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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 2.5R 5-10 it is the complementary color Munsell - Munsell 5BG 6-6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 2.5R 5-10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 2.5R 5-10: Munsell - Munsell 2.5R 5-10, Munsell - Munsell 5R 6-10, Munsell - Munsell 10RP 6-10, Munsell - Munsell 5R 7-8 and Munsell - Munsell 7.5R 8-6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 2.5R 5-10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 2.5R 5-10: Munsell - Munsell 2.5R 5-10, Munsell - Munsell 2.5R 4-8, Munsell - Munsell 5R 4-10, Munsell - Munsell 5R 3-10 and Munsell - Munsell 7.5R 3-12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

Complementary color

CMYK 51 / 0 / 8 / 34

HEX #53A99B

RGB 83 169 155

HSL 170.23, 0.34%, 0.49%

LAB 63.82, -29.47, -0.74

Munsell
Munsell 5BG 6-6

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 48 / 48 / 13

HEX #DE7373

RGB 222 115 115 1

HSL 0, 0.62%, 0.66%

LAB 60.81, 41.59, 19.21

Munsell
Munsell 5R 6-10

CMYK 0 / 45 / 37 / 16

HEX #D77687

RGB 215 118 135 1

HSL 349.48, 0.55%, 0.65%

LAB 60.92, 39.61, 7.74

Munsell
Munsell 10RP 6-10

CMYK 0 / 37 / 38 / 6

HEX #F09796

RGB 240 151 150 1

HSL 0.67, 0.75%, 0.76%

LAB 71.46, 33.28, 14.63

Munsell
Munsell 5R 7-8

CMYK 0 / 27 / 32 / 1

HEX #FCB9AC

RGB 252 185 172 1

HSL 9.75, 0.93%, 0.83%

LAB 80.95, 22.51, 16.13

Munsell
Munsell 7.5R 8-6

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 53 / 46 / 40

HEX #984852

RGB 152 72 82 1

HSL 352.5, 0.36%, 0.44%

LAB 41.09, 34.48, 10.04

Munsell
Munsell 2.5R 4-8

CMYK 0 / 62 / 60 / 36

HEX #A33E41

RGB 163 62 65 1

HSL 358.22, 0.45%, 0.44%

LAB 40.6, 42.02, 20.2

Munsell
Munsell 5R 4-10

CMYK 0 / 77 / 68 / 49

HEX #821E2A

RGB 130 30 42 1

HSL 352.8, 0.63%, 0.31%

LAB 29.01, 42.73, 18.67

Munsell
Munsell 5R 3-10

CMYK 0 / 89 / 82 / 44

HEX #8E0F19

RGB 142 15 25 1

HSL 355.28, 0.81%, 0.31%

LAB 29.82, 49.82, 31.02

Munsell
Munsell 7.5R 3-12

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 54 / 54 / 25

HEX #C05959

RGB 192 89 89 1

HSL 0, 0.45%, 0.55%

LAB 50.77, 41.33, 20.03

Munsell
Munsell 5R 5-10

CMYK 0 / 46 / 51 / 28

HEX #B76359

RGB 183 99 89 1

HSL 6.38, 0.39%, 0.53%

LAB 51.51, 32.72, 20.78

Munsell
Munsell 7.5R 5-8

CMYK 0 / 27 / 53 / 26

HEX #BC8959

RGB 188 137 89 1

HSL 29.09, 0.42%, 0.54%

LAB 61.05, 13.86, 33.24

Munsell
Munsell 7.5YR 6-6

CMYK 0 / 27 / 53 / 26

HEX #BC8959

RGB 188 137 89 1

HSL 29.09, 0.42%, 0.54%

LAB 61.05, 13.86, 33.24

Munsell
Munsell 7.5YR 6-6

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 50 / 41 / 12

HEX #E06F85

RGB 224 111 133 1

HSL 348.32, 0.65%, 0.66%

LAB 60.7, 46.13, 8.76

Munsell
Munsell 10RP 6-12

CMYK 29 / 0 / 51 / 78

HEX #27371B

RGB 39 55 27 1

HSL 94.29, 0.34%, 0.16%

LAB 20.99, -12.74, 15.45

Munsell
Munsell 7.5GY 2-4

CMYK 0 / 63 / 44 / 66

HEX #562030

RGB 86 32 48 1

HSL 342.22, 0.46%, 0.23%

LAB 20.92, 26.78, 2.19

Munsell
Munsell 2.5R 2-6

CMYK 0 / 45 / 46 / 44

HEX #8F4E4D

RGB 143 78 77 1

HSL 0.91, 0.3%, 0.43%

LAB 40.94, 27.12, 12.71

Munsell
Munsell 5R 4-6

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 5 / 51 / 27

HEX #B9B05B

RGB 185 176 91 1

HSL 54.26, 0.4%, 0.54%

LAB 70.95, -8.34, 44.26

Munsell
Munsell 10Y 7-6

CMYK 59 / 26 / 0 / 26

HEX #4E8BBC

RGB 78 139 188 1

HSL 206.73, 0.45%, 0.52%

LAB 55.8, -5.07, -31.55

Munsell
Munsell 5PB 5-10

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 39 / 0 / 52 / 24

HEX #76C35D

RGB 118 195 93 1

HSL 105.29, 0.46%, 0.56%

LAB 72.01, -42.89, 43.5

Munsell
Munsell 10GY 7-10

CMYK 57 / 42 / 0 / 30

HEX #4D68B3

RGB 77 104 179 1

HSL 224.12, 0.4%, 0.5%

LAB 45.27, 12.84, -42.95

Munsell
Munsell 7.5PB 4-12

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 0 / 5 / 51 / 27

HEX #B9B05B

RGB 185 176 91 1

HSL 54.26, 0.4%, 0.54%

LAB 70.95, -8.34, 44.26

Munsell
Munsell 10Y 7-6

CMYK 62 / 0 / 12 / 22

HEX #4BC7AF

RGB 75 199 175 1

HSL 168.39, 0.53%, 0.54%

LAB 73.18, -39.99, 1.87

Munsell
Munsell 5BG 7-8

CMYK 41 / 46 / 0 / 34

HEX #645CA9

RGB 100 92 169 1

HSL 246.23, 0.31%, 0.51%

LAB 43.11, 22.71, -40.41

Munsell
Munsell 10PB 4-12

CMYK 0 / 53 / 47 / 25

HEX #C05B66

RGB 192 91 102 1

HSL 353.47, 0.44%, 0.55%

LAB 51.44, 41.53, 13.22

Munsell
Munsell 2.5R 5-10

CMYK 21 / 0 / 52 / 26

HEX #94BC5B

RGB 148 188 91 1

HSL 84.74, 0.42%, 0.55%

LAB 71.57, -29.3, 44.33

Munsell
Munsell 7.5GY 7-8

CMYK 62 / 0 / 12 / 22

HEX #4BC7AF

RGB 75 199 175 1

HSL 168.39, 0.53%, 0.54%

LAB 73.18, -39.99, 1.87

Munsell
Munsell 5BG 7-8

CMYK 32 / 35 / 0 / 26

HEX #7F7ABC

RGB 127 122 188 1

HSL 244.55, 0.33%, 0.61%

LAB 54.09, 17.33, -33.99

Munsell
Munsell 10PB 5-10

Description

Color code: Munsell - Munsell 2.5R 5-10 | qconv.com Color code: Munsell - Munsell 2.5R 5-10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 91 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 91 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 47 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 47% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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nsc-logo

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

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