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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107.9 110.2 218 it is the complementary color RGB 147.1 144.8 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107.9 110.2 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107.9 110.2 218 shade: RGB 112.9 110.2 213, RGB 129.9 128.2 232, RGB 146.9 146.2 251, RGB 163.9 164.2 255 and RGB 180.9 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107.9 110.2 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107.9 110.2 218 shade: RGB 107.9 110.2 218, RGB 90.9 92.2 199, RGB 73.9 74.2 180, RGB 56.9 56.2 161 and RGB 39.9 38.2 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107.9 110.2 218 shade: RGB 108 110 218, RGB 136 108 218, RGB 165 108 218, RGB 195 108 218 and RGB 218 108 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107.9 110.2 218 shade: RGB 108 110 218 and RGB 108 108 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107.9 110.2 218 shade matches the following richer shades: RGB 108 110 218, RGB 93 96 233 and RGB 78 82 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107.9 110.2 218 shade: RGB 108 110 218, RGB 123 125 203, RGB 138 139 189, RGB 153 153 174 and RGB 168 167 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107.9 110.2 218 shade: RGB 108 171 218, RGB 108 141 218, RGB 108 112 218, RGB 134 108 218 and RGB 163 108 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107.9 110.2 218 shade: RGB 49 52 195, RGB 75 78 210, RGB 108 110 218, RGB 141 143 227 and RGB 174 175 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107.9 110.2 218 shade: RGB 107.9 110.2 218, RGB 218 108 200 and RGB 156 218 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107.9 110.2 218 shade: RGB 107.9 110.2 218, RGB 218 108 112 and RGB 112 218 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107.9 110.2 218 shade: RGB 107.9 110.2 218, RGB 218 108 200, RGB 218 215 108 and RGB 108 218 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107.9 110.2 218 shade: RGB 107.9 110.2 218, RGB 218 108 167, RGB 218 215 108 and RGB 108 218 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

Complementary color

CMYK 0 / 2 / 75 / 42

HEX #939025

RGB 147.1 144.8 37

HSL 58.75, 0.6%, 0.36%

LAB 58.54, -12.09, 53.76

 

CMYK 47 / 48 / 0 / 16

HEX #706ED5

RGB 112.9 110.2 213

HSL 241.58, 0.55%, 0.63%

LAB 51.27, 27.84, -52.79

 

CMYK 44 / 45 / 0 / 9

HEX #8180E8

RGB 129.9 128.2 232

HSL 240.98, 0.69%, 0.71%

LAB 58.09, 26.67, -52.51

 

CMYK 41 / 42 / 0 / 2

HEX #9292FB

RGB 146.9 146.2 251

HSL 240.4, 0.93%, 0.78%

LAB 64.79, 25.65, -52.29

 

CMYK 36 / 36 / 0 / 0

HEX #A3A4FF

RGB 163.9 164.2 255

HSL 239.8, 1%, 0.82%

LAB 70.68, 20.78, -45.09

 

CMYK 29 / 29 / 0 / 0

HEX #B4B6FF

RGB 180.9 182.2 255

HSL 238.95, 1%, 0.85%

LAB 76.42, 15.38, -36.05

 

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

CMYK 54 / 54 / 0 / 22

HEX #5A5CC7

RGB 90.9 92.2 199

HSL 239.28, 0.49%, 0.57%

LAB 44.28, 29.73, -56.09

 

CMYK 59 / 59 / 0 / 29

HEX #494AB4

RGB 73.9 74.2 180

HSL 239.83, 0.42%, 0.5%

LAB 37.25, 31.47, -56.43

 

CMYK 65 / 65 / 0 / 37

HEX #3838A1

RGB 56.9 56.2 161

HSL 240.4, 0.48%, 0.43%

LAB 30.13, 33.53, -56.72

 

CMYK 72 / 73 / 0 / 44

HEX #27268E

RGB 39.9 38.2 142

HSL 240.98, 0.58%, 0.35%

LAB 23, 35.86, -56.81

 

CMYK 50 / 50 / 0 / 15

HEX #6C6EDA

RGB 108 110 218

HSL 238.91, 0.6%, 0.64%

LAB 51.15, 28.38, -55.83

 

CMYK 38 / 50 / 0 / 15

HEX #886CDA

RGB 136 108 218

HSL 255.27, 0.6%, 0.64%

LAB 52.97, 36.07, -52.79

 

CMYK 24 / 50 / 0 / 15

HEX #A56CDA

RGB 165 108 218

HSL 271.09, 0.6%, 0.64%

LAB 55.87, 43.51, -48

 

CMYK 11 / 50 / 0 / 15

HEX #C36CDA

RGB 195 108 218

HSL 287.45, 0.6%, 0.64%

LAB 59.33, 51.61, -42.3

 

CMYK 0 / 50 / 3 / 15

HEX #DA6CD4

RGB 218 108 212

HSL 303.27, 0.6%, 0.64%

LAB 61.98, 56.88, -34.57

 

CMYK 50 / 50 / 0 / 15

HEX #6C6EDA

RGB 108 110 218

HSL 238.91, 0.6%, 0.64%

LAB 51.15, 28.38, -55.83

 

CMYK 50 / 50 / 0 / 15

HEX #6C6CDA

RGB 108 108 218

HSL 240, 0.6%, 0.64%

LAB 50.66, 29.59, -56.62

 

CMYK 50 / 50 / 0 / 15

HEX #6C6EDA

RGB 108 110 218

HSL 238.91, 0.6%, 0.64%

LAB 51.15, 28.38, -55.83

 

CMYK 60 / 59 / 0 / 9

HEX #5D60E9

RGB 93 96 233

HSL 238.71, 0.76%, 0.64%

LAB 47.72, 38.73, -69.89

 

