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Color code
Pantone 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 104 it is the complementary color Pantone 2725. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Pantone 104: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Pantone 104: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

New color palette

Primary color

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

Complementary color

CMYK 77 / 68 / 0 / 0

HEX #3B52FF

RGB 59 82 255

HSL 232.96, 1%, 0.62%

LAB 44.5, 50.23, -87.57

Pantone 2725

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 0 / 2 / 100 / 20

HEX #CCC800

RGB 204 200 0

HSL 58.82, 1%, 0.4%

LAB 78.55, -16.23, 79.07

Pantone 612

CMYK 0 / 1 / 92 / 11

HEX #E3E112

RGB 227 225 18

HSL 59.43, 0.85%, 0.48%

LAB 87.11, -18.6, 84.53

Pantone 611

CMYK 0 / 8 / 73 / 0

HEX #FFEB45

RGB 255 235 69

HSL 53.55, 1%, 0.64%

LAB 92.18, -10.45, 77.8

Pantone 114

CMYK 1 / 0 / 68 / 0

HEX #FCFF52

RGB 252 255 82

HSL 61.04, 1%, 0.66%

LAB 97.16, -20.77, 78.06

Pantone 3935

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 0 / 10 / 100 / 38

HEX #9E8E00

RGB 158 142 0

HSL 53.92, 1%, 0.31%

LAB 58.62, -6.59, 62.81

Pantone 112

CMYK 0 / 3 / 100 / 50

HEX #807C00

RGB 128 124 0

HSL 58.13, 1%, 0.25%

LAB 50.69, -10.76, 55.82

Pantone 105

CMYK 3 / 0 / 100 / 58

HEX #686B00

RGB 104 107 0

HSL 61.68, 1%, 0.21%

LAB 43.45, -12.82, 49.55

Pantone 385

CMYK 0 / 3 / 100 / 64

HEX #5C5900

RGB 92 89 0

HSL 58.04, 1%, 0.18%

LAB 36.78, -8.51, 44.18

Pantone 3995

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 18 / 0 / 100 / 31

HEX #90B000

RGB 144 176 0

HSL 70.91, 1%, 0.35%

LAB 67.26, -30.09, 68.68

Pantone 384

CMYK 18 / 0 / 100 / 31

HEX #90B000

RGB 144 176 0

HSL 70.91, 1%, 0.35%

LAB 67.26, -30.09, 68.68

Pantone 384

CMYK 40 / 0 / 100 / 38

HEX #5F9E00

RGB 95 158 0

HSL 83.92, 1%, 0.31%

LAB 58.87, -41.3, 61

Pantone 7496

CMYK 68 / 0 / 100 / 24

HEX #3EC200

RGB 62 194 0

HSL 100.82, 1%, 0.38%

LAB 69.19, -63.59, 68.62

Pantone 363

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 0 / 4 / 100 / 12

HEX #E0D700

RGB 224 215 0

HSL 57.59, 1%, 0.44%

LAB 84.2, -15.13, 83.93

Pantone 606

CMYK 18 / 0 / 100 / 85

HEX #202700

RGB 32 39 0

HSL 70.77, 1%, 0.08%

LAB 14.16, -9.79, 20.56

Pantone 440

CMYK 1 / 0 / 100 / 72

HEX #464700

RGB 70 71 0

HSL 60.85, 1%, 0.14%

LAB 28.92, -9.09, 37.44

Pantone 581

CMYK 0 / 3 / 100 / 50

HEX #807C00

RGB 128 124 0

HSL 58.13, 1%, 0.25%

LAB 50.69, -10.76, 55.82

Pantone 105

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 100 / 0 / 85 / 24

HEX #00C21D

RGB 0 194 29

HSL 128.97, 1%, 0.38%

LAB 68.51, -69.32, 63.37

Pantone 348

CMYK 51 / 100 / 0 / 25

HEX #5E00BF

RGB 94 0 191

HSL 269.53, 1%, 0.37%

LAB 29.77, 66.92, -75.12

Pantone 255

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 100 / 0 / 9 / 30

HEX #00B3A2

RGB 0 179 162

HSL 174.3, 1%, 0.35%

LAB 65.63, -41.91, -2.16

Pantone 314

CMYK 6 / 100 / 0 / 26

HEX #B100BD

RGB 177 0 189

HSL 296.19, 1%, 0.37%

LAB 42.8, 76.54, -52.12

Pantone 234

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 100 / 0 / 85 / 24

HEX #00C21D

RGB 0 194 29

HSL 128.97, 1%, 0.38%

LAB 68.51, -69.32, 63.37

Pantone 348

CMYK 100 / 97 / 0 / 30

HEX #0005B3

RGB 0 5 179

HSL 238.32, 1%, 0.35%

LAB 21.44, 59.46, -82.02

Pantone 2755

CMYK 0 / 100 / 15 / 30

HEX #B30098

RGB 179 0 152

HSL 309.05, 1%, 0.35%

LAB 40.98, 71.56, -32.93

Pantone 221

CMYK 0 / 3 / 100 / 30

HEX #B3AD00

RGB 179 173 0

HSL 57.99, 1%, 0.35%

LAB 69.09, -13.46, 71.24

Pantone 104

CMYK 100 / 0 / 65 / 30

HEX #00B33E

RGB 0 179 62

HSL 140.78, 1%, 0.35%

LAB 63.83, -62.42, 47.54

Pantone 335

CMYK 100 / 97 / 0 / 30

HEX #0005B3

RGB 0 5 179

HSL 238.32, 1%, 0.35%

LAB 21.44, 59.46, -82.02

Pantone 2755

CMYK 0 / 100 / 36 / 37

HEX #A10067

RGB 161 0 103

HSL 321.61, 1%, 0.32%

LAB 35.12, 62.19, -11.79

Pantone 208

Description

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 173 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 173 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 100 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 100% 30% C M Y K

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to RGBA

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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