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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 210 245 it is the complementary color RGB 150 45 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 210 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 210 245: RGB 110 210 240, RGB 127 228 255, RGB 144 246 255, RGB 161 255 255 and RGB 178 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 210 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 210 245: RGB 105 210 245, RGB 88 192 226, RGB 71 174 207, RGB 54 156 188 and RGB 37 138 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

Complementary color

CMYK 0 / 70 / 93 / 41

HEX #962D0A

RGB 150 45 10

HSL 15, 0.88%, 0.31%

LAB 34.77, 42.51, 43.15

 

CMYK 54 / 13 / 0 / 6

HEX #6ED2F0

RGB 110 210 240

HSL 193.85, 0.81%, 0.69%

LAB 79.44, -21.1, -23.7

 

CMYK 50 / 11 / 0 / 0

HEX #7FE4FF

RGB 127 228 255

HSL 192.66, 1%, 0.75%

LAB 85.61, -22.49, -22.21

 

CMYK 44 / 4 / 0 / 0

HEX #90F6FF

RGB 144 246 255

HSL 184.86, 1%, 0.78%

LAB 91.26, -27.52, -13.64

 

CMYK 37 / 0 / 0 / 0

HEX #A1FFFF

RGB 161 255 255

HSL 180, 1%, 0.82%

LAB 94.45, -27.77, -8.82

 

CMYK 30 / 0 / 0 / 0

HEX #B2FFFF

RGB 178 255 255

HSL 180, 1%, 0.85%

LAB 95.25, -23.36, -7.55

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 61 / 15 / 0 / 11

HEX #58C0E2

RGB 88 192 226

HSL 194.78, 0.7%, 0.62%

LAB 73.07, -20.14, -25.97

 

CMYK 66 / 16 / 0 / 19

HEX #47AECF

RGB 71 174 207

HSL 194.56, 0.59%, 0.55%

LAB 66.61, -19.48, -25.52

 

CMYK 71 / 17 / 0 / 26

HEX #369CBC

RGB 54 156 188

HSL 194.33, 0.55%, 0.47%

LAB 60.06, -18.61, -25.02

 

CMYK 78 / 18 / 0 / 34

HEX #258AA9

RGB 37 138 169

HSL 194.09, 0.64%, 0.4%

LAB 53.42, -17.45, -24.47

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 57 / 24 / 0 / 4

HEX #6ABBF5

RGB 106 187 245

HSL 205.04, 0.87%, 0.69%

LAB 73.02, -8.41, -36.27

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 57 / 42 / 0 / 4

HEX #6A8DF5

RGB 106 141 245

HSL 224.89, 0.87%, 0.69%

LAB 60.52, 17.82, -55.93

 

CMYK 57 / 52 / 0 / 4

HEX #6A75F5

RGB 106 117 245

HSL 235.25, 0.87%, 0.69%

LAB 54.43, 32.21, -65.71

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 56 / 15 / 0 / 84

HEX #122329

RGB 18 35 41

HSL 195.65, 0.39%, 0.12%

LAB 12.55, -5.01, -6.22

 

CMYK 58 / 14 / 0 / 64

HEX #274F5C

RGB 39 79 92

HSL 194.72, 0.4%, 0.26%

LAB 31.34, -9.9, -11.93

 

CMYK 57 / 14 / 0 / 44

HEX #3D7B8F

RGB 61 123 143

HSL 194.63, 0.4%, 0.4%

LAB 48.44, -13.91, -16.93

 

CMYK 57 / 14 / 0 / 24

HEX #53A6C2

RGB 83 166 194

HSL 195.14, 0.48%, 0.54%

LAB 64.17, -17.1, -22.01

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 31 / 57 / 0 / 4

HEX #A86AF5

RGB 168 106 245

HSL 266.76, 0.87%, 0.69%

LAB 57.29, 51.72, -60.81

 

CMYK 0 / 9 / 57 / 4

HEX #F5E06A

RGB 245 224 106

HSL 50.94, 0.87%, 0.69%

LAB 88.81, -6.97, 59.32

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 0 / 57 / 14 / 4

HEX #F56AD2

RGB 245 106 210

HSL 315.11, 0.87%, 0.69%

LAB 65.26, 64.99, -28.08

 

CMYK 14 / 0 / 57 / 4

HEX #D2F56A

RGB 210 245 106

HSL 75.11, 0.87%, 0.69%

LAB 91.71, -31.01, 61.9

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 31 / 57 / 0 / 4

HEX #A86AF5

RGB 168 106 245

HSL 266.76, 0.87%, 0.69%

LAB 57.29, 51.72, -60.81

 

CMYK 0 / 42 / 57 / 4

HEX #F58D6A

RGB 245 141 106

HSL 15.11, 0.87%, 0.69%

LAB 69.11, 36.17, 35.7

 

CMYK 26 / 0 / 57 / 4

HEX #B6F56A

RGB 182 245 106

HSL 87.19, 0.87%, 0.69%

LAB 89.99, -41.37, 59.49

 

CMYK 57 / 14 / 0 / 4

HEX #69D2F5

RGB 105 210 245

HSL 195, 0.88%, 0.69%

LAB 79.44, -20.65, -26.39

 

CMYK 14 / 57 / 0 / 4

HEX #D26AF5

RGB 210 106 245

HSL 284.89, 0.87%, 0.69%

LAB 62.17, 61.82, -52.75

 

CMYK 0 / 42 / 57 / 4

HEX #F58D6A

RGB 245 141 106

HSL 15.11, 0.87%, 0.69%

LAB 69.11, 36.17, 35.7

 

CMYK 42 / 0 / 57 / 4

HEX #8DF56A

RGB 141 245 106

HSL 104.89, 0.87%, 0.69%

LAB 87.97, -54.92, 56.64

 

Description

Color code: RGB 105 210 245 | qconv.com Color code: RGB 105 210 245 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 210 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 210 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 14 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 14% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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