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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 5R 4-1 it is the complementary color Munsell - Munsell 7.5PB 6-2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 5R 4-1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 5R 4-1: Munsell - Munsell 7.5R 4-2, Munsell - Munsell 5YR 5-1, Munsell - Munsell 5RP 5-2, Munsell - Munsell 5R 6-1 and Munsell - Munsell 5Y 7-1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 5R 4-1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 5R 4-1: Munsell - Munsell 5R 4-1, Munsell - Munsell 7.5RP 3-2, Munsell - Munsell 10Y 3-2, Munsell - Munsell 7.5YR 2-2 and Munsell - Munsell 7.5GY 2-4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 14 / 58

HEX #6B5C5C

RGB 107 92 92

HSL 0, 0.08%, 0.39%

LAB 40.5, 6.07, 2.24

Munsell
Munsell 5R 4-1

Complementary color

CMYK 7 / 6 / 0 / 36

HEX #9699A2

RGB 150 153 162

HSL 225, 0.06%, 0.61%

LAB 63.24, 0.73, -5.08

Munsell
Munsell 7.5PB 6-2

CMYK 0 / 22 / 24 / 55

HEX #735A57

RGB 115 90 87 1

HSL 6.43, 0.14%, 0.4%

LAB 40.65, 9.74, 5.64

Munsell
Munsell 7.5R 4-2

CMYK 0 / 8 / 13 / 49

HEX #827771

RGB 130 119 113 1

HSL 21.18, 0.07%, 0.48%

LAB 50.84, 3.13, 4.82

Munsell
Munsell 5YR 5-1

CMYK 0 / 14 / 9 / 45

HEX #8B787E

RGB 139 120 126 1

HSL 341.05, 0.08%, 0.51%

LAB 52.32, 8.42, -0.57

Munsell
Munsell 5RP 5-2

CMYK 0 / 4 / 12 / 29

HEX #B6AEA0

RGB 182 174 160 1

HSL 38.18, 0.13%, 0.67%

LAB 71.39, 0.42, 8.2

Munsell
Munsell 5Y 7-1

CMYK 0 / 25 / 18 / 65

HEX #594349

RGB 89 67 73 1

HSL 343.64, 0.14%, 0.31%

LAB 30.92, 10.56, 0.05

Munsell
Munsell 7.5RP 3-2

CMYK 0 / 4 / 30 / 71

HEX #4A4734

RGB 74 71 52 1

HSL 51.82, 0.17%, 0.25%

LAB 29.94, -2.33, 11.91

Munsell
Munsell 10Y 3-2

CMYK 0 / 30 / 48 / 76

HEX #3D2B20

RGB 61 43 32 1

HSL 22.76, 0.31%, 0.18%

LAB 19.33, 6.61, 10.42

Munsell
Munsell 7.5YR 2-2

CMYK 29 / 0 / 51 / 78

HEX #27371B

RGB 39 55 27 1

HSL 94.29, 0.34%, 0.16%

LAB 20.99, -12.74, 15.45

Munsell
Munsell 7.5GY 2-4

CMYK 0 / 9 / 16 / 58

HEX #6B615A

RGB 107 97 90 1

HSL 24.71, 0.09%, 0.39%

LAB 41.87, 2.68, 5.43

Munsell
Munsell 10YR 4-1

CMYK 0 / 9 / 16 / 58

HEX #6B615A

RGB 107 97 90 1

HSL 24.71, 0.09%, 0.39%

LAB 41.87, 2.68, 5.43

Munsell
Munsell 10YR 4-1

CMYK 0 / 9 / 16 / 58

HEX #6B615A

RGB 107 97 90 1

HSL 24.71, 0.09%, 0.39%

LAB 41.87, 2.68, 5.43

Munsell
Munsell 10YR 4-1

CMYK 0 / 12 / 10 / 38

HEX #9E8B8E

RGB 158 139 142 1

HSL 350.53, 0.09%, 0.58%

LAB 59.61, 7.66, 1.01

Munsell
Munsell 7.5RP 6-2

CMYK 0 / 17 / 12 / 20

HEX #CBA8B2

RGB 203 168 178 1

HSL 342.86, 0.25%, 0.73%

LAB 72.17, 14.4, -0.34

Munsell
Munsell 5RP 7-4

CMYK 100 / 0 / 40 / 78

HEX #003721

RGB 0 55 33 1

HSL 156, 1%, 0.11%

LAB 19.4, -23.37, 9.15

Munsell
Munsell 5G 2-6

CMYK 0 / 9 / 16 / 58

HEX #6B615A

RGB 107 97 90 1

HSL 24.71, 0.09%, 0.39%

LAB 41.87, 2.68, 5.43

Munsell
Munsell 10YR 4-1

CMYK 17 / 10 / 0 / 57

HEX #5A626D

RGB 90 98 109 1

HSL 214.74, 0.1%, 0.39%

LAB 41.24, -0.53, -7.27

Munsell
Munsell 5PB 4-2

CMYK 11 / 0 / 9 / 60

HEX #5B665D

RGB 91 102 93 1

HSL 130.91, 0.06%, 0.38%

LAB 42.03, -6.15, 3.65

Munsell
Munsell 5G 4-1

CMYK 17 / 10 / 0 / 57

HEX #5A626D

RGB 90 98 109 1

HSL 214.74, 0.1%, 0.39%

LAB 41.24, -0.53, -7.27

Munsell
Munsell 5PB 4-2

CMYK 0 / 9 / 16 / 58

HEX #6B615A

RGB 107 97 90 1

HSL 24.71, 0.09%, 0.39%

LAB 41.87, 2.68, 5.43

Munsell
Munsell 10YR 4-1

CMYK 12 / 2 / 0 / 60

HEX #5B6567

RGB 91 101 103 1

HSL 190, 0.06%, 0.38%

LAB 42.02, -3.37, -2.44

Munsell
Munsell 5B 4-1

CMYK 8 / 5 / 0 / 59

HEX #606368

RGB 96 99 104 1

HSL 217.5, 0.04%, 0.39%

LAB 41.86, -0.08, -3.24

Munsell
Munsell 5PB 4-1

CMYK 0 / 3 / 15 / 60

HEX #666357

RGB 102 99 87 1

HSL 48, 0.08%, 0.37%

LAB 41.9, -1.12, 7.24

Munsell
Munsell 10Y 4-1

CMYK 12 / 2 / 0 / 60

HEX #5B6567

RGB 91 101 103 1

HSL 190, 0.06%, 0.38%

LAB 42.02, -3.37, -2.44

Munsell
Munsell 5B 4-1

CMYK 6 / 14 / 0 / 57

HEX #665E6D

RGB 102 94 109 1

HSL 272, 0.07%, 0.4%

LAB 41.11, 6.34, -7.35

Munsell
Munsell 5P 4-2

Description

Color code: Munsell - Munsell 5R 4-1 | qconv.com Color code: Munsell - Munsell 5R 4-1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 92 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 92 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 14 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 14% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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