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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 2.5R 8-2 it is the complementary color Munsell - Munsell 2.5B 2-2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 2.5R 8-2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 2.5R 8-2: Munsell - Munsell 7.5R 8-2, Munsell - Munsell 10YR 9-1, Munsell - Munsell 2.5R 9-2, Munsell - Munsell 7.5P 9-2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 2.5R 8-2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 2.5R 8-2: Munsell - Munsell 2.5R 8-2, Munsell - Munsell 5RP 7-4, Munsell - Munsell 7.5RP 7-2, Munsell - Munsell 2.5R 6-2 and Munsell - Munsell 7.5RP 5-4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

Complementary color

CMYK 35 / 5 / 0 / 78

HEX #243437

RGB 36 52 55

HSL 189.47, 0.21%, 0.18%

LAB 20.47, -5.66, -4.02

Munsell
Munsell 2.5B 2-2

CMYK 0 / 5 / 11 / 6

HEX #F0E4D6

RGB 240 228 214 1

HSL 32.31, 0.46%, 0.89%

LAB 91.17, 1.75, 8.27

Munsell
Munsell 10YR 9-1

CMYK 0 / 7 / 8 / 3

HEX #F7E6E4

RGB 247 230 228 1

HSL 6.32, 0.54%, 0.93%

LAB 92.56, 5.44, 3.04

Munsell
Munsell 2.5R 9-2

CMYK 0 / 4 / 2 / 5

HEX #F2E9EC

RGB 242 233 236 1

HSL 340, 0.26%, 0.93%

LAB 93.11, 3.56, -0.38

Munsell
Munsell 7.5P 9-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 17 / 12 / 20

HEX #CBA8B2

RGB 203 168 178 1

HSL 342.86, 0.25%, 0.73%

LAB 72.17, 14.4, -0.34

Munsell
Munsell 5RP 7-4

CMYK 0 / 9 / 9 / 27

HEX #B9A8A9

RGB 185 168 169 1

HSL 356.47, 0.11%, 0.69%

LAB 70.3, 6.31, 1.71

Munsell
Munsell 7.5RP 7-2

CMYK 0 / 13 / 14 / 34

HEX #A89291

RGB 168 146 145 1

HSL 2.61, 0.12%, 0.61%

LAB 62.45, 8.03, 3.54

Munsell
Munsell 2.5R 6-2

CMYK 0 / 26 / 19 / 41

HEX #97707A

RGB 151 112 122 1

HSL 344.62, 0.16%, 0.52%

LAB 51.35, 17.01, 0.52

Munsell
Munsell 7.5RP 5-4

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198 1

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

Munsell
Munsell 10Y 8, 5-1

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198 1

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

Munsell
Munsell 10Y 8, 5-1

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 75 / 0 / 21 / 81

HEX #0C3026

RGB 12 48 38 1

HSL 163.33, 0.6%, 0.12%

LAB 17.14, -15.83, 2.65

Munsell
Munsell 10G 2-4

CMYK 13 / 0 / 22 / 70

HEX #424C3B

RGB 66 76 59 1

HSL 95.29, 0.13%, 0.26%

LAB 30.98, -7.7, 8.79

Munsell
Munsell 7.5GY 3-2

CMYK 2 / 0 / 10 / 53

HEX #76786C

RGB 118 120 108 1

HSL 70, 0.05%, 0.45%

LAB 49.94, -3.09, 6.33

Munsell
Munsell 5GY 5-1

CMYK 0 / 5 / 3 / 38

HEX #9E969A

RGB 158 150 154 1

HSL 330, 0.04%, 0.6%

LAB 62.86, 3.68, -1.06

Munsell
Munsell 10P 6-1

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198 1

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

Munsell
Munsell 10Y 8, 5-1

CMYK 6 / 3 / 0 / 16

HEX #C8CED5

RGB 200 206 213 1

HSL 212.31, 0.13%, 0.81%

LAB 82.5, -0.71, -4.19

Munsell
Munsell 5PB 8-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 13 / 0 / 6 / 16

HEX #BAD6C9

RGB 186 214 201 1

HSL 152.14, 0.25%, 0.78%

LAB 83.31, -11.81, 3.27

Munsell
Munsell 2.5BG 8-2

CMYK 6 / 3 / 0 / 16

HEX #C8CED5

RGB 200 206 213 1

HSL 212.31, 0.13%, 0.81%

LAB 82.5, -0.71, -4.19

Munsell
Munsell 5PB 8-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198 1

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

Munsell
Munsell 10Y 8, 5-1

CMYK 7 / 3 / 0 / 16

HEX #C6D0D6

RGB 198 208 214 1

HSL 202.5, 0.16%, 0.81%

LAB 82.9, -2.23, -4.15

Munsell
Munsell 2.5PB 8-2

CMYK 4 / 4 / 0 / 16

HEX #CFCFD7

RGB 207 207 215 1

HSL 240, 0.09%, 0.83%

LAB 83.34, 1.49, -3.96

Munsell
Munsell 10PB 8-2

CMYK 0 / 8 / 9 / 14

HEX #DBCAC8

RGB 219 202 200 1

HSL 6.32, 0.21%, 0.82%

LAB 82.63, 5.58, 3.13

Munsell
Munsell 2.5R 8-2

CMYK 0 / 1 / 10 / 14

HEX #DCD9C6

RGB 220 217 198 1

HSL 51.82, 0.24%, 0.82%

LAB 86.46, -2.22, 9.72

Munsell
Munsell 10Y 8, 5-1

CMYK 7 / 3 / 0 / 16

HEX #C6D0D6

RGB 198 208 214 1

HSL 202.5, 0.16%, 0.81%

LAB 82.9, -2.23, -4.15

Munsell
Munsell 2.5PB 8-2

CMYK 2 / 4 / 0 / 16

HEX #D1CED6

RGB 209 206 214 1

HSL 262.5, 0.09%, 0.82%

LAB 83.21, 2.5, -3.6

Munsell
Munsell 2.5P 8-2

Description

Color code: Munsell - Munsell 2.5R 8-2 | qconv.com Color code: Munsell - Munsell 2.5R 8-2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 202 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 202 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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RAL® to NCS®

convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)

nsc-logo

HKS® to RGB

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HKS® to HEX

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)

HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

Icons

Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

nsc-logo

NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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