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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 185 250 it is the complementary color RGB 148 70 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 185 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 107 185 250: RGB 112 185 245, RGB 129 203 255, RGB 146 221 255, RGB 163 239 255 and RGB 180 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 185 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 107 185 250: RGB 107 185 250, RGB 90 167 231, RGB 73 149 212, RGB 56 131 193 and RGB 39 113 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

Complementary color

CMYK 0 / 53 / 97 / 42

HEX #944605

RGB 148 70 5

HSL 27.27, 0.93%, 0.3%

LAB 39.05, 29.46, 47.55

 

CMYK 54 / 24 / 0 / 4

HEX #70B9F5

RGB 112 185 245

HSL 207.07, 0.87%, 0.7%

LAB 72.72, -6.11, -36.72

 

CMYK 49 / 20 / 0 / 0

HEX #81CBFF

RGB 129 203 255

HSL 204.76, 1%, 0.75%

LAB 78.81, -9.22, -32.61

 

CMYK 43 / 13 / 0 / 0

HEX #92DDFF

RGB 146 221 255

HSL 198.72, 1%, 0.79%

LAB 84.51, -14.65, -23.82

 

CMYK 36 / 6 / 0 / 0

HEX #A3EFFF

RGB 163 239 255

HSL 190.43, 1%, 0.82%

LAB 90.2, -19.47, -15.14

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 61 / 28 / 0 / 9

HEX #5AA7E7

RGB 90 167 231

HSL 207.23, 0.75%, 0.63%

LAB 66.2, -4.81, -39.32

 

CMYK 66 / 30 / 0 / 17

HEX #4995D4

RGB 73 149 212

HSL 207.19, 0.62%, 0.56%

LAB 59.58, -3.83, -39.19

 

CMYK 71 / 32 / 0 / 24

HEX #3883C1

RGB 56 131 193

HSL 207.15, 0.55%, 0.49%

LAB 52.87, -2.58, -39.06

 

CMYK 78 / 35 / 0 / 32

HEX #2771AE

RGB 39 113 174

HSL 207.11, 0.63%, 0.42%

LAB 46.04, -0.97, -38.9

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 57 / 35 / 0 / 2

HEX #6BA1F9

RGB 107 161 249

HSL 217.18, 0.92%, 0.7%

LAB 66.1, 7.57, -49.27

 

CMYK 57 / 45 / 0 / 2

HEX #6B8AF9

RGB 107 138 249

HSL 226.9, 0.92%, 0.7%

LAB 60.02, 21.08, -58.94

 

CMYK 57 / 54 / 0 / 2

HEX #6B72F9

RGB 107 114 249

HSL 237.04, 0.92%, 0.7%

LAB 54.03, 35.46, -68.57

 

CMYK 51 / 57 / 0 / 2

HEX #7B6BF9

RGB 123 107 249

HSL 246.76, 0.92%, 0.7%

LAB 53.56, 42.56, -69.26

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 57 / 26 / 0 / 82

HEX #14222E

RGB 20 34 46

HSL 207.69, 0.39%, 0.13%

LAB 12.54, -1.84, -9.83

 

CMYK 57 / 26 / 0 / 62

HEX #2A4861

RGB 42 72 97

HSL 207.27, 0.4%, 0.27%

LAB 29.39, -3.07, -18.11

 

CMYK 57 / 26 / 0 / 42

HEX #3F6E94

RGB 63 110 148

HSL 206.82, 0.4%, 0.41%

LAB 44.73, -4.33, -25.59

 

CMYK 57 / 26 / 0 / 22

HEX #5593C7

RGB 85 147 199

HSL 207.37, 0.5%, 0.56%

LAB 58.9, -4.69, -32.93

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 20 / 57 / 0 / 2

HEX #C76BF9

RGB 199 107 249

HSL 278.87, 0.92%, 0.7%

LAB 61.22, 59.47, -56.56

 

CMYK 3 / 0 / 57 / 2

HEX #F2F96B

RGB 242 249 107

HSL 62.96, 0.92%, 0.7%

LAB 95.03, -20.38, 65.81

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 0 / 57 / 26 / 2

HEX #F96BB9

RGB 249 107 185

HSL 327.04, 0.92%, 0.7%

LAB 65.09, 62.24, -14.18

 

CMYK 26 / 0 / 57 / 2

HEX #B9F96B

RGB 185 249 107

HSL 87.04, 0.92%, 0.7%

LAB 91.29, -41.96, 60.58

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 20 / 57 / 0 / 2

HEX #C76BF9

RGB 199 107 249

HSL 278.87, 0.92%, 0.7%

LAB 61.22, 59.47, -56.56

 

CMYK 0 / 31 / 57 / 2

HEX #F9AB6B

RGB 249 171 107

HSL 27.04, 0.92%, 0.7%

LAB 76.27, 22.16, 44.16

 

CMYK 37 / 0 / 57 / 2

HEX #9DF96B

RGB 157 249 107

HSL 98.87, 0.92%, 0.7%

LAB 89.85, -51.46, 58.55

 

CMYK 57 / 26 / 0 / 2

HEX #6BB9FA

RGB 107 185 250

HSL 207.27, 0.93%, 0.7%

LAB 72.71, -5.61, -39.45

 

CMYK 3 / 57 / 0 / 2

HEX #F26BF9

RGB 242 107 249

HSL 297.04, 0.92%, 0.7%

LAB 66.7, 70.01, -47.52

 

CMYK 0 / 31 / 57 / 2

HEX #F9AB6B

RGB 249 171 107

HSL 27.04, 0.92%, 0.7%

LAB 76.27, 22.16, 44.16

 

CMYK 54 / 0 / 57 / 2

HEX #72F96B

RGB 114 249 107

HSL 117.04, 0.92%, 0.7%

LAB 88.16, -63.72, 56.15

 

Description

Color code: RGB 107 185 250 | qconv.com Color code: RGB 107 185 250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 185 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 185 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 26 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 26% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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