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Color code
Pantone 109

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 109 it is the complementary color Pantone 2736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 109: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 109: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

New color palette

Primary color

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

Complementary color

CMYK 100 / 91 / 0 / 0

HEX #0017FF

RGB 0 23 255

HSL 234.59, 1%, 0.5%

LAB 33.63, 75.08, -105.64

Pantone 2736

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 0 / 1 / 95 / 0

HEX #FFFC0D

RGB 255 252 13

HSL 59.26, 1%, 0.53%

LAB 96.37, -20.03, 93

Pantone 102

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

Pantone 101

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

Pantone 101

CMYK 1 / 0 / 68 / 0

HEX #FCFF52

RGB 252 255 82

HSL 61.04, 1%, 0.66%

LAB 97.16, -20.77, 78.06

Pantone 3935

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 0 / 12 / 100 / 7

HEX #EDD100

RGB 237 209 0

HSL 52.91, 1%, 0.46%

LAB 83.76, -6.57, 84.13

Pantone 110

CMYK 0 / 18 / 100 / 15

HEX #D9B200

RGB 217 178 0

HSL 49.22, 1%, 0.43%

LAB 73.93, 0.73, 76.3

Pantone 117

CMYK 0 / 11 / 100 / 27

HEX #BAA600

RGB 186 166 0

HSL 53.55, 1%, 0.36%

LAB 67.81, -6.7, 70.59

Pantone 111

CMYK 0 / 10 / 100 / 38

HEX #9E8E00

RGB 158 142 0

HSL 53.92, 1%, 0.31%

LAB 58.62, -6.59, 62.81

Pantone 112

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 8 / 0 / 100 / 0

HEX #EBFF00

RGB 235 255 0

HSL 64.71, 1%, 0.5%

LAB 95.66, -29.7, 92.72

Pantone 3965

CMYK 29 / 0 / 100 / 0

HEX #B5FF00

RGB 181 255 0

HSL 77.41, 1%, 0.5%

LAB 92.28, -50.55, 88.69

Pantone 382

CMYK 29 / 0 / 100 / 0

HEX #B5FF00

RGB 181 255 0

HSL 77.41, 1%, 0.5%

LAB 92.28, -50.55, 88.69

Pantone 382

CMYK 57 / 0 / 100 / 0

HEX #6EFF00

RGB 110 255 0

HSL 94.12, 1%, 0.5%

LAB 89.32, -72.53, 85.1

Pantone 368

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 20 / 0 / 100 / 80

HEX #293300

RGB 41 51 0

HSL 71.76, 1%, 0.1%

LAB 19.39, -12.27, 27.17

Pantone 439

CMYK 0 / 20 / 100 / 56

HEX #705A00

RGB 112 90 0

HSL 48.21, 1%, 0.22%

LAB 39.17, 0.88, 46.84

Pantone 133

CMYK 0 / 10 / 100 / 38

HEX #9E8E00

RGB 158 142 0

HSL 53.92, 1%, 0.31%

LAB 58.62, -6.59, 62.81

Pantone 112

CMYK 0 / 2 / 100 / 20

HEX #CCC800

RGB 204 200 0

HSL 58.82, 1%, 0.4%

LAB 78.55, -16.23, 79.07

Pantone 612

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

Pantone 347

CMYK 50 / 100 / 0 / 0

HEX #8000FF

RGB 128 0 255

HSL 270.12, 1%, 0.5%

LAB 40.91, 83.18, -93.3

Pantone 254

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 96 / 0 / 11 / 0

HEX #0AFFE3

RGB 10 255 227

HSL 173.14, 1%, 0.52%

LAB 90.38, -55.59, -0.69

Pantone 312

CMYK 11 / 100 / 0 / 0

HEX #E300FF

RGB 227 0 255

HSL 293.41, 1%, 0.5%

LAB 55.64, 94.12, -68.62

Pantone 233

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 100 / 0 / 86 / 3

HEX #00F723

RGB 0 247 35

HSL 128.5, 1%, 0.48%

LAB 85.32, -83.33, 77.02

Pantone 347

CMYK 100 / 91 / 0 / 0

HEX #0017FF

RGB 0 23 255

HSL 234.59, 1%, 0.5%

LAB 33.63, 75.08, -105.64

Pantone 2736

CMYK 0 / 100 / 0 / 0

HEX #FF00FF

RGB 255 0 255

HSL 300, 1%, 0.5%

LAB 60.32, 98.25, -60.84

Pantone 226

CMYK 0 / 10 / 100 / 0

HEX #FFE600

RGB 255 230 0

HSL 54.12, 1%, 0.5%

LAB 90.71, -9.43, 89.83

Pantone 109

CMYK 100 / 0 / 60 / 3

HEX #00F763

RGB 0 247 99

HSL 144.05, 1%, 0.48%

LAB 85.72, -78.31, 56.36

Pantone 334

CMYK 100 / 91 / 0 / 0

HEX #0017FF

RGB 0 23 255

HSL 234.59, 1%, 0.5%

LAB 33.63, 75.08, -105.64

Pantone 2736

CMYK 0 / 100 / 38 / 3

HEX #F70099

RGB 247 0 153

HSL 322.83, 1%, 0.48%

LAB 54.11, 84.93, -12.2

Pantone 206

Description

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 230 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 230 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 100% 0% C M Y K

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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HKS® to RGB

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HKS® to Sherwin Williams®

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PANTONE® to RGB

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to HEX

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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