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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 131 C it is the complementary color Pantone 2727 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 131 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 131 C: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 131 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 131 C: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

Complementary color

CMYK 79 / 44 / 0 / 11

HEX #307FE2

RGB 48 127 226

HSL 213.37, 0.75%, 0.54%

LAB 53.27, 10.87, -57.09

Pantone 2727 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 0 / 24 / 91 / 18

HEX #D29F13

RGB 210 159 19

HSL 43.98, 0.83%, 0.45%

LAB 68.42, 7.96, 69.46

Pantone 7555 C

CMYK 0 / 28 / 89 / 0

HEX #FFB81C

RGB 255 184 28

HSL 41.23, 1%, 0.55%

LAB 79.4, 14.33, 78.18

Pantone 1235 C

CMYK 0 / 18 / 74 / 0

HEX #FED141

RGB 254 209 65

HSL 45.71, 0.99%, 0.63%

LAB 85.53, 2.04, 72.83

Pantone 122 C

CMYK 0 / 4 / 62 / 5

HEX #F3EA5D

RGB 243 234 93

HSL 56.4, 0.86%, 0.66%

LAB 91.09, -13.63, 67.39

Pantone 3935 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 0 / 30 / 100 / 29

HEX #B47E00

RGB 180 126 0

HSL 42, 1%, 0.35%

LAB 56.71, 12.35, 62.58

Pantone 7551 C

CMYK 0 / 28 / 100 / 37

HEX #A07400

RGB 160 116 0

HSL 43.5, 1%, 0.31%

LAB 51.8, 8.8, 58.14

Pantone 132 C

CMYK 0 / 53 / 93 / 42

HEX #94450B

RGB 148 69 11

HSL 25.4, 0.86%, 0.31%

LAB 38.86, 30.1, 45.6

Pantone 1535 C

CMYK 0 / 51 / 75 / 55

HEX #73381D

RGB 115 56 29

HSL 18.84, 0.6%, 0.28%

LAB 30.79, 23.72, 28.16

Pantone 168 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 0 / 14 / 100 / 23

HEX #C5A900

RGB 197 169 0

HSL 51.47, 1%, 0.39%

LAB 69.64, -3.37, 72.38

Pantone 103 C

CMYK 6 / 0 / 100 / 14

HEX #CEDC00

RGB 206 220 0

HSL 63.82, 1%, 0.43%

LAB 84.13, -25.15, 83.24

Pantone 381 C

CMYK 4 / 0 / 100 / 26

HEX #B5BD00

RGB 181 189 0

HSL 62.54, 1%, 0.37%

LAB 73.69, -20.67, 74.67

Pantone 390 C

CMYK 30 / 0 / 100 / 26

HEX #84BD00

RGB 132 189 0

HSL 78.1, 1%, 0.37%

LAB 70.39, -40.8, 70.73

Pantone 376 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 50 / 25 / 0 / 87

HEX #101820

RGB 16 24 32

HSL 210, 0.33%, 0.09%

LAB 7.84, -0.97, -6.76

Pantone Black 6 C

CMYK 0 / 22 / 41 / 81

HEX #31261D

RGB 49 38 29

HSL 27, 0.26%, 0.15%

LAB 16.14, 3.54, 7.93

Pantone Black 4 C

CMYK 0 / 45 / 85 / 53

HEX #774212

RGB 119 66 18

HSL 28.51, 0.74%, 0.27%

LAB 33.69, 19.18, 36.89

Pantone 731 C

CMYK 0 / 28 / 100 / 37

HEX #A07400

RGB 160 116 0

HSL 43.5, 1%, 0.31%

LAB 51.8, 8.8, 58.14

Pantone 132 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 68 / 0 / 79 / 16

HEX #44D62C

RGB 68 214 44

HSL 111.53, 0.67%, 0.51%

LAB 75.76, -67.32, 66.44

Pantone 802 C

CMYK 56 / 100 / 0 / 40

HEX #440099

RGB 68 0 153

HSL 266.67, 1%, 0.3%

LAB 22.05, 56.33, -65.1

Pantone Violet C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 100 / 0 / 30 / 24

HEX #00C389

RGB 0 195 137

HSL 162.15, 1%, 0.38%

LAB 70.06, -54.79, 17.83

Pantone 3395 C

CMYK 14 / 85 / 0 / 38

HEX #87189D

RGB 135 24 157

HSL 290.08, 0.73%, 0.35%

LAB 34.47, 60.82, -46.81

Pantone 2602 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 68 / 0 / 79 / 16

HEX #44D62C

RGB 68 214 44

HSL 111.53, 0.67%, 0.51%

LAB 75.76, -67.32, 66.44

Pantone 802 C

CMYK 100 / 62 / 0 / 27

HEX #0047BB

RGB 0 71 187

HSL 217.22, 1%, 0.37%

LAB 34.18, 29.01, -65.68

Pantone 2728 C

CMYK 0 / 85 / 1 / 32

HEX #AD1AAC

RGB 173 26 172

HSL 300.41, 0.74%, 0.39%

LAB 42.16, 69.89, -43.14

Pantone 253 C

CMYK 0 / 32 / 100 / 20

HEX #CC8A00

RGB 204 138 0

HSL 40.59, 1%, 0.4%

LAB 62.52, 16.46, 67.83

Pantone 131 C

CMYK 100 / 0 / 64 / 31

HEX #00B140

RGB 0 177 64

HSL 141.69, 1%, 0.35%

LAB 63.19, -61.58, 45.96

Pantone 354 C

CMYK 100 / 62 / 0 / 27

HEX #0047BB

RGB 0 71 187

HSL 217.22, 1%, 0.37%

LAB 34.18, 29.01, -65.68

Pantone 2728 C

CMYK 0 / 100 / 20 / 22

HEX #C800A1

RGB 200 0 161

HSL 311.7, 1%, 0.39%

LAB 45.43, 76.59, -31.07

Pantone 2395 C

Description

Color code: Pantone 131 C | qconv.com Color code: Pantone 131 C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 138 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 138 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 100 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 100% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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