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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 237 119 it is the complementary color RGB 255 18 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 237 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 237 119: RGB 5 237 114, RGB 22 255 133, RGB 39 255 152, RGB 56 255 171 and RGB 73 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 237 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 237 119: RGB 0 237 119, RGB 0 219 100, RGB 0 201 81, RGB 0 183 62 and RGB 0 165 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

Complementary color

CMYK 0 / 93 / 47 / 0

HEX #FF1288

RGB 255 18 136

HSL 330.13, 1%, 0.54%

LAB 55.55, 83.86, 0.24

 

CMYK 98 / 0 / 52 / 7

HEX #05ED72

RGB 5 237 114

HSL 148.19, 0.96%, 0.47%

LAB 82.82, -73.15, 46.15

 

CMYK 91 / 0 / 48 / 0

HEX #16FF85

RGB 22 255 133

HSL 148.58, 1%, 0.54%

LAB 88.63, -75.29, 44.41

 

CMYK 85 / 0 / 40 / 0

HEX #27FF98

RGB 39 255 152

HSL 151.39, 1%, 0.58%

LAB 89.03, -71.06, 35.72

 

CMYK 78 / 0 / 33 / 0

HEX #38FFAB

RGB 56 255 171

HSL 154.67, 1%, 0.61%

LAB 89.53, -65.94, 26.93

 

CMYK 71 / 0 / 25 / 0

HEX #49FFBE

RGB 73 255 190

HSL 158.57, 1%, 0.64%

LAB 90.16, -59.97, 18.17

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 0 / 54 / 14

HEX #00DB64

RGB 0 219 100

HSL 147.4, 1%, 0.43%

LAB 77.03, -69.77, 45.66

 

CMYK 100 / 0 / 60 / 21

HEX #00C951

RGB 0 201 81

HSL 144.18, 1%, 0.39%

LAB 71.12, -66.82, 47.42

 

CMYK 100 / 0 / 66 / 28

HEX #00B73E

RGB 0 183 62

HSL 140.33, 1%, 0.36%

LAB 65.13, -63.63, 48.98

 

CMYK 100 / 0 / 74 / 35

HEX #00A52B

RGB 0 165 43

HSL 135.64, 1%, 0.32%

LAB 59.05, -60.13, 50.12

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 0 / 33 / 8

HEX #00EA9C

RGB 0 234 156

HSL 160, 1%, 0.46%

LAB 82.51, -64.79, 24.95

 

CMYK 100 / 0 / 17 / 8

HEX #00EAC3

RGB 0 234 195

HSL 170, 1%, 0.46%

LAB 83.33, -55.73, 5.77

 

CMYK 100 / 0 / 0 / 8

HEX #00EAEA

RGB 0 234 234

HSL 180, 1%, 0.46%

LAB 84.37, -45.05, -13.25

 

CMYK 100 / 17 / 0 / 8

HEX #00C3EA

RGB 0 195 234

HSL 190, 1%, 0.46%

LAB 72.87, -26.87, -30.72

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 0 / 48 / 87

HEX #002111

RGB 0 33 17

HSL 150.91, 1%, 0.06%

LAB 10.02, -16.75, 7.06

 

CMYK 100 / 0 / 50 / 67

HEX #00542A

RGB 0 84 42

HSL 150, 1%, 0.16%

LAB 30.66, -33.38, 18.36

 

CMYK 100 / 0 / 50 / 47

HEX #008744

RGB 0 135 68

HSL 150.22, 1%, 0.26%

LAB 49.19, -47.26, 27.31

 

CMYK 100 / 0 / 50 / 27

HEX #00BA5D

RGB 0 186 93

HSL 150, 1%, 0.36%

LAB 66.45, -60.32, 36.05

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 70 / 0 / 8

HEX #0046EA

RGB 0 70 234

HSL 222.05, 1%, 0.46%

LAB 38.41, 47.41, -85.85

 

CMYK 0 / 90 / 100 / 8

HEX #EA1700

RGB 234 23 0

HSL 5.9, 1%, 0.46%

LAB 49.62, 72.9, 63.25

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 50 / 100 / 0 / 8

HEX #7500EA

RGB 117 0 234

HSL 270, 1%, 0.46%

LAB 37.34, 77.95, -87.41

 

CMYK 0 / 50 / 100 / 8

HEX #EA7500

RGB 234 117 0

HSL 30, 1%, 0.46%

LAB 61.84, 40.09, 69.38

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 70 / 0 / 8

HEX #0046EA

RGB 0 70 234

HSL 222.05, 1%, 0.46%

LAB 38.41, 47.41, -85.85

 

CMYK 0 / 100 / 50 / 8

HEX #EA0075

RGB 234 0 117

HSL 330, 1%, 0.46%

LAB 50.43, 79.24, 3.76

 

CMYK 0 / 30 / 100 / 8

HEX #EAA400

RGB 234 164 0

HSL 42.05, 1%, 0.46%

LAB 72.26, 15.55, 76.01

 

CMYK 100 / 0 / 50 / 7

HEX #00ED77

RGB 0 237 119

HSL 150.13, 1%, 0.46%

LAB 82.86, -72.53, 43.83

 

CMYK 100 / 100 / 0 / 8

HEX #0000EA

RGB 0 0 234

HSL 240, 1%, 0.46%

LAB 29.26, 74.21, -101.07

 

CMYK 0 / 100 / 50 / 8

HEX #EA0075

RGB 234 0 117

HSL 330, 1%, 0.46%

LAB 50.43, 79.24, 3.76

 

CMYK 0 / 0 / 100 / 8

HEX #EAEA00

RGB 234 234 0

HSL 60, 1%, 0.46%

LAB 90.02, -20.2, 88.53

 

Description

Color code: RGB 0 237 119 | qconv.com Color code: RGB 0 237 119 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 237 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 237 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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