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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 75 61 it is the complementary color RGB 148 180 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 75 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 75 61: RGB 112 75 56, RGB 129 93 75, RGB 146 111 94, RGB 163 129 113 and RGB 180 147 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 75 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 75 61: RGB 107 75 61, RGB 90 57 42, RGB 73 39 23, RGB 56 21 4 and RGB 39 3 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

Complementary color

CMYK 24 / 7 / 0 / 24

HEX #94B4C2

RGB 148 180 194

HSL 198.26, 0.27%, 0.67%

LAB 71.44, -7.69, -10.7

 

CMYK 0 / 33 / 50 / 56

HEX #704B38

RGB 112 75 56

HSL 20.36, 0.33%, 0.33%

LAB 35.52, 13.27, 17.64

 

CMYK 0 / 28 / 42 / 49

HEX #815D4B

RGB 129 93 75

HSL 20, 0.26%, 0.4%

LAB 42.77, 12.23, 16.13

 

CMYK 0 / 24 / 36 / 43

HEX #926F5E

RGB 146 111 94

HSL 19.62, 0.22%, 0.47%

LAB 49.84, 11.38, 14.82

 

CMYK 0 / 21 / 31 / 36

HEX #A38171

RGB 163 129 113

HSL 19.2, 0.21%, 0.54%

LAB 56.76, 10.68, 13.65

 

CMYK 0 / 18 / 27 / 29

HEX #B49384

RGB 180 147 132

HSL 18.75, 0.24%, 0.61%

LAB 63.54, 10.07, 12.59

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 0 / 37 / 53 / 65

HEX #5A392A

RGB 90 57 42

HSL 18.75, 0.36%, 0.26%

LAB 27.48, 12.73, 15.34

 

CMYK 0 / 47 / 68 / 71

HEX #492717

RGB 73 39 23

HSL 19.2, 0.52%, 0.19%

LAB 19.76, 14.21, 17.33

 

CMYK 0 / 63 / 93 / 78

HEX #381504

RGB 56 21 4

HSL 19.62, 0.87%, 0.12%

LAB 11.86, 16.1, 16.43

 

CMYK 0 / 92 / 100 / 85

HEX #270300

RGB 39 3 0

HSL 4.62, 1%, 0.08%

LAB 4.48, 16.27, 7.02

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 0 / 23 / 42 / 58

HEX #6A523D

RGB 106 82 61

HSL 28, 0.27%, 0.33%

LAB 36.81, 6.86, 16.15

 

CMYK 0 / 15 / 42 / 58

HEX #6A5A3D

RGB 106 90 61

HSL 38.67, 0.27%, 0.33%

LAB 39.09, 2, 19.17

 

CMYK 0 / 8 / 42 / 58

HEX #6A613D

RGB 106 97 61

HSL 48, 0.27%, 0.33%

LAB 41.14, -2.17, 21.82

 

CMYK 0 / 1 / 42 / 58

HEX #6A693D

RGB 106 105 61

HSL 58.67, 0.27%, 0.33%

LAB 43.51, -6.83, 24.86

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 0 / 30 / 43 / 38

HEX #9E6F5A

RGB 158 111 90

HSL 18.53, 0.27%, 0.49%

LAB 51.12, 15.94, 19.12

 

CMYK 0 / 30 / 43 / 18

HEX #D19277

RGB 209 146 119

HSL 18, 0.49%, 0.64%

LAB 66.09, 20.54, 23.84

 

CMYK 0 / 20 / 40 / 98

HEX #050403

RGB 5 4 3

HSL 30, 0.25%, 0.02%

LAB 1.14, 0.12, 0.47

 

CMYK 0 / 30 / 43 / 78

HEX #382720

RGB 56 39 32

HSL 17.5, 0.27%, 0.17%

LAB 17.44, 6.84, 7.76

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 21 / 0 / 42 / 58

HEX #546A3D

RGB 84 106 61

HSL 89.33, 0.27%, 0.33%

LAB 42.05, -16.92, 22.62

 

CMYK 42 / 39 / 0 / 58

HEX #3D416A

RGB 61 65 106

HSL 234.67, 0.27%, 0.33%

LAB 28.94, 9.9, -24.47

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 42 / 0 / 29 / 58

HEX #3D6A4B

RGB 61 106 75

HSL 138.67, 0.27%, 0.33%

LAB 40.91, -23.04, 12.66

 

CMYK 29 / 42 / 0 / 58

HEX #4B3D6A

RGB 75 61 106

HSL 258.67, 0.27%, 0.33%

LAB 29.09, 16.92, -24.13

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 21 / 0 / 42 / 58

HEX #546A3D

RGB 84 106 61

HSL 89.33, 0.27%, 0.33%

LAB 42.05, -16.92, 22.62

 

CMYK 42 / 12 / 0 / 58

HEX #3D5D6A

RGB 61 93 106

HSL 197.33, 0.27%, 0.33%

LAB 37.59, -7.93, -11.11

 

CMYK 21 / 42 / 0 / 58

HEX #543D6A

RGB 84 61 106

HSL 270.67, 0.27%, 0.33%

LAB 30.07, 19.89, -22.54

 

CMYK 0 / 30 / 43 / 58

HEX #6B4B3D

RGB 107 75 61

HSL 18.26, 0.27%, 0.33%

LAB 34.99, 11.61, 13.73

 

CMYK 34 / 0 / 42 / 58

HEX #466A3D

RGB 70 106 61

HSL 108, 0.27%, 0.33%

LAB 41.13, -22.47, 21.26

 

CMYK 42 / 12 / 0 / 58

HEX #3D5D6A

RGB 61 93 106

HSL 197.33, 0.27%, 0.33%

LAB 37.59, -7.93, -11.11

 

CMYK 8 / 42 / 0 / 58

HEX #613D6A

RGB 97 61 106

HSL 288, 0.27%, 0.33%

LAB 31.62, 24.3, -19.99

 

Description

Color code: RGB 107 75 61 | qconv.com Color code: RGB 107 75 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 75 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 75 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 43 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 43% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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