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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 70 105 it is the complementary color RGB 150 185 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 70 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 70 105: RGB 110 70 100, RGB 127 88 119, RGB 144 106 138, RGB 161 124 157 and RGB 178 142 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 70 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 70 105: RGB 105 70 105, RGB 88 52 86, RGB 71 34 67, RGB 54 16 48 and RGB 37 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

Complementary color

CMYK 19 / 0 / 19 / 27

HEX #96B996

RGB 150 185 150

HSL 120, 0.2%, 0.66%

LAB 71.81, -18.66, 13.93

 

CMYK 0 / 36 / 9 / 57

HEX #6E4664

RGB 110 70 100

HSL 315, 0.22%, 0.35%

LAB 35.23, 22.24, -10.51

 

CMYK 0 / 31 / 6 / 50

HEX #7F5877

RGB 127 88 119

HSL 312.31, 0.18%, 0.42%

LAB 42.5, 21.46, -11.12

 

CMYK 0 / 26 / 4 / 44

HEX #906A8A

RGB 144 106 138

HSL 309.47, 0.15%, 0.49%

LAB 49.58, 20.74, -11.66

 

CMYK 0 / 23 / 2 / 37

HEX #A17C9D

RGB 161 124 157

HSL 306.49, 0.16%, 0.56%

LAB 56.51, 20.1, -12.16

 

CMYK 0 / 20 / 1 / 30

HEX #B28EB0

RGB 178 142 176

HSL 303.33, 0.19%, 0.63%

LAB 63.3, 19.52, -12.64

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 41 / 2 / 65

HEX #583456

RGB 88 52 86

HSL 303.33, 0.26%, 0.27%

LAB 27.3, 22.25, -13.87

 

CMYK 0 / 52 / 6 / 72

HEX #472243

RGB 71 34 67

HSL 306.49, 0.35%, 0.21%

LAB 19.59, 23.12, -13.22

 

CMYK 0 / 70 / 11 / 79

HEX #361030

RGB 54 16 48

HSL 309.47, 0.54%, 0.14%

LAB 11.74, 23.77, -12.18

 

CMYK 0 / 100 / 22 / 85

HEX #25001D

RGB 37 0 29

HSL 312.97, 1%, 0.07%

LAB 4.35, 21.27, -9.46

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 34 / 6 / 59

HEX #684562

RGB 104 69 98

HSL 310.29, 0.2%, 0.34%

LAB 34.15, 20.2, -10.96

 

CMYK 0 / 34 / 12 / 59

HEX #68455C

RGB 104 69 92

HSL 320.57, 0.2%, 0.34%

LAB 33.92, 19.02, -7.49

 

CMYK 0 / 34 / 17 / 59

HEX #684556

RGB 104 69 86

HSL 330.86, 0.2%, 0.34%

LAB 33.71, 17.9, -3.98

 

CMYK 0 / 34 / 23 / 59

HEX #684550

RGB 104 69 80

HSL 341.14, 0.2%, 0.34%

LAB 33.52, 16.84, -0.44

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 33 / 0 / 39

HEX #9C689C

RGB 156 104 156

HSL 300, 0.21%, 0.51%

LAB 51.12, 29.61, -19.82

 

CMYK 0 / 33 / 0 / 19

HEX #CF8ACF

RGB 207 138 207

HSL 300, 0.42%, 0.68%

LAB 66.48, 37.28, -24.93

 

CMYK 0 / 33 / 0 / 99

HEX #030203

RGB 3 2 3

HSL 300, 0.2%, 0.01%

LAB 0.63, 0.4, -0.29

 

CMYK 0 / 33 / 0 / 79

HEX #362436

RGB 54 36 54

HSL 300, 0.2%, 0.18%

LAB 17.05, 12.31, -8.31

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 27 / 34 / 59

HEX #684C45

RGB 104 76 69

HSL 12, 0.2%, 0.34%

LAB 35.09, 10.76, 8.79

 

CMYK 34 / 0 / 13 / 59

HEX #45685A

RGB 69 104 90

HSL 156, 0.2%, 0.34%

LAB 41.06, -15.97, 3.89

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 0 / 34 / 59

HEX #686845

RGB 104 104 69

HSL 60, 0.2%, 0.34%

LAB 43.17, -6.09, 19.77

 

CMYK 34 / 0 / 0 / 59

HEX #456868

RGB 69 104 104

HSL 180, 0.2%, 0.34%

LAB 41.48, -12.47, -4.02

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 27 / 34 / 59

HEX #684C45

RGB 104 76 69

HSL 12, 0.2%, 0.34%

LAB 35.09, 10.76, 8.79

 

CMYK 34 / 0 / 34 / 59

HEX #456845

RGB 69 104 69

HSL 120, 0.2%, 0.34%

LAB 40.57, -20.41, 15.83

 

CMYK 34 / 7 / 0 / 59

HEX #456168

RGB 69 97 104

HSL 192, 0.2%, 0.34%

LAB 39.27, -8.41, -7.31

 

CMYK 0 / 33 / 0 / 59

HEX #694669

RGB 105 70 105

HSL 300, 0.2%, 0.34%

LAB 34.81, 21.41, -14.37

 

CMYK 0 / 17 / 34 / 59

HEX #685645

RGB 104 86 69

HSL 29.14, 0.2%, 0.34%

LAB 37.89, 4.61, 12.67

 

CMYK 34 / 0 / 34 / 59

HEX #456845

RGB 69 104 69

HSL 120, 0.2%, 0.34%

LAB 40.57, -20.41, 15.83

 

CMYK 34 / 17 / 0 / 59

HEX #455668

RGB 69 86 104

HSL 210.86, 0.2%, 0.34%

LAB 35.83, -1.75, -12.49

 

Description

Color code: RGB 105 70 105 | qconv.com Color code: RGB 105 70 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 70 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 70 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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