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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 76 58 it is the complementary color RGB 152 179 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 76 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 103 76 58: RGB 108 76 53, RGB 125 94 72, RGB 142 112 91, RGB 159 130 110 and RGB 176 148 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 76 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 103 76 58: RGB 103 76 58, RGB 86 58 39, RGB 69 40 20, RGB 52 22 1 and RGB 35 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

Complementary color

CMYK 23 / 9 / 0 / 23

HEX #98B3C5

RGB 152 179 197

HSL 204, 0.28%, 0.68%

LAB 71.52, -5.22, -12.2

 

CMYK 0 / 30 / 51 / 58

HEX #6C4C35

RGB 108 76 53

HSL 25.09, 0.34%, 0.32%

LAB 35.23, 10.5, 19

 

CMYK 0 / 25 / 42 / 51

HEX #7D5E48

RGB 125 94 72

HSL 24.91, 0.27%, 0.39%

LAB 42.51, 9.51, 17.5

 

CMYK 0 / 21 / 36 / 44

HEX #8E705B

RGB 142 112 91

HSL 24.71, 0.22%, 0.46%

LAB 49.61, 8.72, 16.19

 

CMYK 0 / 18 / 31 / 38

HEX #9F826E

RGB 159 130 110

HSL 24.49, 0.2%, 0.53%

LAB 56.55, 8.06, 15.01

 

CMYK 0 / 16 / 27 / 31

HEX #B09481

RGB 176 148 129

HSL 24.26, 0.23%, 0.6%

LAB 63.34, 7.51, 13.94

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 0 / 33 / 55 / 66

HEX #563A27

RGB 86 58 39

HSL 24.26, 0.38%, 0.25%

LAB 27.16, 9.87, 16.73

 

CMYK 0 / 42 / 71 / 73

HEX #452814

RGB 69 40 20

HSL 24.49, 0.55%, 0.17%

LAB 19.36, 11.33, 18.64

 

CMYK 0 / 58 / 98 / 80

HEX #341601

RGB 52 22 1

HSL 24.71, 0.96%, 0.1%

LAB 11.32, 13.23, 16.79

 

CMYK 0 / 89 / 100 / 86

HEX #230400

RGB 35 4 0

HSL 6.86, 1%, 0.07%

LAB 4.01, 12.88, 6.25

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 0 / 19 / 44 / 59

HEX #68543A

RGB 104 84 58

HSL 33.91, 0.28%, 0.32%

LAB 37.09, 4.34, 18.31

 

CMYK 0 / 12 / 44 / 59

HEX #685C3A

RGB 104 92 58

HSL 44.35, 0.28%, 0.32%

LAB 39.42, -0.49, 21.33

 

CMYK 0 / 5 / 44 / 59

HEX #68633A

RGB 104 99 58

HSL 53.48, 0.28%, 0.32%

LAB 41.49, -4.62, 23.97

 

CMYK 3 / 0 / 44 / 59

HEX #65683A

RGB 101 104 58

HSL 63.91, 0.28%, 0.32%

LAB 42.72, -8.86, 25.46

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 0 / 26 / 44 / 40

HEX #9A7257

RGB 154 114 87

HSL 24.18, 0.28%, 0.47%

LAB 51.37, 12.17, 21.11

 

CMYK 0 / 26 / 44 / 20

HEX #CD9773

RGB 205 151 115

HSL 24, 0.47%, 0.63%

LAB 66.79, 15.78, 26.88

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 27 / 44 / 80

HEX #34261D

RGB 52 38 29

HSL 23.48, 0.28%, 0.16%

LAB 16.53, 5.06, 8.51

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 26 / 0 / 44 / 59

HEX #4D683A

RGB 77 104 58

HSL 95.22, 0.28%, 0.32%

LAB 40.87, -19.15, 22.74

 

CMYK 44 / 44 / 0 / 59

HEX #3A3A68

RGB 58 58 104

HSL 240, 0.28%, 0.32%

LAB 26.52, 13.08, -27.02

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 44 / 0 / 26 / 59

HEX #3A684D

RGB 58 104 77

HSL 144.78, 0.28%, 0.32%

LAB 40.14, -22.55, 10.37

 

CMYK 26 / 44 / 0 / 59

HEX #4D3A68

RGB 77 58 104

HSL 264.78, 0.28%, 0.32%

LAB 28.39, 18.97, -23.94

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 26 / 0 / 44 / 59

HEX #4D683A

RGB 77 104 58

HSL 95.22, 0.28%, 0.32%

LAB 40.87, -19.15, 22.74

 

CMYK 44 / 17 / 0 / 59

HEX #3A5668

RGB 58 86 104

HSL 203.48, 0.28%, 0.32%

LAB 35.11, -5.17, -13.65

 

CMYK 17 / 44 / 0 / 59

HEX #563A68

RGB 86 58 104

HSL 276.52, 0.28%, 0.32%

LAB 29.42, 21.95, -22.25

 

CMYK 0 / 26 / 44 / 60

HEX #674C3A

RGB 103 76 58

HSL 24, 0.28%, 0.32%

LAB 34.72, 8.79, 15.14

 

CMYK 39 / 0 / 44 / 59

HEX #3F683A

RGB 63 104 58

HSL 113.48, 0.28%, 0.32%

LAB 40.02, -24.52, 21.47

 

CMYK 44 / 17 / 0 / 59

HEX #3A5668

RGB 58 86 104

HSL 203.48, 0.28%, 0.32%

LAB 35.11, -5.17, -13.65

 

CMYK 5 / 44 / 0 / 59

HEX #633A68

RGB 99 58 104

HSL 293.48, 0.28%, 0.32%

LAB 31.06, 26.36, -19.57

 

Description

Color code: RGB 103 76 58 | qconv.com Color code: RGB 103 76 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 44 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 44% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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