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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108.9 74.2 16 it is the complementary color RGB 146.1 180.8 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108.9 74.2 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108.9 74.2 16 shade: RGB 113.9 74.2 11, RGB 130.9 92.2 30, RGB 147.9 110.2 49, RGB 164.9 128.2 68 and RGB 181.9 146.2 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108.9 74.2 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108.9 74.2 16 shade: RGB 108.9 74.2 16, RGB 91.9 56.2 0, RGB 74.9 38.2 0, RGB 57.9 20.2 0 and RGB 40.9 2.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108.9 74.2 16 shade: RGB 106 73 16, RGB 106 48 16, RGB 106 24 16 and RGB 106 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108.9 74.2 16 shade: RGB 106 73 16, RGB 106 97 16, RGB 91 106 16, RGB 67 106 16 and RGB 43 106 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108.9 74.2 16 shade matches the following richer shades: RGB 106 73 16 and RGB 116 75 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108.9 74.2 16 shade: RGB 106 73 16, RGB 97 70 26, RGB 87 68 36, RGB 77 65 46 and RGB 67 63 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108.9 74.2 16 shade: RGB 106 23 16, RGB 106 48 16, RGB 106 72 16, RGB 106 96 16 and RGB 93 106 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108.9 74.2 16 shade: RGB 35 24 5, RGB 71 48 11, RGB 106 73 16, RGB 142 97 21 and RGB 178 122 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108.9 74.2 16 shade: RGB 108.9 74.2 16, RGB 33 106 16 and RGB 36 16 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108.9 74.2 16 shade: RGB 108.9 74.2 16, RGB 16 106 72 and RGB 72 16 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108.9 74.2 16 shade: RGB 108.9 74.2 16, RGB 33 106 16, RGB 16 51 106 and RGB 90 16 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108.9 74.2 16 shade: RGB 108.9 74.2 16, RGB 16 106 26, RGB 16 51 106 and RGB 106 16 96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

Complementary color

CMYK 39 / 24 / 0 / 6

HEX #92B4EF

RGB 146.1 180.8 239

HSL 217.59, 0.74%, 0.76%

LAB 73.1, 2.54, -32.74

 

CMYK 0 / 35 / 90 / 55

HEX #714A0B

RGB 113.9 74.2 11

HSL 36.85, 0.82%, 0.24%

LAB 35.04, 11.62, 40.46

 

CMYK 0 / 30 / 77 / 49

HEX #825C1E

RGB 130.9 92.2 30

HSL 36.99, 0.63%, 0.32%

LAB 42.15, 9.72, 40.18

 

CMYK 0 / 25 / 67 / 42

HEX #936E31

RGB 147.9 110.2 49

HSL 37.13, 0.5%, 0.39%

LAB 49.13, 8.21, 39.02

 

CMYK 0 / 22 / 59 / 35

HEX #A48044

RGB 164.9 128.2 68

HSL 37.28, 0.42%, 0.46%

LAB 55.98, 7, 37.63

 

CMYK 0 / 20 / 52 / 29

HEX #B59257

RGB 181.9 146.2 87

HSL 37.43, 0.39%, 0.53%

LAB 62.71, 6, 36.23

 

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

CMYK 0 / 39 / 100 / 64

HEX #5B3800

RGB 91.9 56.2 0

HSL 36.69, 1%, 0.18%

LAB 27.07, 11.52, 36.93

 

CMYK 0 / 49 / 100 / 71

HEX #4A2600

RGB 74.9 38.2 0

HSL 30.6, 1%, 0.15%

LAB 19.6, 14.36, 28.52

 

CMYK 0 / 65 / 100 / 77

HEX #391400

RGB 57.9 20.2 0

HSL 20.93, 1%, 0.11%

LAB 11.98, 17.25, 18.29

 

CMYK 0 / 95 / 100 / 84

HEX #280200

RGB 40.9 2.2 0

HSL 3.23, 1%, 0.08%

LAB 4.67, 18.01, 7.33

 

CMYK 0 / 31 / 85 / 58

HEX #6A4910

RGB 106 73 16

HSL 38, 0.74%, 0.24%

LAB 33.7, 8.65, 37.07

 

CMYK 0 / 55 / 85 / 58

HEX #6A3010

RGB 106 48 16

HSL 21.33, 0.74%, 0.24%

LAB 27.34, 23.71, 31.19

 

CMYK 0 / 77 / 85 / 58

HEX #6A1810

RGB 106 24 16

HSL 5.33, 0.74%, 0.24%

LAB 22.84, 35.6, 26.81

 

CMYK 0 / 85 / 85 / 58

HEX #6A1010

RGB 106 16 16

HSL 0, 0.74%, 0.24%

LAB 21.84, 38.4, 25.75

 

CMYK 0 / 31 / 85 / 58

HEX #6A4910

RGB 106 73 16

HSL 38, 0.74%, 0.24%

LAB 33.7, 8.65, 37.07

 

CMYK 0 / 8 / 85 / 58

HEX #6A6110

RGB 106 97 16

HSL 54, 0.74%, 0.24%

LAB 40.66, -5.73, 43.25

 

CMYK 14 / 0 / 85 / 58

HEX #5B6A10

RGB 91 106 16

HSL 70, 0.74%, 0.24%

LAB 42.11, -17.92, 44.01

 

CMYK 37 / 0 / 85 / 58

HEX #436A10

RGB 67 106 16

HSL 86, 0.74%, 0.24%

LAB 40.47, -28.37, 41.93

 

CMYK 59 / 0 / 85 / 58

HEX #2B6A10

RGB 43 106 16

HSL 102, 0.74%, 0.24%

LAB 39.34, -36.8, 40.48

 

