 0.6%

LAB 74.84, -31.11, 40.52

 

CMYK 46 / 15 / 0 / 22

HEX #6CAAC7

RGB 108 170 199

HSL 199.12, 0.45%, 0.6%

LAB 66.57, -12.21, -21.03

 

CMYK 8 / 46 / 0 / 22

HEX #B66BC6

RGB 182 107 198

HSL 289.45, 0.44%, 0.6%

LAB 56.62, 44.47, -35.35

 

CMYK 0 / 31 / 46 / 22

HEX #C6886B

RGB 198 136 107

HSL 19.12, 0.44%, 0.6%

LAB 62.23, 20.31, 25.12

NCS® S3030-Y60R

CMYK 38 / 0 / 46 / 22

HEX #7BC66B

RGB 123 198 107

HSL 109.45, 0.44%, 0.6%

LAB 73.32, -40.79, 38.29

 

Description

Color code: RGB 108 170 199 | qconv.com Color code: RGB 108 170 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 170 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 170 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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