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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104.1 162.8 84 it is the complementary color RGB 150.9 92.2 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104.1 162.8 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104.1 162.8 84 shade: RGB 109.1 162.8 79, RGB 126.1 180.8 98, RGB 143.1 198.8 117, RGB 160.1 216.8 136 and RGB 177.1 234.8 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104.1 162.8 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104.1 162.8 84 shade: RGB 104.1 162.8 84, RGB 87.1 144.8 65, RGB 70.1 126.8 46, RGB 53.1 108.8 27 and RGB 36.1 90.8 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104.1 162.8 84 shade: RGB 103 162 83, RGB 124 162 83, RGB 145 162 83, RGB 162 157 83 and RGB 162 135 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104.1 162.8 84 shade: RGB 103 162 83, RGB 83 162 84, RGB 83 162 106, RGB 83 162 127 and RGB 83 162 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104.1 162.8 84 shade matches the following richer shades: RGB 103 162 83, RGB 94 181 63, RGB 84 201 44, RGB 74 221 24 and RGB 64 241 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104.1 162.8 84 shade: RGB 103 162 83, RGB 113 142 103, RGB 123 122 123, RGB 132 102 143 and RGB 142 82 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104.1 162.8 84 shade: RGB 146 162 83, RGB 125 162 83, RGB 104 162 83, RGB 83 162 83 and RGB 83 162 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104.1 162.8 84 shade: RGB 68 107 55, RGB 86 134 69, RGB 103 162 83, RGB 125 179 107 and RGB 149 193 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104.1 162.8 84 shade: RGB 104.1 162.8 84, RGB 83 162 156 and RGB 162 83 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104.1 162.8 84 shade: RGB 104.1 162.8 84, RGB 83 104 162 and RGB 162 83 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104.1 162.8 84 shade: RGB 104.1 162.8 84, RGB 83 162 156, RGB 141 83 162 and RGB 162 83 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104.1 162.8 84 shade: RGB 104.1 162.8 84, RGB 83 143 162, RGB 141 83 162 and RGB 162 102 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

Complementary color

CMYK 12 / 46 / 0 / 33

HEX #965CAB

RGB 150.9 92.2 171

HSL 284.7, 0.32%, 0.52%

LAB 48.51, 37.7, -32.71

 

CMYK 33 / 0 / 51 / 36

HEX #6DA24F

RGB 109.1 162.8 79

HSL 98.45, 0.35%, 0.47%

LAB 61.61, -33.24, 37.7

 

CMYK 30 / 0 / 46 / 29

HEX #7EB462

RGB 126.1 180.8 98

HSL 99.64, 0.36%, 0.55%

LAB 68.23, -33.16, 36.48

 

CMYK 28 / 0 / 41 / 22

HEX #8FC675

RGB 143.1 198.8 117

HSL 100.86, 0.42%, 0.62%

LAB 74.75, -33.03, 35.27

 

CMYK 26 / 0 / 37 / 15

HEX #A0D888

RGB 160.1 216.8 136

HSL 102.1, 0.51%, 0.69%

LAB 81.17, -32.87, 34.11

 

CMYK 25 / 0 / 34 / 8

HEX #B1EA9B

RGB 177.1 234.8 155

HSL 103.38, 0.66%, 0.76%

LAB 87.5, -32.71, 32.99

 

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

CMYK 40 / 0 / 55 / 43

HEX #579041

RGB 87.1 144.8 65

HSL 103.38, 0.38%, 0.41%

LAB 54.66, -34.44, 36.1

 

CMYK 45 / 0 / 64 / 50

HEX #467E2E

RGB 70.1 126.8 46

HSL 102.1, 0.47%, 0.34%

LAB 47.79, -34.37, 37.25

 

CMYK 51 / 0 / 75 / 57

HEX #356C1B

RGB 53.1 108.8 27

HSL 100.86, 0.6%, 0.27%

LAB 40.79, -34.02, 38

 

CMYK 60 / 0 / 91 / 64

HEX #245A08

RGB 36.1 90.8 8

HSL 99.64, 0.84%, 0.19%

LAB 33.65, -33.15, 37.6

 