CMYK 69 / 67 / 0 / 3

HEX #4E52F8

RGB 78 82 248

HSL 238.59, 0.92%, 0.64%

LAB 44.85, 49.77, -83.05

 

CMYK 50 / 50 / 0 / 15

HEX #6C6EDA

RGB 108 110 218

HSL 238.91, 0.6%, 0.64%

LAB 51.15, 28.38, -55.83

 

CMYK 39 / 38 / 0 / 20

HEX #7B7DCB

RGB 123 125 203

HSL 238.5, 0.43%, 0.64%

LAB 55.27, 18.55, -40.72

 

CMYK 27 / 26 / 0 / 26

HEX #8A8BBD

RGB 138 139 189

HSL 238.82, 0.28%, 0.64%

LAB 59.47, 10.9, -26.14

 

CMYK 12 / 12 / 0 / 32

HEX #9999AE

RGB 153 153 174

HSL 240, 0.11%, 0.64%

LAB 63.84, 4.29, -10.92

 

CMYK 0 / 1 / 5 / 34

HEX #A8A79F

RGB 168 167 159

HSL 53.33, 0.05%, 0.64%

LAB 68.36, -1.11, 4.25

 

CMYK 50 / 22 / 0 / 15

HEX #6CABDA

RGB 108 171 218

HSL 205.64, 0.6%, 0.64%

LAB 67.56, -7.32, -30

 

CMYK 50 / 35 / 0 / 15

HEX #6C8DDA

RGB 108 141 218

HSL 222, 0.6%, 0.64%

LAB 59.25, 9.77, -42.96

 

CMYK 50 / 49 / 0 / 15

HEX #6C70DA

RGB 108 112 218

HSL 237.82, 0.6%, 0.64%

LAB 51.65, 27.17, -55.03

 

CMYK 39 / 50 / 0 / 15

HEX #866CDA

RGB 134 108 218

HSL 254.18, 0.6%, 0.64%

LAB 52.79, 35.58, -53.09

 

CMYK 25 / 50 / 0 / 15

HEX #A36CDA

RGB 163 108 218

HSL 270, 0.6%, 0.64%

LAB 55.66, 42.98, -48.35

 

CMYK 75 / 73 / 0 / 24

HEX #3134C3

RGB 49 52 195

HSL 238.77, 0.6%, 0.48%

LAB 31.92, 46.67, -74.05

 

CMYK 64 / 63 / 0 / 18

HEX #4B4ED2

RGB 75 78 210

HSL 238.67, 0.6%, 0.56%

LAB 40.57, 39.3, -68.51

 

CMYK 50 / 50 / 0 / 15

HEX #6C6EDA

RGB 108 110 218

HSL 238.91, 0.6%, 0.64%

LAB 51.15, 28.38, -55.83

 

CMYK 38 / 37 / 0 / 11

HEX #8D8FE3

RGB 141 143 227

HSL 238.6, 0.61%, 0.72%

LAB 62.38, 19.4, -42.89

 

CMYK 26 / 26 / 0 / 8

HEX #AEAFEB

RGB 174 175 235

HSL 239.02, 0.6%, 0.8%

LAB 73.32, 12.56, -30.07

 

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

CMYK 0 / 50 / 8 / 15

HEX #DA6CC8

RGB 218 108 200

HSL 309.82, 0.6%, 0.64%

LAB 61.48, 54.86, -28.57

 

CMYK 28 / 0 / 50 / 15

HEX #9CDA6C

RGB 156 218 108

HSL 93.82, 0.6%, 0.64%

LAB 80.9, -38.39, 47.53

 

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

CMYK 0 / 50 / 49 / 15

HEX #DA6C70

RGB 218 108 112

HSL 357.82, 0.6%, 0.64%

LAB 58.79, 43.37, 18.09

 

CMYK 49 / 0 / 50 / 15

HEX #70DA6C

RGB 112 218 108

HSL 117.82, 0.6%, 0.64%

LAB 78.85, -52.31, 44.56

 

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

CMYK 0 / 50 / 8 / 15

HEX #DA6CC8

RGB 218 108 200

HSL 309.82, 0.6%, 0.64%

LAB 61.48, 54.86, -28.57

 

CMYK 0 / 1 / 50 / 15

HEX #DAD76C

RGB 218 215 108

HSL 58.36, 0.6%, 0.64%

LAB 84.27, -13.24, 52.56

 

CMYK 50 / 0 / 42 / 15

HEX #6CDA7E

RGB 108 218 126

HSL 129.82, 0.6%, 0.64%

LAB 78.95, -50.8, 35.8

 

CMYK 51 / 49 / 0 / 15

HEX #6B6EDA

RGB 107.9 110.2 218

HSL 238.75, 0.6%, 0.64%

LAB 51.2, 28.24, -55.76

 

CMYK 0 / 50 / 23 / 15

HEX #DA6CA7

RGB 218 108 167

HSL 327.82, 0.6%, 0.64%

LAB 60.27, 49.82, -11.59

 

CMYK 0 / 1 / 50 / 15

HEX #DAD76C

RGB 218 215 108

HSL 58.36, 0.6%, 0.64%

LAB 84.27, -13.24, 52.56

 

CMYK 50 / 0 / 27 / 15

HEX #6CDAA0

RGB 108 218 160

HSL 148.36, 0.6%, 0.64%

LAB 79.54, -44.76, 19.07

 

Description

Color code: RGB 107.9 110.2 218 | qconv.com Color code: RGB 107.9 110.2 218 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107.9 red, 110.2 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107.9 110.2 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 49 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 49% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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