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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 0 56 88 0 it is the complementary color RGBA 255 199 167 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 0 56 88 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGBA 0 56 88 0: RGB 5 56 83, RGB 22 74 102, RGB 39 92 121, RGB 56 110 140 and RGB 73 128 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 0 56 88 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGBA 0 56 88 0: RGB 0 56 88, RGB 0 38 69, RGB 0 20 50, RGB 0 2 31 and RGB 0 0 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 36 / 0 / 65

HEX #00385800

RGBA 0 56 88 0

HSLA 201.82, 1%, 0.17%, 0

LABA 22.06, -3.02, -23.84, 0

 

Complementary color

CMYK 0 / 22 / 35 / 0

HEX #FFC7A7

RGBA 255 199 167 1

HSL 21.82, 1%, 0.83%

LAB 84.43, 15.7, 23.67

 

CMYK 94 / 33 / 0 / 67

HEX #053853

RGB 5 56 83

HSL 200.77, 0.89%, 0.17%

LAB 21.89, -4.64, -20.8

 

CMYK 78 / 27 / 0 / 60

HEX #164A66

RGB 22 74 102

HSL 201, 0.65%, 0.24%

LAB 29.48, -6.5, -21.22

 

CMYK 68 / 24 / 0 / 53

HEX #275C79

RGB 39 92 121

HSL 201.22, 0.51%, 0.31%

LAB 36.87, -7.71, -21.56

 

CMYK 60 / 21 / 0 / 45

HEX #386E8C

RGB 56 110 140

HSL 201.43, 0.43%, 0.38%

LAB 44.07, -8.5, -21.87

 

CMYK 54 / 19 / 0 / 38

HEX #49809F

RGB 73 128 159

HSL 201.63, 0.37%, 0.45%

LAB 51.1, -9.05, -22.16

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 100 / 45 / 0 / 73

HEX #002645

RGB 0 38 69

HSL 206.96, 1%, 0.14%

LAB 14.49, 1.04, -23.06

 

CMYK 100 / 60 / 0 / 80

HEX #001432

RGB 0 20 50

HSL 216, 1%, 0.1%

LAB 6.6, 5.39, -22.2

 

CMYK 100 / 94 / 0 / 88

HEX #00021F

RGB 0 2 31

HSL 236.13, 1%, 0.06%

LAB 1.29, 5.48, -16.02

 

CMYK 100 / 100 / 0 / 95

HEX #00000C

RGB 0 0 12

HSL 240, 1%, 0.02%

LAB 0.24, 1.68, -4.58

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 100 / 52 / 0 / 66

HEX #002956

RGB 0 41 86

HSL 211.4, 1%, 0.17%

LAB 16.79, 6.84, -30.95

 

CMYK 100 / 69 / 0 / 66

HEX #001B56

RGB 0 27 86

HSL 221.16, 1%, 0.17%

LAB 12.32, 17.58, -38.21

 

CMYK 100 / 85 / 0 / 66

HEX #000D56

RGB 0 13 86

HSL 230.93, 1%, 0.17%

LAB 8.65, 27.6, -44.27

 

CMYK 99 / 100 / 0 / 66

HEX #010056

RGB 1 0 86

HSL 240.7, 1%, 0.17%

LAB 6.13, 35.18, -48.47

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 100 / 37 / 0 / 45

HEX #00588B

RGB 0 88 139

HSL 202.01, 1%, 0.27%

LAB 35.68, -2.28, -34.5

 

CMYK 100 / 36 / 0 / 25

HEX #0079BE

RGB 0 121 190

HSL 201.79, 1%, 0.37%

LAB 48.75, -2.27, -43.91

 

CMYK 100 / 37 / 0 / 5

HEX #0099F1

RGB 0 153 241

HSL 201.91, 1%, 0.47%

LAB 60.9, -1.69, -53.29

 

CMYK 100 / 35 / 0 / 85

HEX #001825

RGB 0 24 37

HSL 201.08, 1%, 0.07%

LAB 7.11, -3.58, -11.74

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 45 / 100 / 0 / 66

HEX #2F0056

RGB 47 0 86

HSL 272.79, 1%, 0.17%

LAB 11.11, 38.53, -40.06

 

CMYK 0 / 5 / 100 / 66

HEX #565200

RGB 86 82 0

HSL 57.21, 1%, 0.17%

LAB 34.01, -7.43, 41.9

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 0 / 100 / 35 / 66

HEX #560038

RGB 86 0 56

HSL 320.93, 1%, 0.17%

LAB 16.82, 40.12, -9.56

 

CMYK 35 / 0 / 100 / 66

HEX #385600

RGB 56 86 0

HSL 80.93, 1%, 0.17%

LAB 32.91, -23.99, 40

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 45 / 100 / 0 / 66

HEX #2F0056

RGB 47 0 86

HSL 272.79, 1%, 0.17%

LAB 11.11, 38.53, -40.06

 

CMYK 0 / 65 / 100 / 66

HEX #561E00

RGB 86 30 0

HSL 20.93, 1%, 0.17%

LAB 19.67, 24.45, 29.13

 

CMYK 55 / 0 / 100 / 66

HEX #275600

RGB 39 86 0

HSL 92.79, 1%, 0.17%

LAB 32, -30.64, 38.9

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 15 / 100 / 0 / 66

HEX #490056

RGB 73 0 86

HSL 290.93, 1%, 0.17%

LAB 15.94, 42.21, -31.96

 

CMYK 0 / 65 / 100 / 66

HEX #561E00

RGB 86 30 0

HSL 20.93, 1%, 0.17%

LAB 19.67, 24.45, 29.13

 

CMYK 85 / 0 / 100 / 66

HEX #0D5600

RGB 13 86 0

HSL 110.93, 1%, 0.17%

LAB 31.21, -37.24, 37.94

 

Description

Color code: RGB 0 56 88 | qconv.com Color code: RGB 0 56 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 56 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 56 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 36 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 36% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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