CMYK 36 / 0 / 49 / 36

HEX #67A253

RGB 103 162 83

HSL 104.81, 0.32%, 0.48%

LAB 61.09, -34.51, 34.96

 

CMYK 23 / 0 / 49 / 36

HEX #7CA253

RGB 124 162 83

HSL 88.86, 0.32%, 0.48%

LAB 62.3, -26.84, 36.72

 

CMYK 10 / 0 / 49 / 36

HEX #91A253

RGB 145 162 83

HSL 72.91, 0.32%, 0.48%

LAB 63.74, -18.48, 38.81

 

CMYK 0 / 3 / 49 / 36

HEX #A29D53

RGB 162 157 83

HSL 56.2, 0.32%, 0.48%

LAB 63.69, -8.75, 39.07

 

CMYK 0 / 17 / 49 / 36

HEX #A28753

RGB 162 135 83

HSL 39.49, 0.32%, 0.48%

LAB 57.69, 3.27, 31.68

 

CMYK 36 / 0 / 49 / 36

HEX #67A253

RGB 103 162 83

HSL 104.81, 0.32%, 0.48%

LAB 61.09, -34.51, 34.96

 

CMYK 49 / 0 / 48 / 36

HEX #53A254

RGB 83 162 84

HSL 120.76, 0.32%, 0.48%

LAB 60.18, -40.75, 33.11

 

CMYK 49 / 0 / 35 / 36

HEX #53A26A

RGB 83 162 106

HSL 137.47, 0.32%, 0.48%

LAB 60.53, -37.08, 21.84

 

CMYK 49 / 0 / 22 / 36

HEX #53A27F

RGB 83 162 127

HSL 153.42, 0.32%, 0.48%

LAB 60.97, -32.79, 10.82

 

CMYK 49 / 0 / 9 / 36

HEX #53A294

RGB 83 162 148

HSL 169.37, 0.32%, 0.48%

LAB 61.5, -27.82, -0.21

 

CMYK 36 / 0 / 49 / 36

HEX #67A253

RGB 103 162 83

HSL 104.81, 0.32%, 0.48%

LAB 61.09, -34.51, 34.96

 

CMYK 48 / 0 / 65 / 29

HEX #5EB53F

RGB 94 181 63

HSL 104.24, 0.48%, 0.48%

LAB 66.36, -47.82, 50.43

 

CMYK 58 / 0 / 78 / 21

HEX #54C92C

RGB 84 201 44

HSL 104.71, 0.64%, 0.48%

LAB 72.12, -59.49, 63.14

 

CMYK 67 / 0 / 89 / 13

HEX #4ADD18

RGB 74 221 24

HSL 104.77, 0.8%, 0.48%

LAB 78.01, -69.22, 73.02

 

CMYK 73 / 0 / 98 / 5

HEX #40F104

RGB 64 241 4

HSL 104.81, 0.97%, 0.48%

LAB 83.97, -77.4, 80.07

 

CMYK 36 / 0 / 49 / 36

HEX #67A253

RGB 103 162 83

HSL 104.81, 0.32%, 0.48%

LAB 61.09, -34.51, 34.96

 

CMYK 20 / 0 / 27 / 44

HEX #718E67

RGB 113 142 103

HSL 104.62, 0.16%, 0.48%

LAB 55.92, -18.01, 17.52

 

CMYK 0 / 1 / 0 / 52

HEX #7B7A7B

RGB 123 122 123

HSL 300, 0%, 0.48%

LAB 51.34, 0.58, -0.42

 

CMYK 8 / 29 / 0 / 44

HEX #84668F

RGB 132 102 143

HSL 283.9, 0.17%, 0.48%

LAB 47.48, 19.87, -17.94

 

CMYK 12 / 49 / 0 / 36

HEX #8E52A2

RGB 142 82 162

HSL 285, 0.33%, 0.48%

LAB 44.79, 38.76, -33.31

 

CMYK 10 / 0 / 49 / 36

HEX #92A253

RGB 146 162 83

HSL 72.15, 0.32%, 0.48%

LAB 63.82, -18.07, 38.92

 

