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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 174 195 it is the complementary color RGB 255 81 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 174 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 174 195: RGB 5 174 190, RGB 22 192 209, RGB 39 210 228, RGB 56 228 247 and RGB 73 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 174 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 174 195: RGB 0 174 195, RGB 0 156 176, RGB 0 138 157, RGB 0 120 138 and RGB 0 102 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

Complementary color

CMYK 0 / 68 / 76 / 0

HEX #FF513C

RGB 255 81 60

HSL 6.46, 1%, 0.62%

LAB 59.41, 64.66, 49.12

 

CMYK 97 / 8 / 0 / 25

HEX #05AEBE

RGB 5 174 190

HSL 185.19, 0.95%, 0.38%

LAB 64.98, -30.87, -18.68

 

CMYK 89 / 8 / 0 / 18

HEX #16C0D1

RGB 22 192 209

HSL 185.45, 0.81%, 0.45%

LAB 71.2, -32.83, -19.69

 

CMYK 83 / 8 / 0 / 11

HEX #27D2E4

RGB 39 210 228

HSL 185.71, 0.78%, 0.52%

LAB 77.36, -34.42, -20.61

 

CMYK 77 / 8 / 0 / 3

HEX #38E4F7

RGB 56 228 247

HSL 185.97, 0.92%, 0.59%

LAB 83.46, -35.7, -21.43

 

CMYK 71 / 4 / 0 / 0

HEX #49F6FF

RGB 73 246 255

HSL 182.97, 1%, 0.64%

LAB 89.18, -39.88, -16.97

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 100 / 11 / 0 / 31

HEX #009CB0

RGB 0 156 176

HSL 186.82, 1%, 0.35%

LAB 58.89, -26.79, -20.1

 

CMYK 100 / 12 / 0 / 38

HEX #008A9D

RGB 0 138 157

HSL 187.26, 1%, 0.31%

LAB 52.52, -24.11, -18.96

 

CMYK 100 / 13 / 0 / 46

HEX #00788A

RGB 0 120 138

HSL 187.83, 1%, 0.27%

LAB 46, -21.35, -17.81

 

CMYK 100 / 14 / 0 / 53

HEX #006677

RGB 0 102 119

HSL 188.57, 1%, 0.23%

LAB 39.3, -18.5, -16.65

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 100 / 26 / 0 / 24

HEX #008EC1

RGB 0 142 193

HSL 195.85, 1%, 0.38%

LAB 55.27, -13.34, -35.34

 

CMYK 100 / 44 / 0 / 24

HEX #006DC1

RGB 0 109 193

HSL 206.11, 1%, 0.38%

LAB 45.34, 6.36, -51.08

 

CMYK 100 / 60 / 0 / 24

HEX #004DC1

RGB 0 77 193

HSL 216.06, 1%, 0.38%

LAB 36.29, 27.39, -65.75

 

CMYK 100 / 77 / 0 / 24

HEX #002DC1

RGB 0 45 193

HSL 226.01, 1%, 0.38%

LAB 28.71, 47.67, -78.23

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 100 / 11 / 0 / 4

HEX #00DCF6

RGB 0 220 246

HSL 186.34, 1%, 0.48%

LAB 80.65, -35.07, -25.23

 

CMYK 100 / 12 / 0 / 84

HEX #00252A

RGB 0 37 42

HSL 187.14, 1%, 0.08%

LAB 12.55, -10.65, -7.02

 

CMYK 100 / 11 / 0 / 64

HEX #00535D

RGB 0 83 93

HSL 186.45, 1%, 0.18%

LAB 31.75, -17.63, -12.03

 

CMYK 100 / 11 / 0 / 44

HEX #008090

RGB 0 128 144

HSL 186.67, 1%, 0.28%

LAB 48.82, -23.44, -17.03

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 70 / 100 / 0 / 24

HEX #3A00C1

RGB 58 0 193

HSL 258.03, 1%, 0.38%

LAB 26.01, 65.29, -82.66

 

CMYK 0 / 30 / 100 / 24

HEX #C18700

RGB 193 135 0

HSL 41.97, 1%, 0.38%

LAB 60.49, 13.22, 65.85

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 0 / 100 / 10 / 24

HEX #C100AE

RGB 193 0 174

HSL 305.91, 1%, 0.38%

LAB 44.79, 77, -39.92

 

CMYK 10 / 0 / 100 / 24

HEX #AEC100

RGB 174 193 0

HSL 65.91, 1%, 0.38%

LAB 74.28, -25.62, 74.88

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 70 / 100 / 0 / 24

HEX #3A00C1

RGB 58 0 193

HSL 258.03, 1%, 0.38%

LAB 26.01, 65.29, -82.66

 

CMYK 0 / 90 / 100 / 24

HEX #C11300

RGB 193 19 0

HSL 5.91, 1%, 0.38%

LAB 40.9, 62.77, 54.78

 

CMYK 30 / 0 / 100 / 24

HEX #87C100

RGB 135 193 0

HSL 78.03, 1%, 0.38%

LAB 71.75, -41.4, 71.85

 

CMYK 100 / 11 / 0 / 24

HEX #00AEC3

RGB 0 174 195

HSL 186.46, 1%, 0.38%

LAB 65.13, -29.4, -21.23

 

CMYK 40 / 100 / 0 / 24

HEX #7400C1

RGB 116 0 193

HSL 276.06, 1%, 0.38%

LAB 33.06, 69.31, -70.77

 

CMYK 0 / 90 / 100 / 24

HEX #C11300

RGB 193 19 0

HSL 5.91, 1%, 0.38%

LAB 40.9, 62.77, 54.78

 

CMYK 60 / 0 / 100 / 24

HEX #4DC100

RGB 77 193 0

HSL 96.06, 1%, 0.38%

LAB 69.27, -59.93, 68.85

 

Description

Color code: RGB 0 174 195 | qconv.com Color code: RGB 0 174 195 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 174 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 174 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 11 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 11% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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