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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 105 175 it is the complementary color RGB 255 150 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 105 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 105 175: RGB 5 105 170, RGB 22 123 189, RGB 39 141 208, RGB 56 159 227 and RGB 73 177 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 105 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 105 175: RGB 0 105 175, RGB 0 87 156, RGB 0 69 137, RGB 0 51 118 and RGB 0 33 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

Complementary color

CMYK 0 / 41 / 69 / 0

HEX #FF9650

RGB 255 150 80

HSL 24, 1%, 0.66%

LAB 72, 33.79, 52.76

 

CMYK 97 / 38 / 0 / 33

HEX #0569AA

RGB 5 105 170

HSL 203.64, 0.94%, 0.34%

LAB 42.82, -0.15, -41.7

 

CMYK 88 / 35 / 0 / 26

HEX #167BBD

RGB 22 123 189

HSL 203.71, 0.79%, 0.41%

LAB 49.51, -2.89, -42.12

 

CMYK 81 / 32 / 0 / 18

HEX #278DD0

RGB 39 141 208

HSL 203.79, 0.68%, 0.48%

LAB 56.12, -5.06, -42.45

 

CMYK 75 / 30 / 0 / 11

HEX #389FE3

RGB 56 159 227

HSL 203.86, 0.75%, 0.55%

LAB 62.66, -6.79, -42.73

 

CMYK 70 / 28 / 0 / 4

HEX #49B1F6

RGB 73 177 246

HSL 203.93, 0.91%, 0.63%

LAB 69.12, -8.17, -42.97

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 100 / 44 / 0 / 39

HEX #00579C

RGB 0 87 156

HSL 206.54, 1%, 0.31%

LAB 36.4, 5.44, -43.64

 

CMYK 100 / 50 / 0 / 46

HEX #004589

RGB 0 69 137

HSL 209.78, 1%, 0.27%

LAB 29.57, 9.54, -43.06

 

CMYK 100 / 57 / 0 / 54

HEX #003376

RGB 0 51 118

HSL 214.07, 1%, 0.23%

LAB 22.57, 14.02, -42.48

 

CMYK 100 / 67 / 0 / 61

HEX #002163

RGB 0 33 99

HSL 220, 1%, 0.19%

LAB 15.43, 18.89, -41.81

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 100 / 57 / 0 / 32

HEX #004BAD

RGB 0 75 173

HSL 213.99, 1%, 0.34%

LAB 34.09, 20.62, -57.55

 

CMYK 100 / 73 / 0 / 32

HEX #002EAD

RGB 0 46 173

HSL 224.05, 1%, 0.34%

LAB 26.65, 39.92, -69.76

 

CMYK 100 / 90 / 0 / 32

HEX #0011AD

RGB 0 17 173

HSL 234.1, 1%, 0.34%

LAB 21.65, 54.49, -78.08

 

CMYK 94 / 100 / 0 / 32

HEX #0B00AD

RGB 11 0 173

HSL 243.82, 1%, 0.34%

LAB 20.39, 59.3, -80.16

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 100 / 40 / 0 / 11

HEX #0088E2

RGB 0 136 226

HSL 203.89, 1%, 0.44%

LAB 55.17, 2.66, -54.09

 

CMYK 100 / 41 / 0 / 91

HEX #000D16

RGB 0 13 22

HSL 204.55, 1%, 0.04%

LAB 3.12, -1.63, -6.21

 

CMYK 100 / 40 / 0 / 71

HEX #002C49

RGB 0 44 73

HSL 203.84, 1%, 0.14%

LAB 16.9, -1.45, -21.96

 

CMYK 100 / 40 / 0 / 51

HEX #004A7C

RGB 0 74 124

HSL 204.19, 1%, 0.24%

LAB 30.29, 0.54, -33.84

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 40 / 100 / 0 / 32

HEX #6800AD

RGB 104 0 173

HSL 276.07, 1%, 0.34%

LAB 29.31, 63.96, -65.1

 

CMYK 0 / 0 / 100 / 32

HEX #ADAD00

RGB 173 173 0

HSL 60, 1%, 0.34%

LAB 68.59, -16.12, 70.64

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 0 / 100 / 40 / 32

HEX #AD0068

RGB 173 0 104

HSL 323.93, 1%, 0.34%

LAB 37.63, 64.89, -8.39

 

CMYK 40 / 0 / 100 / 32

HEX #68AD00

RGB 104 173 0

HSL 83.93, 1%, 0.34%

LAB 64.02, -44.33, 65.18

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 40 / 100 / 0 / 32

HEX #6800AD

RGB 104 0 173

HSL 276.07, 1%, 0.34%

LAB 29.31, 63.96, -65.1

 

CMYK 0 / 60 / 100 / 32

HEX #AD4500

RGB 173 69 0

HSL 23.93, 1%, 0.34%

LAB 42.97, 40, 53.57

 

CMYK 60 / 0 / 100 / 32

HEX #45AD00

RGB 69 173 0

HSL 96.07, 1%, 0.34%

LAB 62.64, -55.05, 63.5

 

CMYK 100 / 40 / 0 / 31

HEX #0069AF

RGB 0 105 175

HSL 204, 1%, 0.34%

LAB 43.06, 1.65, -44.26

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 0 / 60 / 100 / 32

HEX #AD4500

RGB 173 69 0

HSL 23.93, 1%, 0.34%

LAB 42.97, 40, 53.57

 

CMYK 90 / 0 / 100 / 32

HEX #11AD00

RGB 17 173 0

HSL 114.1, 1%, 0.34%

LAB 61.66, -63.49, 62.31

 

Description

Color code: RGB 0 105 175 | qconv.com Color code: RGB 0 105 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 105 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 105 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 40 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 40% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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