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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 63 49 it is the complementary color RGB 154 192 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 63 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 63 49: RGB 106 63 44, RGB 123 81 63, RGB 140 99 82, RGB 157 117 101 and RGB 174 135 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 63 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 63 49: RGB 101 63 49, RGB 84 45 30, RGB 67 27 11, RGB 50 9 0 and RGB 33 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

Complementary color

CMYK 25 / 7 / 0 / 19

HEX #9AC0CE

RGB 154 192 206

HSL 196.15, 0.35%, 0.71%

LAB 75.47, -9.48, -11.19

 

CMYK 0 / 41 / 58 / 58

HEX #6A3F2C

RGB 106 63 44

HSL 18.39, 0.41%, 0.29%

LAB 31.35, 16.62, 19.5

 

CMYK 0 / 34 / 49 / 52

HEX #7B513F

RGB 123 81 63

HSL 18, 0.32%, 0.36%

LAB 38.65, 15.34, 17.74

 

CMYK 0 / 29 / 41 / 45

HEX #8C6352

RGB 140 99 82

HSL 17.59, 0.26%, 0.44%

LAB 45.78, 14.3, 16.25

 

CMYK 0 / 25 / 36 / 38

HEX #9D7565

RGB 157 117 101

HSL 17.14, 0.22%, 0.51%

LAB 52.76, 13.44, 14.94

 

CMYK 0 / 22 / 31 / 32

HEX #AE8778

RGB 174 135 120

HSL 16.67, 0.25%, 0.58%

LAB 59.6, 12.7, 13.78

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 0 / 46 / 64 / 67

HEX #542D1E

RGB 84 45 30

HSL 16.67, 0.47%, 0.22%

LAB 23.19, 16.27, 17.4

 

CMYK 0 / 60 / 84 / 74

HEX #431B0B

RGB 67 27 11

HSL 17.14, 0.72%, 0.15%

LAB 15.49, 18.06, 18.75

 

CMYK 0 / 82 / 100 / 80

HEX #320900

RGB 50 9 0

HSL 10.8, 1%, 0.1%

LAB 7.89, 19.97, 12.26

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 0 / 29 / 52 / 61

HEX #634630

RGB 99 70 48

HSL 25.88, 0.35%, 0.29%

LAB 32.36, 9.47, 18.14

 

CMYK 0 / 20 / 52 / 61

HEX #634F30

RGB 99 79 48

HSL 36.47, 0.35%, 0.29%

LAB 34.92, 3.9, 21.4

 

CMYK 0 / 12 / 52 / 61

HEX #635730

RGB 99 87 48

HSL 45.88, 0.35%, 0.29%

LAB 37.27, -0.97, 24.34

 

CMYK 0 / 3 / 52 / 61

HEX #636030

RGB 99 96 48

HSL 56.47, 0.35%, 0.29%

LAB 39.97, -6.29, 27.63

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 0 / 38 / 51 / 40

HEX #985F4A

RGB 152 95 74

HSL 16.15, 0.35%, 0.44%

LAB 46.12, 20.86, 21.69

 

CMYK 0 / 37 / 52 / 20

HEX #CB7F62

RGB 203 127 98

HSL 16.57, 0.5%, 0.59%

LAB 60.57, 26.37, 28.05

 

CMYK 0 / 38 / 52 / 0

HEX #FE9E7B

RGB 254 158 123

HSL 16.03, 0.98%, 0.74%

LAB 74.16, 32.22, 33.28

 

CMYK 0 / 38 / 52 / 80

HEX #321F18

RGB 50 31 24

HSL 16.15, 0.35%, 0.15%

LAB 13.97, 8.18, 8.52

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 24 / 0 / 52 / 61

HEX #4B6330

RGB 75 99 48

HSL 88.24, 0.35%, 0.29%

LAB 38.96, -18.7, 25.95

 

CMYK 52 / 45 / 0 / 61

HEX #303663

RGB 48 54 99

HSL 232.94, 0.35%, 0.29%

LAB 24.22, 11.34, -27.49

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 52 / 0 / 38 / 61

HEX #30633D

RGB 48 99 61

HSL 135.29, 0.35%, 0.29%

LAB 37.64, -26.51, 16.46

 

CMYK 38 / 52 / 0 / 61

HEX #3D3063

RGB 61 48 99

HSL 255.29, 0.35%, 0.29%

LAB 23.69, 19.12, -28.25

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 24 / 0 / 52 / 61

HEX #4B6330

RGB 75 99 48

HSL 88.24, 0.35%, 0.29%

LAB 38.96, -18.7, 25.95

 

CMYK 52 / 13 / 0 / 61

HEX #305663

RGB 48 86 99

HSL 195.29, 0.35%, 0.29%

LAB 34.36, -9.53, -11.71

 

CMYK 27 / 52 / 0 / 61

HEX #483063

RGB 72 48 99

HSL 268.24, 0.35%, 0.29%

LAB 24.93, 22.47, -26.21

 

CMYK 0 / 38 / 51 / 60

HEX #653F31

RGB 101 63 49

HSL 16.15, 0.35%, 0.29%

LAB 30.74, 14.85, 15.45

 

CMYK 39 / 0 / 52 / 61

HEX #3C6330

RGB 60 99 48

HSL 105.88, 0.35%, 0.29%

LAB 38.02, -24.67, 24.59

 

CMYK 52 / 13 / 0 / 61

HEX #305663

RGB 48 86 99

HSL 195.29, 0.35%, 0.29%

LAB 34.36, -9.53, -11.71

 

CMYK 12 / 52 / 0 / 61

HEX #573063

RGB 87 48 99

HSL 285.88, 0.35%, 0.29%

LAB 26.85, 27.24, -23.05

 

Description

Color code: RGB 101 63 49 | qconv.com Color code: RGB 101 63 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 63 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 63 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 51 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 51% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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