CMYK 23 / 0 / 49 / 36

HEX #7DA253

RGB 125 162 83

HSL 88.1, 0.32%, 0.48%

LAB 62.36, -26.46, 36.81

 

CMYK 36 / 0 / 49 / 36

HEX #68A253

RGB 104 162 83

HSL 104.05, 0.32%, 0.48%

LAB 61.14, -34.16, 35.04

 

CMYK 49 / 0 / 49 / 36

HEX #53A253

RGB 83 162 83

HSL 120, 0.32%, 0.48%

LAB 60.16, -40.9, 33.61

 

CMYK 49 / 0 / 36 / 36

HEX #53A268

RGB 83 162 104

HSL 135.95, 0.32%, 0.48%

LAB 60.5, -37.45, 22.88

 

CMYK 36 / 0 / 49 / 58

HEX #446B37

RGB 68 107 55

HSL 105, 0.32%, 0.32%

LAB 41.25, -24.65, 24.79

 

CMYK 36 / 0 / 49 / 47

HEX #568645

RGB 86 134 69

HSL 104.31, 0.32%, 0.4%

LAB 51.22, -29.27, 29.83

 

CMYK 36 / 0 / 49 / 36

HEX #67A253

RGB 103 162 83

HSL 104.81, 0.32%, 0.48%

LAB 61.09, -34.51, 34.96

 

CMYK 30 / 0 / 40 / 30

HEX #7DB36B

RGB 125 179 107

HSL 105, 0.32%, 0.56%

LAB 67.77, -31.46, 31.23

 

CMYK 23 / 0 / 31 / 24

HEX #95C186

RGB 149 193 134

HSL 104.75, 0.32%, 0.64%

LAB 73.71, -25.69, 25.11

 

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

CMYK 49 / 0 / 4 / 36

HEX #53A29C

RGB 83 162 156

HSL 175.44, 0.32%, 0.48%

LAB 61.72, -25.76, -4.38

 

CMYK 0 / 49 / 17 / 36

HEX #A25387

RGB 162 83 135

HSL 320.51, 0.32%, 0.48%

LAB 46.47, 39.43, -14.37

 

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

CMYK 49 / 36 / 0 / 36

HEX #5368A2

RGB 83 104 162

HSL 224.05, 0.32%, 0.48%

LAB 44.73, 8.68, -33.8

 

CMYK 0 / 49 / 36 / 36

HEX #A25368

RGB 162 83 104

HSL 344.05, 0.32%, 0.48%

LAB 45.45, 34.94, 2.92

 

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

CMYK 49 / 0 / 4 / 36

HEX #53A29C

RGB 83 162 156

HSL 175.44, 0.32%, 0.48%

LAB 61.72, -25.76, -4.38

 

CMYK 13 / 49 / 0 / 36

HEX #8D53A2

RGB 141 83 162

HSL 284.05, 0.32%, 0.48%

LAB 44.88, 37.91, -33.18

 

CMYK 0 / 49 / 46 / 36

HEX #A25358

RGB 162 83 88

HSL 356.2, 0.32%, 0.48%

LAB 45.04, 33.06, 12.09

 

CMYK 36 / 0 / 48 / 36

HEX #68A254

RGB 104.1 162.8 84

HSL 104.7, 0.32%, 0.48%

LAB 61.41, -34.37, 34.85

 

CMYK 49 / 12 / 0 / 36

HEX #538FA2

RGB 83 143 162

HSL 194.43, 0.32%, 0.48%

LAB 56.18, -14.17, -16.09

 

CMYK 13 / 49 / 0 / 36

HEX #8D53A2

RGB 141 83 162

HSL 284.05, 0.32%, 0.48%

LAB 44.88, 37.91, -33.18

 

CMYK 0 / 37 / 49 / 36

HEX #A26653

RGB 162 102 83

HSL 14.43, 0.32%, 0.48%

LAB 49.26, 21.98, 20.8

 

Description

Color code: RGB 104.1 162.8 84 | qconv.com Color code: RGB 104.1 162.8 84 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104.1 red, 162.8 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104.1 162.8 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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