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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 153 153 it is the complementary color RGB 153 102 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 153 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 153 153: RGB 107 153 148, RGB 124 171 167, RGB 141 189 186, RGB 158 207 205 and RGB 175 225 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 153 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 153 153: RGB 102 153 153, RGB 85 135 134, RGB 68 117 115, RGB 51 99 96 and RGB 34 81 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

Complementary color

CMYK 0 / 33 / 33 / 40

HEX #996666

RGB 153 102 102

HSL 0, 0.2%, 0.5%

LAB 48.55, 20.56, 8.4

 

CMYK 30 / 0 / 3 / 40

HEX #6B9994

RGB 107 153 148

HSL 173.48, 0.18%, 0.51%

LAB 59.93, -16.62, -2.37

 

CMYK 27 / 0 / 2 / 33

HEX #7CABA7

RGB 124 171 167

HSL 174.89, 0.22%, 0.58%

LAB 66.67, -16.49, -3.02

 

CMYK 25 / 0 / 2 / 26

HEX #8DBDBA

RGB 141 189 186

HSL 176.25, 0.27%, 0.65%

LAB 73.29, -16.37, -3.63

 

CMYK 24 / 0 / 1 / 19

HEX #9ECFCD

RGB 158 207 205

HSL 177.55, 0.34%, 0.72%

LAB 79.79, -16.27, -4.22

 

CMYK 22 / 0 / 0 / 12

HEX #AFE1E0

RGB 175 225 224

HSL 178.8, 0.45%, 0.78%

LAB 86.18, -16.19, -4.79

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 37 / 0 / 1 / 47

HEX #558786

RGB 85 135 134

HSL 178.8, 0.23%, 0.43%

LAB 52.93, -16.98, -4.8

 

CMYK 42 / 0 / 2 / 54

HEX #447573

RGB 68 117 115

HSL 177.55, 0.26%, 0.36%

LAB 45.89, -17.07, -4.12

 

CMYK 48 / 0 / 3 / 61

HEX #336360

RGB 51 99 96

HSL 176.25, 0.32%, 0.29%

LAB 38.68, -17.12, -3.37

 

CMYK 58 / 0 / 5 / 68

HEX #22514D

RGB 34 81 77

HSL 174.89, 0.41%, 0.23%

LAB 31.26, -17.07, -2.52

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 33 / 6 / 0 / 40

HEX #669099

RGB 102 144 153

HSL 190.59, 0.2%, 0.5%

LAB 57.14, -12.04, -9.39

 

CMYK 33 / 11 / 0 / 40

HEX #668899

RGB 102 136 153

HSL 200, 0.2%, 0.5%

LAB 54.8, -7.6, -12.91

 

CMYK 33 / 17 / 0 / 40

HEX #667F99

RGB 102 127 153

HSL 210.59, 0.2%, 0.5%

LAB 52.18, -2.45, -16.88

 

CMYK 33 / 22 / 0 / 40

HEX #667799

RGB 102 119 153

HSL 220, 0.2%, 0.5%

LAB 49.88, 2.24, -20.39

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 33 / 0 / 0 / 20

HEX #88CCCC

RGB 136 204 204

HSL 180, 0.4%, 0.67%

LAB 77.74, -21.29, -6.83

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 33 / 0 / 0 / 80

HEX #223333

RGB 34 51 51

HSL 180, 0.2%, 0.17%

LAB 19.83, -6.92, -2.25

 

CMYK 33 / 0 / 0 / 60

HEX #446666

RGB 68 102 102

HSL 180, 0.2%, 0.33%

LAB 40.72, -12.17, -3.92

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 27 / 33 / 0 / 40

HEX #706699

RGB 112 102 153

HSL 251.76, 0.2%, 0.5%

LAB 45.97, 15.6, -26.37

 

CMYK 0 / 14 / 33 / 40

HEX #998466

RGB 153 132 102

HSL 35.29, 0.2%, 0.5%

LAB 56.32, 3.36, 19.16

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 0 / 33 / 0 / 40

HEX #996699

RGB 153 102 153

HSL 300, 0.2%, 0.5%

LAB 50.19, 29.15, -19.51

 

CMYK 0 / 0 / 33 / 40

HEX #999966

RGB 153 153 102

HSL 60, 0.2%, 0.5%

LAB 62.1, -8.23, 26.87

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 27 / 33 / 0 / 40

HEX #706699

RGB 112 102 153

HSL 251.76, 0.2%, 0.5%

LAB 45.97, 15.6, -26.37

 

CMYK 0 / 33 / 33 / 40

HEX #996666

RGB 153 102 102

HSL 0, 0.2%, 0.5%

LAB 48.55, 20.56, 8.4

 

CMYK 7 / 0 / 33 / 40

HEX #8E9966

RGB 142 153 102

HSL 72.94, 0.2%, 0.5%

LAB 61.21, -12.7, 25.54

 

CMYK 33 / 0 / 0 / 40

HEX #669999

RGB 102 153 153

HSL 180, 0.2%, 0.5%

LAB 59.8, -16.89, -5.43

 

CMYK 17 / 33 / 0 / 40

HEX #7F6699

RGB 127 102 153

HSL 269.41, 0.2%, 0.5%

LAB 47.38, 20.44, -24.06

 

CMYK 0 / 33 / 33 / 40

HEX #996666

RGB 153 102 102

HSL 0, 0.2%, 0.5%

LAB 48.55, 20.56, 8.4

 

CMYK 17 / 0 / 33 / 40

HEX #7F9966

RGB 127 153 102

HSL 90.59, 0.2%, 0.5%

LAB 60.12, -18.6, 23.89

 

Description

Color code: RGB 102 153 153 | qconv.com Color code: RGB 102 153 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 153 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 153 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 0% 40% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - PhotoPearls - Create...
Link: http://www.photopearls.se

95% - Web Sites and Graphi...
Link: http://www.hoffmansites.com

70% - 重逢 - PChome 個人新聞台
Link: http://mypaper.pchome.com.tw

19% - IMaDb
Link: http://imadb.org

27% - zefour/zf
Link: http://www.h7.dion.ne.jp

77% - Arkaitz Garro | Inge...
Link: http://www.arkaitzgarro.com

47% - Real Estate St. Pete...
Link: http://www.m2-spb.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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