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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 5175 C it is the complementary color Pantone 5605 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 5175 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 5175 C: , ,

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 5175 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 5175 C: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

Complementary color

CMYK 38 / 0 / 22 / 78

HEX #22372B

RGB 34 55 43

HSL 145.71, 0.24%, 0.17%

LAB 21.01, -11.57, 4.9

Pantone 5605 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 11 / 9 / 4

HEX #F5DADF

RGB 245 218 223

HSL 348.89, 0.57%, 0.91%

LAB 89.34, 10.13, 0.95

Pantone 705 C

CMYK 0 / 8 / 2 / 7

HEX #EEDAEA

RGB 238 218 234

HSL 312, 0.37%, 0.89%

LAB 89.05, 9.63, -5.33

Pantone 7436 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 8 / 6 / 24

HEX #C1B2B6

RGB 193 178 182

HSL 344, 0.11%, 0.73%

LAB 73.9, 6.05, -0.11

Pantone 435 C

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone 436 C

CMYK 0 / 7 / 11 / 41

HEX #978C87

RGB 151 140 135

HSL 18.75, 0.07%, 0.56%

LAB 59.05, 3.2, 4.14

Pantone 408 C

CMYK 0 / 8 / 15 / 49

HEX #83786F

RGB 131 120 111

HSL 27, 0.08%, 0.47%

LAB 51.16, 2.6, 6.46

Pantone Warm Gray 9

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 6 / 6 / 16

HEX #D6C9CA

RGB 214 201 202

HSL 355.38, 0.14%, 0.81%

LAB 82.02, 4.7, 1.12

Pantone 7632 C

CMYK 0 / 6 / 6 / 16

HEX #D6C9CA

RGB 214 201 202

HSL 355.38, 0.14%, 0.81%

LAB 82.02, 4.7, 1.12

Pantone 7632 C

CMYK 0 / 6 / 6 / 16

HEX #D6C9CA

RGB 214 201 202

HSL 355.38, 0.14%, 0.81%

LAB 82.02, 4.7, 1.12

Pantone 7632 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 50 / 25 / 0 / 87

HEX #101820

RGB 16 24 32

HSL 210, 0.33%, 0.09%

LAB 7.84, -0.97, -6.76

Pantone Black 6 C

CMYK 0 / 7 / 13 / 76

HEX #3D3935

RGB 61 57 53

HSL 30, 0.07%, 0.22%

LAB 24.24, 0.89, 3.11

Pantone Black 7 C

CMYK 3 / 0 / 1 / 55

HEX #707372

RGB 112 115 114

HSL 160, 0.01%, 0.45%

LAB 48.16, -1.34, 0.15

Pantone 424 C

CMYK 0 / 11 / 8 / 33

HEX #AB989D

RGB 171 152 157

HSL 344.21, 0.1%, 0.63%

LAB 64.6, 7.89, -0.06

Pantone 436 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 2 / 6 / 16

HEX #D7D2CB

RGB 215 210 203

HSL 35, 0.13%, 0.82%

LAB 84.41, 0.49, 4.06

Pantone Warm Gray 1

CMYK 10 / 5 / 0 / 15

HEX #C5CFDA

RGB 197 207 218

HSL 211.43, 0.22%, 0.81%

LAB 82.68, -1.25, -6.62

Pantone 538 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 2 / 6 / 16

HEX #D7D2CB

RGB 215 210 203

HSL 35, 0.13%, 0.82%

LAB 84.41, 0.49, 4.06

Pantone Warm Gray 1

CMYK 10 / 5 / 0 / 15

HEX #C5CFDA

RGB 197 207 218

HSL 211.43, 0.22%, 0.81%

LAB 82.68, -1.25, -6.62

Pantone 538 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 2 / 6 / 16

HEX #D7D2CB

RGB 215 210 203

HSL 35, 0.13%, 0.82%

LAB 84.41, 0.49, 4.06

Pantone Warm Gray 1

CMYK 2 / 0 / 0 / 17

HEX #D0D3D4

RGB 208 211 212

HSL 195, 0.04%, 0.82%

LAB 84.36, -0.83, -0.86

Pantone 427 C

CMYK 10 / 5 / 0 / 15

HEX #C5CFDA

RGB 197 207 218

HSL 211.43, 0.22%, 0.81%

LAB 82.68, -1.25, -6.62

Pantone 538 C

CMYK 0 / 7 / 3 / 15

HEX #D8C8D1

RGB 216 200 209

HSL 326.25, 0.17%, 0.82%

LAB 82.12, 7.15, -2.47

Pantone 5175 C

CMYK 0 / 2 / 6 / 16

HEX #D7D2CB

RGB 215 210 203

HSL 35, 0.13%, 0.82%

LAB 84.41, 0.49, 4.06

Pantone Warm Gray 1

CMYK 2 / 0 / 0 / 17

HEX #D0D3D4

RGB 208 211 212

HSL 195, 0.04%, 0.82%

LAB 84.36, -0.83, -0.86

Pantone 427 C

CMYK 10 / 5 / 0 / 15

HEX #C5CFDA

RGB 197 207 218

HSL 211.43, 0.22%, 0.81%

LAB 82.68, -1.25, -6.62

Pantone 538 C

Description

Color code: Pantone 5175 C | qconv.com Color code: Pantone 5175 C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 200 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 200 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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