CMYK 0 / 31 / 85 / 58

HEX #6A4910

RGB 106 73 16

HSL 38, 0.74%, 0.24%

LAB 33.7, 8.65, 37.07

 

CMYK 0 / 35 / 95 / 55

HEX #744B06

RGB 116 75 6

HSL 37.64, 0.9%, 0.24%

LAB 35.51, 12.02, 42.54

 

CMYK 0 / 31 / 85 / 58

HEX #6A4910

RGB 106 73 16

HSL 38, 0.74%, 0.24%

LAB 33.7, 8.65, 37.07

 

CMYK 0 / 28 / 73 / 62

HEX #61461A

RGB 97 70 26

HSL 37.18, 0.58%, 0.24%

LAB 31.8, 6.57, 30.15

 

CMYK 0 / 22 / 59 / 66

HEX #574424

RGB 87 68 36

HSL 37.65, 0.41%, 0.24%

LAB 30.13, 3.7, 22.31

 

CMYK 0 / 16 / 40 / 70

HEX #4D412E

RGB 77 65 46

HSL 36.77, 0.25%, 0.24%

LAB 28.26, 1.95, 13.52

 

CMYK 0 / 6 / 16 / 74

HEX #433F38

RGB 67 63 56

HSL 38.18, 0.09%, 0.24%

LAB 26.83, 0.28, 4.91

 

CMYK 0 / 78 / 85 / 58

HEX #6A1710

RGB 106 23 16

HSL 4.67, 0.74%, 0.24%

LAB 22.7, 35.99, 26.66

 

CMYK 0 / 55 / 85 / 58

HEX #6A3010

RGB 106 48 16

HSL 21.33, 0.74%, 0.24%

LAB 27.34, 23.71, 31.19

 

CMYK 0 / 32 / 85 / 58

HEX #6A4810

RGB 106 72 16

HSL 37.33, 0.74%, 0.24%

LAB 33.43, 9.26, 36.82

 

CMYK 0 / 9 / 85 / 58

HEX #6A6010

RGB 106 96 16

HSL 53.33, 0.74%, 0.24%

LAB 40.36, -5.15, 42.98

 

CMYK 12 / 0 / 85 / 58

HEX #5D6A10

RGB 93 106 16

HSL 68.67, 0.74%, 0.24%

LAB 42.27, -16.99, 44.21

 

CMYK 0 / 31 / 86 / 86

HEX #231805

RGB 35 24 5

HSL 38, 0.75%, 0.08%

LAB 9.17, 2.77, 11.73

 

CMYK 0 / 32 / 85 / 72

HEX #47300B

RGB 71 48 11

HSL 37, 0.73%, 0.16%

LAB 21.86, 6.49, 26.37

 

CMYK 0 / 31 / 85 / 58

HEX #6A4910

RGB 106 73 16

HSL 38, 0.74%, 0.24%

LAB 33.7, 8.65, 37.07

 

CMYK 0 / 32 / 85 / 44

HEX #8E6115

RGB 142 97 21

HSL 37.69, 0.74%, 0.32%

LAB 44.74, 11.76, 46.69

 

CMYK 0 / 31 / 85 / 30

HEX #B27A1B

RGB 178 122 27

HSL 37.75, 0.74%, 0.4%

LAB 55.55, 14.17, 55.67

 

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

CMYK 69 / 0 / 85 / 58

HEX #216A10

RGB 33 106 16

HSL 108.67, 0.74%, 0.24%

LAB 39.02, -39.45, 40.06

 

CMYK 66 / 85 / 0 / 58

HEX #24106A

RGB 36 16 106

HSL 253.33, 0.74%, 0.24%

LAB 14.32, 35.87, -48.17

 

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

CMYK 85 / 0 / 32 / 58

HEX #106A48

RGB 16 106 72

HSL 157.33, 0.74%, 0.24%

LAB 39.39, -33.88, 12.12

 

CMYK 32 / 85 / 0 / 58

HEX #48106A

RGB 72 16 106

HSL 277.33, 0.74%, 0.24%

LAB 19.18, 41.29, -40.02

 

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

CMYK 69 / 0 / 85 / 58

HEX #216A10

RGB 33 106 16

HSL 108.67, 0.74%, 0.24%

LAB 39.02, -39.45, 40.06

 

CMYK 85 / 52 / 0 / 58

HEX #10336A

RGB 16 51 106

HSL 216.67, 0.74%, 0.24%

LAB 22.01, 10.06, -35.66

 

CMYK 15 / 85 / 0 / 58

HEX #5A106A

RGB 90 16 106

HSL 289.33, 0.74%, 0.24%

LAB 22.25, 44.75, -34.9

 

CMYK 0 / 32 / 85 / 57

HEX #6C4A10

RGB 108.9 74.2 16

HSL 37.59, 0.74%, 0.24%

LAB 34.41, 9.34, 37.85

 

CMYK 85 / 0 / 75 / 58

HEX #106A1A

RGB 16 106 26

HSL 126.67, 0.74%, 0.24%

LAB 38.71, -41.8, 35.94

 

CMYK 85 / 52 / 0 / 58

HEX #10336A

RGB 16 51 106

HSL 216.67, 0.74%, 0.24%

LAB 22.01, 10.06, -35.66

 

CMYK 0 / 85 / 9 / 58

HEX #6A1060

RGB 106 16 96

HSL 306.67, 0.74%, 0.24%

LAB 24.57, 46.41, -24.47

 

Description

Color code: RGB 108.9 74.2 16 | qconv.com Color code: RGB 108.9 74.2 16 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108.9 red, 74.2 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108.9 74.2 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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