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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 90.8 5.4 it is the complementary color RGB 151 164.2 249.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 90.8 5.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 90.8 5.4 shade: RGB 109 90.8 0.4, RGB 126 108.8 19.4, RGB 143 126.8 38.4, RGB 160 144.8 57.4 and RGB 177 162.8 76.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 90.8 5.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 90.8 5.4 shade: RGB 104 90.8 5.4, RGB 87 72.8 0, RGB 70 54.8 0, RGB 53 36.8 0 and RGB 36 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 90.8 5.4 shade: RGB 102 89 5, RGB 102 63 5, RGB 102 37 5, RGB 102 11 5 and RGB 102 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 90.8 5.4 shade: RGB 102 89 5, RGB 89 102 5, RGB 63 102 5, RGB 37 102 5 and RGB 11 102 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 90.8 5.4 shade matches the following richer shades: RGB 102 89 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 90.8 5.4 shade: RGB 102 89 5, RGB 93 82 14, RGB 84 76 23, RGB 76 70 31 and RGB 67 63 40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 90.8 5.4 shade: RGB 102 36 5, RGB 102 62 5, RGB 102 87 5, RGB 90 102 5 and RGB 65 102 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 90.8 5.4 shade: RGB 23 20 1, RGB 63 55 3, RGB 102 89 5, RGB 141 123 7 and RGB 180 157 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 90.8 5.4 shade: RGB 104 90.8 5.4, RGB 5 102 10 and RGB 49 5 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 90.8 5.4 shade: RGB 104 90.8 5.4, RGB 5 102 87 and RGB 87 5 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 90.8 5.4 shade: RGB 104 90.8 5.4, RGB 5 102 10, RGB 5 20 102 and RGB 102 5 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 90.8 5.4 shade: RGB 104 90.8 5.4, RGB 5 102 39, RGB 5 20 102 and RGB 102 5 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

Complementary color

CMYK 40 / 34 / 0 / 2

HEX #97A4F9

RGB 151 164.2 249.6

HSL 231.97, 0.9%, 0.79%

LAB 69.53, 15.98, -44.03

 

CMYK 0 / 17 / 100 / 57

HEX #6D5A00

RGB 109 90.8 0.4

HSL 49.94, 0.99%, 0.21%

LAB 39.07, -1.07, 46.5

 

CMYK 0 / 14 / 85 / 51

HEX #7E6C13

RGB 126 108.8 19.4

HSL 50.32, 0.73%, 0.29%

LAB 46.15, -2.74, 47.73

 

CMYK 0 / 11 / 73 / 44

HEX #8F7E26

RGB 143 126.8 38.4

HSL 50.71, 0.58%, 0.36%

LAB 53.07, -4.09, 47.81

 

CMYK 0 / 10 / 64 / 37

HEX #A09039

RGB 160 144.8 57.4

HSL 51.11, 0.47%, 0.43%

LAB 59.86, -5.15, 47.07

 

CMYK 0 / 8 / 57 / 31

HEX #B1A24C

RGB 177 162.8 76.4

HSL 51.53, 0.4%, 0.5%

LAB 66.52, -6, 46

 

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

CMYK 0 / 16 / 100 / 66

HEX #574800

RGB 87 72.8 0

HSL 50.21, 1%, 0.17%

LAB 31.27, -1.38, 39.98

 

CMYK 0 / 22 / 100 / 73

HEX #463600

RGB 70 54.8 0

HSL 46.97, 1%, 0.14%

LAB 23.72, 0.98, 32.74

 

CMYK 0 / 31 / 100 / 79

HEX #352400

RGB 53 36.8 0

HSL 41.66, 1%, 0.1%

LAB 15.84, 3.59, 23.2

 

CMYK 0 / 48 / 100 / 86

HEX #241200

RGB 36 18.8 0

HSL 31.33, 1%, 0.07%

LAB 7.53, 6.53, 11.41

 

CMYK 0 / 13 / 95 / 60

HEX #665905

RGB 102 89 5

HSL 51.96, 0.91%, 0.21%

LAB 37.81, -3.36, 43.87

 

CMYK 0 / 38 / 95 / 60

HEX #663F05

RGB 102 63 5

HSL 35.88, 0.91%, 0.21%

LAB 30.38, 12.48, 38.17

 

CMYK 0 / 64 / 95 / 60

HEX #662505

RGB 102 37 5

HSL 19.79, 0.91%, 0.21%

LAB 24.19, 27.7, 32.82

 

CMYK 0 / 89 / 95 / 60

HEX #660B05

RGB 102 11 5

HSL 3.71, 0.91%, 0.21%

LAB 20.34, 38.22, 28.77

 

CMYK 0 / 95 / 95 / 60

HEX #660505

RGB 102 5 5

HSL 0, 0.91%, 0.21%

LAB 19.82, 39.72, 28.18

 

CMYK 0 / 13 / 95 / 60

HEX #665905

RGB 102 89 5

HSL 51.96, 0.91%, 0.21%

LAB 37.81, -3.36, 43.87

 

CMYK 13 / 0 / 95 / 60

HEX #596605

RGB 89 102 5

HSL 68.04, 0.91%, 0.21%

LAB 40.63, -17.08, 45.58

 

CMYK 38 / 0 / 95 / 60

HEX #3F6605

RGB 63 102 5

HSL 84.12, 0.91%, 0.21%

LAB 38.85, -28.55, 43.39

 

CMYK 64 / 0 / 95 / 60

HEX #256605

RGB 37 102 5

HSL 100.21, 0.91%, 0.21%

LAB 37.68, -37.48, 41.94

 

