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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 156 48 it is the complementary color RGB 147 99 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 156 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 108 156 48: RGB 113 156 43, RGB 130 174 62, RGB 147 192 81, RGB 164 210 100 and RGB 181 228 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 156 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 108 156 48: RGB 108 156 48, RGB 91 138 29, RGB 74 120 10, RGB 57 102 0 and RGB 40 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

Complementary color

CMYK 29 / 52 / 0 / 19

HEX #9363CF

RGB 147 99 207

HSL 266.67, 0.53%, 0.6%

LAB 51.42, 41.13, -48.96

 

CMYK 28 / 0 / 72 / 39

HEX #719C2B

RGB 113 156 43

HSL 82.83, 0.57%, 0.39%

LAB 59.4, -31.96, 51.52

 

CMYK 25 / 0 / 64 / 32

HEX #82AE3E

RGB 130 174 62

HSL 83.57, 0.47%, 0.46%

LAB 66.03, -32.33, 51.04

 

CMYK 23 / 0 / 58 / 25

HEX #93C051

RGB 147 192 81

HSL 84.32, 0.47%, 0.54%

LAB 72.56, -32.56, 50.16

 

CMYK 22 / 0 / 52 / 18

HEX #A4D264

RGB 164 210 100

HSL 85.09, 0.55%, 0.61%

LAB 78.99, -32.69, 49.12

 

CMYK 21 / 0 / 48 / 11

HEX #B5E477

RGB 181 228 119

HSL 85.87, 0.67%, 0.68%

LAB 85.32, -32.76, 48.01

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 34 / 0 / 79 / 46

HEX #5B8A1D

RGB 91 138 29

HSL 85.87, 0.65%, 0.33%

LAB 52.39, -33.09, 49.28

 

CMYK 38 / 0 / 92 / 53

HEX #4A780A

RGB 74 120 10

HSL 85.09, 0.85%, 0.25%

LAB 45.51, -32.32, 48.03

 

CMYK 44 / 0 / 100 / 60

HEX #396600

RGB 57 102 0

HSL 86.47, 1%, 0.2%

LAB 38.5, -31.1, 44.35

 

CMYK 52 / 0 / 100 / 67

HEX #285400

RGB 40 84 0

HSL 91.43, 1%, 0.16%

LAB 31.33, -29.43, 38.39

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 42 / 0 / 70 / 39

HEX #5B9C2F

RGB 91 156 47

HSL 95.78, 0.54%, 0.4%

LAB 58.23, -39.83, 48.38

 

CMYK 53 / 0 / 70 / 39

HEX #499C2F

RGB 73 156 47

HSL 105.69, 0.54%, 0.4%

LAB 57.46, -45.55, 47.33

 

CMYK 65 / 0 / 70 / 39

HEX #379C2F

RGB 55 156 47

HSL 115.6, 0.54%, 0.4%

LAB 56.87, -50.2, 46.54

 

CMYK 70 / 0 / 63 / 39

HEX #2F9C3A

RGB 47 156 58

HSL 126.06, 0.54%, 0.4%

LAB 56.77, -50.71, 41.56

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 31 / 0 / 69 / 19

HEX #8FCF40

RGB 143 207 64

HSL 86.85, 0.6%, 0.53%

LAB 76.58, -42.15, 61.54

 

CMYK 33 / 0 / 67 / 99

HEX #020301

RGB 2 3 1

HSL 90, 0.5%, 0.01%

LAB 0.72, -0.54, 0.66

 

CMYK 31 / 0 / 69 / 79

HEX #253611

RGB 37 54 17

HSL 87.57, 0.52%, 0.14%

LAB 20.33, -14.46, 20.64

 

CMYK 30 / 0 / 70 / 59

HEX #496920

RGB 73 105 32

HSL 86.3, 0.53%, 0.27%

LAB 40.61, -24.35, 35.98

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 70 / 0 / 26 / 39

HEX #2F9C74

RGB 47 156 116

HSL 157.98, 0.54%, 0.4%

LAB 57.7, -40.36, 12.21

 

CMYK 0 / 70 / 3 / 39

HEX #9C2F98

RGB 156 47 152

HSL 302.2, 0.54%, 0.4%

LAB 40.19, 57.12, -34.44

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 70 / 30 / 0 / 39

HEX #2F6D9C

RGB 47 109 156

HSL 205.87, 0.54%, 0.4%

LAB 44.15, -4.04, -31.28

 

CMYK 0 / 70 / 30 / 39

HEX #9C2F6D

RGB 156 47 109

HSL 325.87, 0.54%, 0.4%

LAB 38.21, 50.72, -11

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 70 / 0 / 26 / 39

HEX #2F9C74

RGB 47 156 116

HSL 157.98, 0.54%, 0.4%

LAB 57.7, -40.36, 12.21

 

CMYK 40 / 70 / 0 / 39

HEX #5E2F9C

RGB 94 47 156

HSL 265.87, 0.54%, 0.4%

LAB 31.38, 44.04, -51.5

 

CMYK 0 / 70 / 44 / 39

HEX #9C2F57

RGB 156 47 87

HSL 337.98, 0.54%, 0.4%

LAB 37.46, 48.19, 1.82

 

CMYK 31 / 0 / 69 / 39

HEX #6C9C30

RGB 108 156 48

HSL 86.67, 0.53%, 0.4%

LAB 59.14, -33.56, 49.2

 

CMYK 70 / 0 / 5 / 39

HEX #2F9C94

RGB 47 156 148

HSL 175.6, 0.54%, 0.4%

LAB 58.53, -31.96, -4.71

 

CMYK 40 / 70 / 0 / 39

HEX #5E2F9C

RGB 94 47 156

HSL 265.87, 0.54%, 0.4%

LAB 31.38, 44.04, -51.5

 

CMYK 0 / 70 / 65 / 39

HEX #9C2F37

RGB 156 47 55

HSL 355.6, 0.54%, 0.4%

LAB 36.7, 45.52, 21.15

 

Description

Color code: RGB 108 156 48 | qconv.com Color code: RGB 108 156 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 156 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 156 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 69 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 69% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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