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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 145 160 it is the complementary color RGB 150 110 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 145 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 145 160: RGB 110 145 155, RGB 127 163 174, RGB 144 181 193, RGB 161 199 212 and RGB 178 217 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 145 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 145 160: RGB 105 145 160, RGB 88 127 141, RGB 71 109 122, RGB 54 91 103 and RGB 37 73 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

Complementary color

CMYK 0 / 27 / 37 / 41

HEX #966E5F

RGB 150 110 95

HSL 16.36, 0.22%, 0.48%

LAB 50.05, 13.77, 14.59

 

CMYK 29 / 6 / 0 / 39

HEX #6E919B

RGB 110 145 155

HSL 193.33, 0.18%, 0.52%

LAB 57.97, -9.67, -9.24

 

CMYK 27 / 6 / 0 / 32

HEX #7FA3AE

RGB 127 163 174

HSL 194.04, 0.22%, 0.59%

LAB 64.77, -9.67, -9.72

 

CMYK 25 / 6 / 0 / 24

HEX #90B5C1

RGB 144 181 193

HSL 194.69, 0.28%, 0.66%

LAB 71.44, -9.67, -10.18

 

CMYK 24 / 6 / 0 / 17

HEX #A1C7D4

RGB 161 199 212

HSL 195.29, 0.37%, 0.73%

LAB 77.98, -9.68, -10.64

 

CMYK 23 / 6 / 0 / 9

HEX #B2D9E7

RGB 178 217 231

HSL 195.85, 0.52%, 0.8%

LAB 84.41, -9.7, -11.09

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 38 / 10 / 0 / 45

HEX #587F8D

RGB 88 127 141

HSL 195.85, 0.23%, 0.45%

LAB 50.89, -9.85, -11.9

 

CMYK 42 / 11 / 0 / 52

HEX #476D7A

RGB 71 109 122

HSL 195.29, 0.26%, 0.38%

LAB 43.77, -9.77, -11.46

 

CMYK 48 / 12 / 0 / 60

HEX #365B67

RGB 54 91 103

HSL 194.69, 0.31%, 0.31%

LAB 36.45, -9.64, -11.01

 

CMYK 56 / 13 / 0 / 67

HEX #254954

RGB 37 73 84

HSL 194.04, 0.39%, 0.24%

LAB 28.9, -9.41, -10.53

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 34 / 14 / 0 / 38

HEX #69889F

RGB 105 136 159

HSL 205.56, 0.22%, 0.52%

LAB 55.19, -5.12, -15.76

 

CMYK 34 / 20 / 0 / 38

HEX #697F9F

RGB 105 127 159

HSL 215.56, 0.22%, 0.52%

LAB 52.6, 0.06, -19.7

 

CMYK 34 / 26 / 0 / 38

HEX #69769F

RGB 105 118 159

HSL 225.56, 0.22%, 0.52%

LAB 50.05, 5.38, -23.62

 

CMYK 34 / 31 / 0 / 38

HEX #696D9F

RGB 105 109 159

HSL 235.56, 0.22%, 0.52%

LAB 47.55, 10.8, -27.5

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 35 / 9 / 0 / 17

HEX #8ABFD3

RGB 138 191 211

HSL 196.44, 0.45%, 0.68%

LAB 74.42, -12.37, -15.57

 

CMYK 29 / 14 / 0 / 97

HEX #050607

RGB 5 6 7

HSL 210, 0.17%, 0.02%

LAB 1.61, -0.12, -0.47

 

CMYK 34 / 9 / 0 / 77

HEX #26353A

RGB 38 53 58

HSL 195, 0.21%, 0.19%

LAB 21.07, -4.7, -5.15

 

CMYK 34 / 9 / 0 / 57

HEX #48636D

RGB 72 99 109

HSL 196.22, 0.2%, 0.35%

LAB 40.26, -7.27, -8.87

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 18 / 34 / 0 / 38

HEX #82699F

RGB 130 105 159

HSL 267.78, 0.22%, 0.52%

LAB 48.7, 21.05, -25.54

 

CMYK 0 / 4 / 34 / 38

HEX #9F9869

RGB 159 152 105

HSL 52.22, 0.22%, 0.52%

LAB 62.38, -4.84, 25.7

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 0 / 34 / 9 / 38

HEX #9F6991

RGB 159 105 145

HSL 315.56, 0.22%, 0.52%

LAB 51.29, 28, -13.06

 

CMYK 9 / 0 / 34 / 38

HEX #919F69

RGB 145 159 105

HSL 75.56, 0.22%, 0.52%

LAB 63.21, -14.25, 26.58

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 18 / 34 / 0 / 38

HEX #82699F

RGB 130 105 159

HSL 267.78, 0.22%, 0.52%

LAB 48.7, 21.05, -25.54

 

CMYK 0 / 25 / 34 / 38

HEX #9F7869

RGB 159 120 105

HSL 16.67, 0.22%, 0.52%

LAB 53.84, 13.07, 14.14

 

CMYK 16 / 0 / 34 / 38

HEX #869F69

RGB 134 159 105

HSL 87.78, 0.22%, 0.52%

LAB 62.41, -18.56, 25.38

 

CMYK 34 / 9 / 0 / 37

HEX #6991A0

RGB 105 145 160

HSL 196.36, 0.22%, 0.52%

LAB 57.84, -9.91, -12.33

 

CMYK 8 / 34 / 0 / 38

HEX #92699F

RGB 146 105 159

HSL 285.56, 0.22%, 0.52%

LAB 50.35, 26.3, -22.85

 

CMYK 0 / 25 / 34 / 38

HEX #9F7869

RGB 159 120 105

HSL 16.67, 0.22%, 0.52%

LAB 53.84, 13.07, 14.14

 

CMYK 26 / 0 / 34 / 38

HEX #769F69

RGB 118 159 105

HSL 105.56, 0.22%, 0.52%

LAB 61.37, -24.54, 23.81

 

Description

Color code: RGB 105 145 160 | qconv.com Color code: RGB 105 145 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 145 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 145 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 9 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 9% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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