CMYK 89 / 0 / 95 / 60

HEX #0B6605

RGB 11 102 5

HSL 116.29, 0.91%, 0.21%

LAB 37.09, -42.52, 41.21

 

CMYK 0 / 13 / 95 / 60

HEX #665905

RGB 102 89 5

HSL 51.96, 0.91%, 0.21%

LAB 37.81, -3.36, 43.87

 

CMYK 0 / 13 / 95 / 60

HEX #665905

RGB 102 89 5

HSL 51.96, 0.91%, 0.21%

LAB 37.81, -3.36, 43.87

 

CMYK 0 / 12 / 85 / 64

HEX #5D520E

RGB 93 82 14

HSL 51.65, 0.74%, 0.21%

LAB 34.79, -3.41, 38.23

 

CMYK 0 / 10 / 73 / 67

HEX #544C17

RGB 84 76 23

HSL 52.13, 0.57%, 0.21%

LAB 32.07, -3.83, 31.49

 

CMYK 0 / 8 / 59 / 70

HEX #4C461F

RGB 76 70 31

HSL 52, 0.42%, 0.21%

LAB 29.45, -3.49, 24.13

 

CMYK 0 / 6 / 40 / 74

HEX #433F28

RGB 67 63 40

HSL 51.11, 0.25%, 0.21%

LAB 26.45, -2.43, 14.74

 

CMYK 0 / 65 / 95 / 60

HEX #662405

RGB 102 36 5

HSL 19.18, 0.91%, 0.21%

LAB 23.99, 28.22, 32.62

 

CMYK 0 / 39 / 95 / 60

HEX #663E05

RGB 102 62 5

HSL 35.26, 0.91%, 0.21%

LAB 30.11, 13.1, 37.97

 

CMYK 0 / 15 / 95 / 60

HEX #665705

RGB 102 87 5

HSL 50.72, 0.91%, 0.21%

LAB 37.21, -2.18, 43.41

 

CMYK 12 / 0 / 95 / 60

HEX #5A6605

RGB 90 102 5

HSL 67.42, 0.91%, 0.21%

LAB 40.71, -16.6, 45.68

 

CMYK 36 / 0 / 95 / 60

HEX #416605

RGB 65 102 5

HSL 82.89, 0.91%, 0.21%

LAB 38.96, -27.74, 43.53

 

CMYK 0 / 13 / 96 / 91

HEX #171401

RGB 23 20 1

HSL 51.82, 0.92%, 0.05%

LAB 6.18, -1.71, 8.82

 

CMYK 0 / 13 / 95 / 75

HEX #3F3703

RGB 63 55 3

HSL 52, 0.91%, 0.13%

LAB 22.98, -2.77, 30.5

 

CMYK 0 / 13 / 95 / 60

HEX #665905

RGB 102 89 5

HSL 51.96, 0.91%, 0.21%

LAB 37.81, -3.36, 43.87

 

CMYK 0 / 13 / 95 / 45

HEX #8D7B07

RGB 141 123 7

HSL 51.94, 0.91%, 0.29%

LAB 51.66, -3.95, 55.74

 

CMYK 0 / 13 / 95 / 29

HEX #B49D09

RGB 180 157 9

HSL 51.93, 0.9%, 0.37%

LAB 64.83, -4.51, 66.99

 

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

CMYK 95 / 0 / 90 / 60

HEX #05660A

RGB 5 102 10

HSL 123.09, 0.91%, 0.21%

LAB 37.04, -42.91, 39.79

 

CMYK 52 / 95 / 0 / 60

HEX #310566

RGB 49 5 102

HSL 267.22, 0.91%, 0.21%

LAB 13.95, 40.66, -46.1

 

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

CMYK 95 / 0 / 15 / 60

HEX #056657

RGB 5 102 87

HSL 170.72, 0.91%, 0.21%

LAB 38.24, -28.96, 1.38

 

CMYK 15 / 95 / 0 / 60

HEX #570566

RGB 87 5 102

HSL 290.72, 0.91%, 0.21%

LAB 20.42, 46.27, -35.27

 

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

CMYK 95 / 0 / 90 / 60

HEX #05660A

RGB 5 102 10

HSL 123.09, 0.91%, 0.21%

LAB 37.04, -42.91, 39.79

 

CMYK 95 / 80 / 0 / 60

HEX #051466

RGB 5 20 102

HSL 230.72, 0.91%, 0.21%

LAB 12.56, 29.68, -48.52

 

CMYK 0 / 95 / 5 / 60

HEX #660561

RGB 102 5 97

HSL 303.09, 0.91%, 0.21%

LAB 22.99, 48.22, -27.69

 

CMYK 0 / 13 / 95 / 59

HEX #685A05

RGB 104 90.8 5.4

HSL 51.97, 0.9%, 0.21%

LAB 38.56, -3.42, 44.43

 

CMYK 95 / 0 / 62 / 60

HEX #056627

RGB 5 102 39

HSL 141.03, 0.91%, 0.21%

LAB 37.26, -40.02, 28.15

 

CMYK 95 / 80 / 0 / 60

HEX #051466

RGB 5 20 102

HSL 230.72, 0.91%, 0.21%

LAB 12.56, 29.68, -48.52

 

CMYK 0 / 95 / 33 / 60

HEX #660544

RGB 102 5 68

HSL 321.03, 0.91%, 0.21%

LAB 21.4, 44.08, -10.64

 

Description

Color code: RGB 104 90.8 5.4 | qconv.com Color code: RGB 104 90.8 5.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 90.8 green and 5.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 90.8 5.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 95 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 95% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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