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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 517 C it is the complementary color Pantone 627 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 517 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 517 C: , ,

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 517 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 517 C: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

Complementary color

CMYK 62 / 0 / 14 / 80

HEX #13322B

RGB 19 50 43

HSL 166.45, 0.45%, 0.14%

LAB 18.34, -13.63, 0.96

Pantone 627 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 8 / 2 / 7

HEX #EEDAEA

RGB 238 218 234

HSL 312, 0.37%, 0.89%

LAB 89.05, 9.63, -5.33

Pantone 7436 C

CMYK 0 / 8 / 2 / 7

HEX #EEDAEA

RGB 238 218 234

HSL 312, 0.37%, 0.89%

LAB 89.05, 9.63, -5.33

Pantone 7436 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 17 / 9 / 14

HEX #DCB6C9

RGB 220 182 201

HSL 330, 0.35%, 0.79%

LAB 77.81, 16.77, -4.45

Pantone 685 C

CMYK 0 / 25 / 9 / 21

HEX #C996B6

RGB 201 150 182

HSL 322.35, 0.32%, 0.69%

LAB 67.73, 24.23, -9.14

Pantone 680 C

CMYK 0 / 26 / 4 / 36

HEX #A2789C

RGB 162 120 156

HSL 308.57, 0.18%, 0.55%

LAB 55.6, 22.56, -12.95

Pantone 7654 C

CMYK 0 / 26 / 22 / 42

HEX #936D73

RGB 147 109 115

HSL 350.53, 0.15%, 0.5%

LAB 49.95, 16.05, 2.58

Pantone 7639 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 16 / 13 / 7

HEX #ECC7CD

RGB 236 199 205

HSL 350.27, 0.49%, 0.85%

LAB 83.49, 14.01, 1.88

Pantone 196 C

CMYK 0 / 16 / 13 / 7

HEX #ECC7CD

RGB 236 199 205

HSL 350.27, 0.49%, 0.85%

LAB 83.49, 14.01, 1.88

Pantone 196 C

CMYK 0 / 16 / 15 / 9

HEX #E9C4C7

RGB 233 196 199

HSL 355.14, 0.46%, 0.84%

LAB 82.34, 13.57, 3.39

Pantone 503 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 6 / 0 / 3 / 86

HEX #212322

RGB 33 35 34

HSL 150, 0.03%, 0.13%

LAB 13.48, -1.17, 0.35

Pantone 419 C

CMYK 0 / 23 / 20 / 65

HEX #584446

RGB 88 68 70

HSL 354, 0.13%, 0.31%

LAB 31, 8.95, 2.08

Pantone 438 C

CMYK 0 / 25 / 9 / 47

HEX #86647A

RGB 134 100 122

HSL 321.18, 0.15%, 0.46%

LAB 46.43, 17.52, -6.95

Pantone 5205 C

CMYK 0 / 15 / 5 / 31

HEX #AF95A6

RGB 175 149 166

HSL 320.77, 0.14%, 0.64%

LAB 64.45, 12.66, -5.31

Pantone 5215 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 16 / 15 / 9

HEX #E9C4C7

RGB 233 196 199

HSL 355.14, 0.46%, 0.84%

LAB 82.34, 13.57, 3.39

Pantone 503 C

CMYK 14 / 6 / 0 / 9

HEX #C6DAE7

RGB 198 218 231

HSL 203.64, 0.41%, 0.84%

LAB 85.97, -4.05, -8.64

Pantone 545 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 2 / 8 / 16

HEX #D6D2C4

RGB 214 210 196

HSL 46.67, 0.18%, 0.8%

LAB 84.16, -1.05, 7.41

Pantone 7527 C

CMYK 14 / 6 / 0 / 9

HEX #C6DAE7

RGB 198 218 231

HSL 203.64, 0.41%, 0.84%

LAB 85.97, -4.05, -8.64

Pantone 545 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 16 / 15 / 9

HEX #E9C4C7

RGB 233 196 199

HSL 355.14, 0.46%, 0.84%

LAB 82.34, 13.57, 3.39

Pantone 503 C

CMYK 7 / 0 / 4 / 12

HEX #D1E0D7

RGB 209 224 215

HSL 144, 0.19%, 0.85%

LAB 87.86, -6.67, 2.67

Pantone 621 C

CMYK 15 / 8 / 0 / 8

HEX #C8D8EB

RGB 200 216 235

HSL 212.57, 0.47%, 0.85%

LAB 85.7, -1.56, -11.14

Pantone 657 C

CMYK 0 / 16 / 5 / 8

HEX #EBC6DF

RGB 235 198 223

HSL 319.46, 0.48%, 0.85%

LAB 83.64, 17.21, -7.52

Pantone 517 C

CMYK 0 / 5 / 26 / 5

HEX #F1E6B2

RGB 241 230 178

HSL 49.52, 0.69%, 0.82%

LAB 91.01, -4.18, 26.74

Pantone 7499 C

CMYK 7 / 0 / 4 / 12

HEX #D1E0D7

RGB 209 224 215

HSL 144, 0.19%, 0.85%

LAB 87.86, -6.67, 2.67

Pantone 621 C

CMYK 14 / 10 / 0 / 8

HEX #CBD3EB

RGB 203 211 235

HSL 225, 0.44%, 0.86%

LAB 84.63, 2.01, -12.71

Pantone 2706 C

Description

Color code: Pantone 517 C | qconv.com Color code: Pantone 517 C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 198 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 198 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 5 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 5% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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